"This article makes an argument for the added value of the use of documentary film in development research communication. It draws broadly on the specific experience of the Real World film scheme developed by the Pathways of Women’s Empowerment Research Programme Consortium and Creative England, t
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o create empowering representations of women. It argues that both researchers and film-makers have much to gain by collaborating on the political project of co-crafting a visual argument, to create a nuanced and emotive end product." (Abstract)
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"A complete guide to all phases of documentary production, this is an essential handbook for student filmmakers and professional documentarians alike. Written in concise language and easy reference, the text provides a progression of real-world learning skills, including organization and design. Als
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o itemized is the necessary equipment, with technical information for universal comprehension of equipment and application" (Publisher description)
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"Esta investigación aporta a la comprensión del contexto histórico-social de la construcción del cine documental en Ecuador desde una visión que valora y entiende al cine documental como parte de la cultura visual ecuatoriana, el mundo de las imágenes, su vida social y las representaciones que
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éstas originan. La principal contribución radica en encaminar una comprensión crítica sobre la mirada que el Ecuador, como nación, construye sobre sí mismo, pues, mediante la interpretación de la representación de “lo indígena” se advierte a partir de qué visión están construyendo el mundo los hacedores de éstas imágenes, qué tipo de visión del mundo proponen esas imágenes y qué nociones sobre identidad están siendo discutidas o cuestionadas en este campo." (Editorial)
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"This working paper aims to synthesize current efforts to develop comparable evaluation methods for social issue documentary films. Authored by two researchers who have been jointly documenting the field’s transformation over the past five years, this paper offers a framework for planning and eval
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uating the impact of these films in a networked media environment [...] Drawing insights from the design thinking field—a user-focused creation process that has emerged from the commercial design field and is now being applied to create and improve social sector projects—this working paper examines state-of-the art methodologies for strategic design and evaluation of documentaries. The report’s recommendations are informed by lessons from six case studies of representative films: A Lion in the House; The Line; Lioness; Not in Our Town; Out in the Silence; and State of Fear. These are all award-winning projects featuring compelling documentary films at the center of multiplatform strategic outreach campaigns. All have been screened in traditional broadcast and/or film festival settings, as well as venues designed to engage publics and mobilize advocates relevant to the issue being addressed. These producers utilize a variety of technologies and both online and offline organizing tactics. At their most powerful, they catalyze and support issue-based networks that connect individuals with relevant organizations and empower participants not only to learn about and discuss shared problems, but to organize for action and respond to breaking developments. In this way, documentaries feed both social movements and the broader public sphere." (Introduction)
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"El objetivo de la Guía es acompañar procesos de formación en teoría y técnica audiovisual, así como en comunicación alternativa, que permitan a colectivos sociales la realización de documentales sociales participativos. La Guía se inserta bajo el paraguas de la comunicación alternativa qu
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e defiende una mayor democratización y justicia social. La comunicación alternativa promueve el derecho a la comunicación para ejercer ciudadanía activa así como la necesidad de incorporar en los medios a la diversidad de voces procedentes del conjunto de sectores sociales. En este sentido, el documental social participativo es una herramienta concreta de comunicación alternativa que facilita el acceso de colectivos sociales al derecho a la comunicación con una calidad conveniente [...] Lo que pretende la Guía es sistematizar los conocimientos y nociones básicas para que estén al alcance de la persona formadora y/o del grupo. También recoge sugerencias acerca de cómo estructurar las formaciones y la realización del documental fruto de la experiencia de decenas de procesos de realización de documentales. Al juntar conocimientos y sugerencias, la Guía espera facilitar que diversos colectivos se embarquen en la experiencia de realizar su propio documental. La Guía se dirige a las personas que facilitan y acompañan los procesos de realización del documental social participativo y/o a los propios grupos. Contar con una persona formadora facilita mucho las cosas y la Guía le permitirá estructurar el proceso. Aunque un grupo también puede asumir el reto de realizar un documental de manera autónoma, es este caso, la Guía puede acompañarle." (Introducción)
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"The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in for
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ms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes. The Documentary Handbook explains the documentary process, skills and job specifications for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional Expert Briefings it gives practical pointers about programme-making, from research, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe." (Publisher description)
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"Sorensen investigates the manner in which Chilean media and public culture discuss human rights violations committed during the dictatorship of General Augusto Pinochet (1973-1990) as well as human rights problems which still exist." (Publisher description)
"If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first antholog
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y in English on this phenomenon. Covering the People's Republic, Hong Kong, Taiwan, and the Chinese diaspora, these 12 original essays introduce and analyze the Chinese television industry, its programming, the policies shaping it, and its audiences." (Publisher description)
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"Documentary filmmaker Fadiman chronicles her more than 30 years of experience searching out practical approaches to get her productions funded, finished, and seen, balancing inspiration and commitment with financing, shooting, editing, and promotion." (Publisher description)