"The article argues that community development work, in the form of feminist pedagogy and community radio, can engage more women in technological roles, aid women’s confidence and mental health and possibly, improve diversity in mainstream media. In UK media, corporations are heavily criticized fo
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r their under and misrepresentation of women and, in general, their inability to engage with excluded groups. The BBC’s strategic aim is to improve inclusion and diversity by 2020. The article asserts the value of community development methods in efforts to address this. It explores concepts of voice poverty and empowerment through analysis of the narratives of twelve female community radio volunteers in Northern England.
Using Freire’s (1972) notion of ‘culture of silence’ and against the backdrop of gender inequality, the article clarifies the nature of community radio and employs a variety of literatures to understand how a feminist pedagogy (hooks, 1994) and an intersectional approach (Crenshaw, 1989) might be useful in media. It builds from Stuart Hall’s contention that media and cultural spaces can be powerful sites of social action.
Analysis of participant accounts indicates that community radio is a site of diverse identities, laughter, dialogue, raised consciousness, and conflict. This confronts not only the orthodoxy of young white, male-dominated media but also challenges romantic notions of community harmony and happiness by recognizing inherent tensions within prevailing conceptions of womanhood and within and between communities.
The article foregrounds evidence from the majority world, where community radio is well documented as giving voice to invisiblized women, and concludes with an argument for further exploration of this highly symbolic dimension of empowerment, whereby women overcome technological fears and break their silence by broadcasting diverse voices. The project challenges UK commercial and public broadcasters to learn from the global south that community radio is an effective method of development with potential to enrich the mainstream media world." (Abstract)
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"The COVID-19 pandemic and the nationwide lockdown have made community radio broadcasting more important than before. Using case studies and interviews, we explored the kind of programming adopted by selected community radio (CR) stations in India during the pandemic and how they fight fake news. We
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also analyzed other issues they addressed during this period. We identified more dedicated programming services concerning COVID-19, fake news, and mental health using two-way communication by CR stations. The latter shared personalized and fact-checked information disseminated to the community. Issues related to rising domestic violence and mental health were also highlighted in their broadcast during the nationwide lockdown. Fake news percolated quickly in the communities where most members are illiterate and have little access to fact-checked information. CR stations indeed play a pivotal role in engaging the community in verifying fake news through personalized storytelling, using folk and traditional media, and engaging COVID-19 warriors from the community to authenticate the information." (Abstract)
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"Mali’s first non-state radio went on air during the authoritarian rule of Moussa Traoré in 1988, challenging the common narrative that ties political and media liberalization together. Negotiations were conducted by Italian NGOs at a time when such organizations had become key political actors i
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n Sahelian countries. The implementation of Radio Rurale de Kayes was part of a wider infrastructural project that notably included a road. This historical account follows the metaphorical and literal association between the radio and the road in order to reflect on mobility and its constraints. Tracing the radio’s trajectory from space-making to community-building, it shows how the station managed to sustain itself thanks to its position within an emerging network of associations led by return migrants and because of how it fitted into local infrastructures of mobility, thus calling for a stronger attention to the relation between radio, the audiences it convenes, and space." (Abstract)
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"The article gives an account of the results of the first census of community radios (CR) in Chile. The official data on these stations and those collected by community radio organizations are not complete or reliable, so it is necessary to know how many radios they are, where they are located terri
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torially and what their characteristics are. The census detects 361 community radios distributed in the country. It accounts for characteristic elements and reaffirms the differences in the development of CR in Chile, in relation to other Latin American countries such as Argentina, Ecuador or Colombia, where radios occupy frequencies of the radio spectrum before the government allows it, negotiating its legalization later. It is determined that in Chile the majority of CRs initiate their transmissions and operate in accordance with the law. They are mostly small radios, since Chilean law allows them a maximum of 25 watts; Its members are mainly volunteers, with low audience participation in their management and with a weak association between them and with existing radio organizations. The article provides data that allows the development of territorial profiles of broadcasters and provides information on their technical, operational and financial characteristics, and helps to know how CRs actually work in Chile." (Abstract)
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"This study investigates a battle over music and identity at Radio Zapotitlán, a community radio station in the state of Jalisco, Mexico. An analysis of over 20 interviews with station organizers, volunteers and listeners conducted in 2009 and 2010 indicates that while organizers and older listener
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s celebrated Ranchera music as the station’s predominant musical content, younger listeners fought to broadcast contemporary Banda music. An historical and theoretical analysis of Ranchera music explores its cultural role in mediating experiences of migration and nostalgia. This study finds that Radio Zapotitlán organizers promoted Ranchera music in order to engage the national and transnational nostalgia of Zapotitlán’s displaced migrants, and to meet the expectations of government regulators and transnational nongovernmental organizations (NGOs). It concludes that local, regional, national and transnational interests cannot be disentangled in musical articulations of identity at Radio Zapotitlán." (Abstract)
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"[This publication] is a manual aimed at enhancing women’s participation and reducing gender inequalities in all aspects of the operations of community radio stations in India. This gender-sensitivity manual is an outcome of a project granted by the International Programme for Development of Commu
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nication (IPDC), UNESCO, to the UNESCO Chair on Community Media at the University of Hyderabad. As the name suggests, the overarching objective of the manual is to foster and reinforce best practices, policies, and programmes concerning gender in community radio (CR). It also seeks to ensure that the editorial content of CR stations remains gender sensitive at all times. The impetus of the project is also that the use of this gender-sensitivity manual by CR stations will contribute directly to the achievement of the key targets of the Sustainable Development Goals (SDGs), especially the stand-alone Goal 5, which aims to “achieve gender equality and empower all women and girls.” (About the manual)
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"We are proud champions of community media – Australia’s largest independent media sector. Our funding helps connect people living in major cities, regional towns and remote communities across the country. It ensures the millions of people who tune in to their local community-owned and operated
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radio stations every week are hearing local information, news, stories and voices. Our grants support a strong and thriving sector where community broadcasters are embedded in and a reflection of the diverse communities they represent and serve. This includes First Nations, ethnic and print disabled Australians, as well as those in our communities who are underrepresented in other media. This year we granted more than $20.5 million to help 278 organisations communicate, connect and share knowledge with their communities through radio, television and digital media." (Page 3)
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"'Listening in' analyses political voice and political listening against the backdrop of the media diversity debates. We focus on community media in Australia with its’ stated commitments to media diversity and to amplifying voices that are rarely heard in the mainstream. We ask to what extent the
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political voice enabled by community and alternative media is heard by decision-makers and opinion leaders in key democratic institutions of government and media." (Introduction, page 7)
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"We present a case study of a community media project development Alert4You and describe the process of fostering a local community information platform through socio-technical innovation in 4 rural and remote island communities of Santo Antão in Republic of Cabo Verde. A mix of analogous and digit
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al technologies, their affordability and accessibility open up a new space for collaboration in the community, as well as between people, researchers and engineers, that is based on ethnography and participatory design techniques. We describe the process of community information platform co-creation and appropriation in the first stages of research and deployment of community radio stations that foster participation. Participation is an ongoing interaction involving decisions concerning technologies, the actors involved, the production of the content and the institutional framework. We argue that this is influenced by several unpredictable factors and challenges which we aim to describe. The contribution this paper makes is in highlighting challenges in the design and deployment of ICT in rural and remote island communities in Africa." (Abstract)
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"The study aims to gather information and develop a better understanding of the community radio landscapes in different parts of Sub-Saharan Africa, in order to identify needs, opportunities and potential partners for developing a programme of support for community radio on the continent. The envisa
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ged programme of support should be based on a productive model that takes into account the range of circumstances in Sub-Saharan Africa, its subregions as well as the selected countries. This report presents a descriptive analysis of the community radio landscape in 11 francophone, lusophone and anglophone countries from West, East and Southern Africa." (Purpose of the study, page 12)
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"Las emisoras comunitarias y escolares están dedicadas a sembrar paz. Ellas son la voz de las comunidades y de las víctimas y, al mismo tiempo, llevan mensajes de paz, conviviencia y reconciliación a todos los rincones. Apyoarlas y fortalecerlas es una contribución invaluable a la paz. Ese es el
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propósito de esta cartilla." (Prólogo, página 3)
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"This study examined perceptions on the effectiveness, attendant challenges and remedies of community media for effective acculturation in Nigerian languages. The qualitative survey design was adopted with focus group discussions and key informant interviews of 50 purposively chosen informants. It w
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as perceived that community media could serve as veritable platform for effective acculturation in Nigerian languages since they would engender the setting of acculturation in Nigerian languages as national objective or goal. It was further held that the strengths of community media for acculturation were in being goal-defined, ensuring local content and diversification. The study identified that as palatable as the proposal for community media for effective acculturation in Nigerian languages is, it would be fraught with some set-backs or challenges that were very much surmountable. Perceptions pointed towards transient nature of community media and funding as challenges as well as multibased funding as one remedy. Immediate establishment of community media for the purpose of acculturation in Nigerian languages was recommended." (Abstract)
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"¿Qué papel tuvieron las radios comunitarias durante la pandemia? Los autores de esta publicación analizan el contexto y los desafíos de la comunicación popular en Ecuador. La infodemia, la proliferación de noticias falsas, las dificultades de los medios de comunicación tradicionales en llega
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r con información clave en la prevención de la enfermedad reactivó la importancia de las radios comunitarias. A través de ellas, en los lugares más apartados, sobre todo en la ruralidad, la población se enteró de las medidas de prevención, de las convocatorias para las pruebas de detección del virus e incluso de los decesos ocurridos a causa del Covid-19 en sus territorios. Así mismo, la radio ha tenido una importancia fundamental en la modalidad virtual de educación durante el confinamiento." (Descripción de la casa editorial)
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"Hacer comunicación participativa en Radio Vilardevoz es aprender a tomar la palabra, una palabra que ha sido encerrada y empastillada por ser considerada “delirante” o “falta de valor”. Aquí aprendemos que nuestra palabra vale y hacer radio nos permite buscar la forma de hacer llegar nues
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tro mensaje, informarnos, discutir y generar una posición colectiva. Como medio de comunicación, tenemos una intencionalidad política: liberar la locura de la enfermedad mental, cerrar los manicomios, visibilizar las condiciones de atención de la Salud Mental en Uruguay y desarrollar un dispositivo alternativo de psicología y comunicación participativa. Como radio, tenemos un proyecto comunicacional, que es la forma en que expresamos nuestros propósitos. Para esto contamos con espacios de discusión, de producción y de salida al aire. La producción radiofónica, desde una perspectiva comunitaria, supone pensar el modo en que traducimos nuestro Proyecto Político Comunicacional (PPC) en lenguaje de radio. Por eso en Vilardevoz estamos en producción permanente (se produce en los rincones del patio, en la fonoplatea, en los espacios del sábado de tarde), pero además, dentro de la radio, tenemos espacios diseñados para esa tarea. Es el caso del Taller de Producción y Sala de Redacción. La salida al aire en vivo se da los días sábados y tiene dos formatos. Desde las 9 a las 13 horas es una trasmisión con fonoplatea abierta. Esto le da características especiales a la trasmisión ya que se reciben visitas y se plantea una dinámica de diálogo entre las personas que realizan sus programas y las personas que concurren a la fonoplatea. Desde las 14 hasta las 17, la “tarde de Vilardevoz”, realizamos una salida al aire en estudio, a puertas cerradas y con programas más estructurados que se sostienen sábado a sábado." (Capítulo 1)
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"In 2020 Internews launched the Rooted in Trust project to counter rumors and misinformation about COVID-19. They commissioned Translators without Borders (TWB) to map community radio stations and investigate the language and translation challenges community radio broadcasters face when relaying off
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icial COVID-19 risk communication to their audience. To better understand these challenges, TWB conducted a survey and interviews with 65 community radio broadcasters, representing a quarter of all community radio stations across Afghanistan. Based on our survey, we mapped community radio stations and the reach of each radio signal to estimate overall radio coverage across the country. Where possible, we triangulated our findings with data from Internews’ Information Ecosystem Assessment in Kabul, Kandahar, and Herat. Community radio stations remain an important source of information, especially for rural populations, less literate individuals, and in remote provinces. During public health emergencies, broadcasters can turn into health communicators and support the relay of risk communication, but they face several challenges.
• Radio signals don’t cover all provinces: Based on the radio signals we were able to map, radio coverage doesn’t reach people equally across the country. Speakers of marginalized languages have especially limited access to radio broadcasts. Relative to population density, speakers of Turkmeni, Brahui, Balochi, and Uzbeki have especially limited access to radio broadcasts.
• Few broadcasts are in languages other than Dari and Pashto: Dari and Pashto are the main broadcasting languages, but not everyone understands them. Broadcasts in other languages are largely limited to adverts, short audio clips, and sporadic language mixing in talk shows and call-in shows. Dedicated programs providing in-depth information in another language are rare.
• Language barriers reduce the quality and timeliness of broadcasts: Community radio stations lack resources and translation capacity to broadcast in languages other than Dari or Pashto. As a result, some important information is delayed, and some is never broadcast at all. The quality and level of detail of broadcasts in other languages is also reduced.
• Broadcasters face difficulties accessing available information: Most community radio stations have limited access to the internet and experience electricity failures. This makes accessing and validating available information on COVID 19 extremely difficult. Also, background information is often passed to broadcasters in English, but with limited internet access this information can’t readily be translated.
• Information needs to be provided in plain language: Broadcasters don’t relay information that uses complicated language or technical and medical terms. New terms and complex new information around medical issues need to be rewritten and presented in plain language for a general audience. Yet community radio stations often can’t provide plain-language editing, so don’t relay more complex information." (Overview, page 1)
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"The book is a collection of perspectives and creative possibilities of programming on CR, not exclusive to disaster. The book is for anyone who believes in employing reflective creative practices as an approach to their work. It proposes a different way of seeing and listening. It also includes exe
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rcises and games that can be adapted to their own context. The book is a step forward in collectively thinking of a utopia in times of a pandemic, through creative practices." (Metamorphosis: a call for transformation)
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"El artículo aborda las reconfiguraciones de la identidad política colectiva de las radios comunitarias, populares y alternativas argentinas desde su surgimiento en la década de 1980 hasta diciembre de 2015. Para eso se parte de la siguiente hipótesis: la Ley de Servicios de Comunicación Audiov
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isual de 2009 no sólo enfrentó a las radios a una nueva situación legal, sino también a la reconfiguración de las significaciones que las dotaron de identidad. El análisis político del discurso iniciado por Laclau y Mouffe es el enfoque desde el cual comprendemos las lógicas de constitución de la identidad política de las emisoras argentinas."(Resumen)
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"Community radio in Mali and Niger represents important hubs through which organized groups (such as listening clubs or associations) access information and participate in broadcasting through active and formalized channels. Drawing on radio listener focus groups conducted in Mali and Niger between
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2018 and 2020, this article discusses the importance, to community radio, of ‘loud’ participation (formalized spaces) and ‘quiet’ participation (informal discussion spaces) amongst audiences. We argue that these ‘quiet’ forms of participation are important as they reinforce and support existing networks of solidarity in the community. Community radio stations rarely ‘hear’ listener participation via these informal spaces of discussion – which are more closely associated with women – but they are nonetheless crucial, yet overlooked, alternative forms of audience participation." (Abstract)
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