"Developed and delivered in 2021/2022, the Digital Media Arts for an inclusive Public Sphere (Digital MAPS) programme brought together three universities, a data science and software company, an international Digital Peacebuilding NGO, as well as 18 country-based media-arts initiatives, to explore local responses to affective polarisation – defined as the increasing dislike, distrust, and animosity towards those from other cultural or identity-based groups. As you will read, through Digital MAPS, we worked with young leaders from the creative and media-arts sector, across eight countries in MENA (Libya, Palestine, Jordan, Yemen, Iraq, the Occupied Palestinian Territories (OPT), Tunisia and Syria), providing them with the skills, resources and technology to understand polarisation and depolarisation approaches, conduct their own social media analysis and on the basis of this design and deliver pilot interventions to undercut affective polarisation - whether it be centred on gender, ethno-sectarian conflict, intergenerational conflict or hate speech in general. We hope the information contained here within, will be of interest to digital peacebuilding and digital cultural relations practitioners, policy makers and academics. More especially, we hope it can stimulate a conversation on the intersection between the two and the role of Cultural Relations in addressing the drivers that undermine it." (Introduction)
The pages 26-120 are not included in this copy.
Theoretical Foundations of the Digital MAPS Approach / Catherine Arthur and Stef Pukallus, 4
Participatory Action Research, Polarisation, and Social Media: Ongoing lessons from the Digital MAPS program, 14-25
Iraq Research Report, 121
Lebanon Research Report, 129