"Este libro es sobre un medio ciudadano, la Escuela Audiovisual de Belén de los Andaquíes (EAI), ubicada en el departamento del Caquetá, al sur de Colombia, y su rol en la creación de relaciones de confianza en una población atravesada por el conflicto armado. La hipótesis principal es que los
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medios ciudadanos, al crear espacios físicos (y virtuales) que conceden a las personas la posibilidad de contar sus historias y de ser tenidos en cuenta en el interior de su comunidad, posibilitan pensar y desarrollar proyectos de vida por fuera de los límites que permite un conflicto armado como el colombiano." (Introducción)
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"En 2018 se inició en Buenaventura, Colombia, la conformación de un semillero local de Archivos y Memoria .. A partir de 2022, el semillero se ha autonombrado Semillero Navegantes de la Memoria-Nadelam. Está integrado por líderes y lideresas sociales, jóvenes y adultos quienes, conscientes del
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papel activador y transformador de los archivos locales, se han dado a la tarea de recuperar, fortalecer, salvaguardar y poner en uso acervos documentales, tanto personales como comunitarios, que contengan información clave sobre las luchas territoriales. Con esa misión en mente y en tan poco tiempo de existencia, el semillero ha incursionado con éxito en varios procesos investigativos, todos ellos con un enfoque situado, colaborativo y popular." (Página 1)
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"Ler – no sentido pleno da etimologia latina, de 'colher com os olhos' – as páginas deste Comunicação e sociedade: métodos freirianos, é um alento em tempos em que a educação se instrumentalizou a serviço do capital e a comunicação reduziu-se à esfera da midiatização. Sobre o conjun
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to dos textos – variados em seus espectros temáticos; rigorosos na síntese que fazem da obra freiriana, tão extensa e complexa; percucientes nos argumentos e proposições habilmente apresentados –, pode-se dizer que paira a efígie de Jano. Cada um deles, a seu modo, ao mesmo tempo em que inventaria o pensamento de Paulo Freire, percorrendo seu trabalho por meio de viva interlocução, paráfrases e citações, também compulsa essa extraordinária herança em perspectiva prospectiva, isto é, projetando (atente-se para o étimo pro-jectu, “lançado para diante”) o desejo de uma sociedade mais justa, mais feliz, mais humana." (Prefácio, página 9-10)
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"The aim of this article is to show to what extent alternative audio media can be built online, not only by amateurs but also as a combination of the energy and involvement of professional journalists and the community of listeners who are ready to support them [...] The podcast Raport o stanie swia
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ta and two Internet radio stations, Radio Nowy Swiat and Radio 357 from Poland, which are analysed in this article, were born in an act of protest against the negative changes in public service broadcasting, which became a propaganda tool. They are financed by listeners via the crowdfunding platform Patronite and do not broadcast advertising. A framework for analysing their functioning is devised using, in particular, theories of the public sphere and of alternative media. The study is based on content analysis of the call-in broadcasts disseminated for the first anniversary of the stations, Radio Nowy Swiat (April 16 and July 9, 2022) and Radio 357 (January 5, 2022). Pre-structured interviews with the patrons of Raport o stanie swiata are also used. Websites and social media accounts of these initiatives, as well as press coverage and data gathered by the National Broadcasting Council in relation to Polish Radio, are analysed as well. The research found that all three initiatives Raport o stanie swiata, Radio Nowy Swiat and Radio 357, despite being started by professionals, share some of the characteristics of alternative media and can significantly change the model of audio production, financing and consumption routines in Poland." (Abstract)
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"Es necesario que el Congreso de la República expida una ley en donde se de estabilidad y seguridad jurídica a las comunidades organizadas que prestan el servicio de radio comunitaria. En la actualidad está reglamentado mediante una Resolución Ministerial, la cual es fácilmente modificable por
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el ministro de turno. Dentro de ese marco normativo se deberían establecer los lineamientos de una política pública que contenga como mínimo lo siguiente: A) Inclusión de las campañas estatales de todos los niveles territoriales en los planes de medios de cada entidad con el fin de que se destinen recursos económicos a las radios comunitarias. La inclusión del servicio público de radiodifusión sonora comunitaria como proyecto estratégico para la democracia local y la participación ciudadana en los planes de desarrollo territorial; así se garantizaría el sostenimiento económico, sin que esto afecte la autonomía del medio [...] B) La duración de las concesiones no pueden ser inferiores a las establecidas para los demás servicios de telecomunicaciones; C) Tarifas diferenciales basadas en potencia y población para el cobro de los derechos de autor, que de todas maneras no sobrepase medio salario mínimo por anualidad. Actualmente se aproximan las tarifas a dos salarios mínimos en la anualidad, resultando más costoso que los pagos por uso del espectro; D) El Fondo del MinTIC debe destinar parte de sus recursos para apoyar a las comunidades organizadas concesionarias de emisoras comunitarias para la renovación de equipos y adecuaciones tecnológicas como es el caso de la conectividad." (Conclusiones y recomendaciones, página 33-34)
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"El panorama de los medios de comunicación han cambiado: de las grandes empresas editoras de periódicos, generalmente propiedad de grupos familiares, a los medios nativos digitales financiados por los propios periodistas o por ONGs gracias a los aportes ciudadanos o iniciativas de recaudación de
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fondos y suscripciones. Este texto dibuja un panorama general de lo que significan los medios digitales y revisa las experiencias de algunos medios de Ecuador, Colombia, Perú y Argentina. En el caso ecuatoriano, se analiza la cobertura de un hecho particular -las movilizaciones de octubre 2019- por parte de tres medios: Wambra EC, La Periódica y el Centro de Medios Virtuales de la Carrera de Comunicación de la Universidad politécnica Salesiana." (Descripción de la casa editorial)
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"A publishing phenomenon and artistic project, cartonera was born in the wake of Argentina’s 2001 economic crisis. Infused with a rebellious spirit, it has exploded in popularity, with hundreds of publishers across Latin America and Europe making colorful, low-cost books out of cardboard salvaged
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from the street. Taking Form, Making Worlds is the first comprehensive study of cartonera. Drawing on interdisciplinary research conducted across Mexico, Brazil, and Argentina, the authors show how this hands-on practice has fostered a politically engaged network of writers, artists, and readers. More than a social movement, cartonera uses texts, workshops, encounters, and exhibitions to foster community and engagement through open-ended forms that are at once artistic and social. For various groups including waste-pickers, Indigenous communities, rural children, and imprisoned women, cartonera provides a platform for unique stories and sparks collaborations that bring the walls of the “lettered city” tumbling down. In contexts of stigma and exclusion, cartonera collectives give form to a decolonial aesthetics of resistance, making possible a space of creative experimentation through which plural worlds can be brought to life." (Publisher description)
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"This article explores the public value of community media in Austria. Though they fulfil various important functions in civil society, they do not enjoy the same legislative recognition and financial funding like other public-value-generating broadcasters do. For this study five normative functions
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have been developed to measure the community media’s public value: the articulation function, the participation function, the complementary function, the media literacy function and the strategies in media convergence function. In thirteen focus groups with members of fifteen Austrian community media, the strong institutionalization of the sector became just as apparent as the existence of a commonly shared self-perception. The normative functions are strongly anchored in the daily routine of the participating programme makers. So, community media in Austria clearly generate public value." (Abstract)
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"Hacemos Memoria reúne en sus asesorías a reporteros, víctimas y ciudadanos interesados en conocer y discutir sobre el pasado violento que vivieron sus comunidades. Este proyecto de la Universidad de Antioquia convirtió el periodismo participativo en una herramienta para la producción colaborat
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iva de relatos sobre hechos asociados al conflicto armado." (Página 1)
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"A new generation of Afro-Brazilian media producers have emerged to challenge a mainstream that frequently excludes them. Reighan Gillam delves into the dynamic alternative media landscape developed by Afro-Brazilians in the twenty-first century. With works that confront racism and focus on Black ch
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aracters, these artists and the visual media they create identify, challenge, or break with entrenched racist practices, ideologies, and structures. Gillam looks at a cross-section of media to show the ways Afro-Brazilians assert control over various means of representation in order to present a complex Black humanity. These images--so at odds with the mainstream--contribute to an anti-racist visual politics fighting to change how Brazilian media depicts Black people while highlighting the importance of media in the movement for Black inclusion." (Publisher description)
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"Why co-create—and why now? The many coauthors, drawing on a remarkable array of professional and personal experience, focus on the radical, sustained practices of co-creating media within communities and with social movements. They explore the urgent need for co-creation across disciplines and or
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ganization, and the latest methods for collaborating with nonhuman systems in biology and technology. The idea of “collective intelligence” is not new, and has been applied to such disparate phenomena as decision making by consensus and hived insects. Collective wisdom goes further. With conceptual explanation and practical examples, this book shows that co-creation only becomes wise when it is grounded in equity and justice." (Publisher description)
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"Este volumen tiene como objetivo crear un espacio transdisciplinario y abrir un diálogo crítico en torno a las posibilidades de la representación del subalterno en la edición cartonera. El fenómeno de las editoriales cartoneras surge en el contexto de la poscrisis en Argentina, cuando un grupo
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de artistas decide producir libros por su propia cuenta, con tapas de cartón reciclado, involucrar a los cartoneros —personas que colectan cartón en las calles para venderlo—, y así dar vida al proyecto “Eloísa Cartonera”. Este modelo de editorial alternativa y artesanal proliferó de manera impresionante en América Latina y fue incluso asociado —desde la academia— con una democratización y desjerarquización cultural. En un formato híbrido que reúne tanto contribuciones académicas como testimonios directos de los editores de cartoneras, esta colección invita a conocer a algunos de estos proyectos y reflexionar sobre su papel en el discurso dominante de la academia." (Editorial)
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"This doctoral dissertation analyzes participation in alternative media, taking the reader to the Russia of the late 2010s. Bringing together discourse theory, media and communication studies and political theory, it approaches participation in media production through the lens of performativity. Th
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e conceptualization of participation as a performance helps explore the material, embodied and spatial enactments of discourses that sustain the fragile and unstable process of production. The data of this study comprise several months of participant observations, interviews with media producers, and textual analysis of media content. The research employs a case-study method and focuses on media that explicitly delegate their participants the right to co-decide on matters of content production and internal organizing process. The three cases under study are Russia’s oldest anarchist medium Avtonom, the student medium DOXA, and the web-based zine Discours. Data analysis integrates qualitative content analysis and a discourse-theoretical approach, informed by Ernesto Laclau and Chantal Mouffe’s discourse theory alongside its subsequent developments within the Essex School. The study looks into the distribution of power in alternative media amidst an internal diversity, material constraints, and an antagonistic relationship with the state. The analysis constructs a model of participation, which shows its embeddedness into multiple and partially overlapping communities. A vibrant sociality and the potential for a further expansion of the media communities emerge as two of the key conditions of the participatory process. Furthermore, participation is supported by an ongoing performance of a multiplicity of identities, in which the more elitist articulations of journalism are intertwined with some empowering and counterhegemonic notions of media production, media producers, and the audience. Retaining a critical-explanatory focus, the dissertation explores the limits of power-sharing, such as the persistence of journalistic professionalism, the scarce resources of the media and vulnerability inflicted by the state. The static representation of the state as the major confronting force reveals the paradoxical nature of social antagonism: while mobilizing the limited resources, it also reduces participatory intensities and triggers a politics of trust that restricts access to media production. This dissertation offers a number of theoretical and empirical contributions to several fields. Some of its key insights relate to participation beyond institutional politics, the hybridity of mainstream and alternative media, the interconnection of discourse, materiality and affect, and an empirical applicability of discourse theory." (Abstract)
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"Traditional notions of journalism focus exclusively on professionals, often embedded in media outlets and publishing houses. However, preceding decades have seen transformations in the understanding of journalism. This contribution sets out to explore the role of community media in working towards
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the recognition of participatory, not-for-profit journalism, more diverse discourses and enhanced participation, especially in relation to minorities. This research draws on policy documents at the European level, reports from European projects with community media involvement as well as on interviews with community media activists and journalists. As a result, we can show strategies of bringing peripheral actors to the centre by using community media based on access and participation, social inclusion, giving a voice and media literacy development. The study proposes a model of the role of community media in shifting peripheral actors to more central positions." (Abstract)
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"There is a growing public and academic debate on the societal impacts of the internet and, in particular, social media. For its proponents, social media is a force for change, which can challenge entrenched hierarchies, redistribute power, democratize information, support mass mobilization and cont
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ribute to the building of global movements. Increasingly such positivist arguments are being questioned. Critics argue that it has become a sinister force, facilitating the spread of ‘fake news’, providing an instrument for citizen surveillance and re-enforcing neoliberal hegemony. The community development literature has barely engaged in those debates around social media that appear urgent in other disciplines. Social media has been seen as a value-free tool for broadcasting and dissemination, and neither evaluated as a force for change nor examined as an instrument of neoliberal intents. Although there is a community development literature on neoliberalism and globalization, it often accepts these, rather than critiques them, as the contexts within which community development operates. Challenging established power imbalances and enhancing citizen participation in democratic processes are purposes central to community development values. Analysis of wider literature raises questions with regard to the values embedded in the technologies from which enhanced levels of participation and engagement are expected to flow. It also raises questions about who benefits most from the affordances of these technologies. This article, drawing on an extensive literature review, presents the case for community development values to be asserted in these debates." (Abstract)
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