"Johan Deflander revient sur 25 années d'évolution du secteur radiophonique. Il montre comment les multiples nouveaux opérateurs, nombre d'entre eux se présentant comme la voix des sans voix, ont libéré la parole, mais rencontrent aujourd'hui des problèmes de pérennisation, en raison de leur
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fragilité économique. Il insiste sur l'importance fondamentale, dans cette croissance du secteur radiophonique africain, des interventions des bailleurs de fonds et ONG internationales, en mettant en avant autant les avancées que les effets pervers et les défis que charrie cette dépendance financière." (Introduction, page 7)
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"Many people in rural areas in Malawi lack access to information due to illiteracy and the unavailability of reliable sources of information. There is also an absence of a proper forum where rural ordinary people can express their views and have their voices heard. However, in communities where ther
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e are community radio stations, the stations are helping create spaces for ordinary people to participate in public life by setting up radio listening clubs (RLCs). This article examines how RLCs offer ordinary people opportunities for mediated participation in public debate and for self-representation. Based on face-to-face interviews, focus group discussions and participant observation, the article argues that the organization of listeners into RLCs by community radio stations enables ordinary people to receive and discuss crucial information and hold debate on issues of interest. As such, the RLCs possess some characteristics of the public sphere; hence the reference to them as alternative public spheres." (Abstract)
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"A lively debate on (community) radio sustainability took place on the LinkedIn platform, with more than 200 people, from all continents, sharing and discussing simultaneously in English, French and Spanish. The debate was initiated in April 2014 by the communication consultancy CAMECO, run by its t
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eam of professionals with supporting translators, and coordinated by the authors of this article for ten days." (Abstract)
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"This dissertation explores the role of community media in democratic civil society governance through an examination of participatory communications under socialist administrations in Latin America, with a primary focus on the Bolivarian government of Venezuela. In so doing, it seeks to establish a
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theoretical framework that will facilitate publicly supported democratic media systems capable of displacing hegemonic commercial and state models. One major axis of investigation is the utility of public sphere theory for the structuration of participatory media institutions that function within a system of civil society governance." (Abstract)
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"En el primer capítulo se desarrollan algunas normas de redacción radiofónica, cuyo objetivo principal es poder comunicar con la mayor claridad posible lo que tengamos que decir en nuestras notas. El segundo capítulo está dedicado a los recursos y herramientas técnicas, como los formatos y cal
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idad recomendables para las grabaciones de locución, entrevistas y sonidos ambiente. Y por último, dedicamos un tercer capítulo a una serie de recomendaciones y pautas para conocer y utilizar diversos formatos periodísticos como la entrevista, el reportaje y la semblanza." (Página 10)
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"This chapter focuses on community radio as one form of community media, and explores how citizens and activists use community radio stations for development and social change, despite the challenges of financial sustainability. First, a brief history of community radio is provided, in an internatio
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nal context; after which the chapter explores various examples of how community radio stations have been used for social change. The chapter also explores how stations having new media technologies are accommodating digital platforms, engaging with listeners via online social networking sites, and using cellphone-based systems of feedback. The chapter concludes with some reflections on the role of radio in creating a space for the formation of publics, and as a tool of resistance." (Summary)
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"Pocket FM is developed by Media in Cooperation and Transition (MICT) and IXDS as an development platform for the production of modular FM transmitters. In the following we give you an overview of the Pocket FM Story, the first Version, (up and running in Syria right now), a preview of what is plann
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ed for the next iteration and the scope of possible use cases." (Page 2)
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"Since its beginnings community media has been local media—the voices of communities that echo their interests and concerns. Survival is difficult for broadcasting community media because they most often operate on small budgets, receiving a fraction of the support which the Federal Government pro
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vides to public sector broadcasters and operating largely as a result of support from the communities they service. The broadcasting community media in Australia is more a source which fosters participation than radical idealism; it is the voice of ordinary Australians who mostly do not seek to reorient the world, but to ensure everyone gets a ‘fair go’. It is alternative in that it provides a form to promote cultural diversity within the framework of an overall national culture and in that it delivers strong local voices in a media environment which is increasingly homogenous. It has been suggested that community broadcasting needs to change if it is to continue to deliver its unique services. It needs to become more professional in order to attract a greater share of funding from government and to enhance its main sources of financial support. This is a cause of discontent within the sector, as some consider such changes will betray the principles of community media." (Executive summary)
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"In this article, I analyse the changing nature and meaning of ‘community’ in community radio in the digital age using insights from literature on imagined communities, translocality and liminality. I argue that new media technologies are opening up new spaces for community radio that go beyond
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the geographical and community of interest to embrace translocal and diasporic communities. There is thus need to interrogate the meaning of community radio in terms of audiences and programming in such new configurations. I use two community radio stations in South Africa [Bush Radio and Radio Islam] to make my arguments. I conclude by pointing to the need for new research avenues on community radio in the digital age." (Abstract)
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"This guide was prepared in Niger by the “Capitalization of good practices in support of agricultural production and food security” project. It was developed during training given to journalists – both men and women – of rural and community radio stations. The guide seeks to empower both men
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and women producers of community and rural radio stations, so that they can make quality programmes that systematically take gender into account. In Niger, as in many countries, the communications media, especially public, rural or community radio, reflect inequalities based on gender." (Introduction)
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"Nas próximas páginas queremos dar uma olhada ampla sobre a prática e os desafios da radiodifusão comunitária no Brasil e em outros países. Convidamos uma turma diversa de 11 autoras e autores, entre elas e eles jornalistas, radialistas, acadêmicos e advogadas. As suas abordagens são origina
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is, convidam-nos para conhecer a radiodifusão comunitária de perto de um ângulo tanto crítico como solidário. São expostos nos textos como organizações internacionais e nacionais influenciam sobre o acesso e o uso do espectro eletromagnético, nos contam dos problemas cotidianos das emissoras independentes no Brasil, México e nos Estados Unidos para conseguir uma outorga. E perguntam por que as rádios comunitárias reproduzem a falta de interesse no esporte feminino, não conseguem romper por completo com tendências homofóbicas da imprensa e não defendem com maior vigor o acesso de migrantes aos ondas eletromagnéticos." (Página 4)
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Provides indicators of performance along 9 parameters: 1. Content Generation and Programming; 2. Policies and Guidelines; 3. Volunteers; 4. Technology: Access and Management; 5. On-Air Standards of Broadcasting; 6. Governance; 7. Feedback and Grievances; 8. Content Sharing and Networking; 9. Revenue
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Generation and Financial Accountability. Themes such as participation, inclusion, gender, and capacity-building cut across the 9 parameters.
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