"Fictional TV politics played a pivotal role in the popular imaginaries of the 2010s across cultures. Examining this curious phenomenon, Sebastian Naumann provides a wide-ranging analysis of the rapidly evolving landscape of contemporary polit-series. Proposing a novel structural model of serial tel
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evision, he offers an innovative methodological framework for comparative textual analysis that integrates sociocultural, economic, sociotechnical, narratological, and aesthetic perspectives. This study furthermore explores how the changing affordances of (nonlinear) television impact serial storytelling and identifies key narrative trends and recurring themes in contemporary TV polit-fiction." (Publisher description)
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"Desde una aproximación ética, reconocidos profesionales con amplia experiencia en los medios y en organismos, como la Oficina Española de Cambio Climático o la Agencia Estatal de Meteorología, profesores doctores de catorce universidades, entre ellos una decena de investigadores del Observator
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io de la Comunicación del Cambio Climático y el director del Centro Knight de Periodismo Ambiental de la Michigan State University, abordan los asuntos propios de la especialidad aportando reflexión y claves para comunicar sobre medio ambiente y cambio climático de la mejor manera posible." (Tapa posterior)
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"Centered around Mexico as a case study, the book explores the production of political entertainment in post-authoritarian legacy media and how political and economic conditions constrain the range and edge of discourse; how political entertainment in social media is shaped by the structure of platf
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orms, as creators are encouraged to conform to specific norms such as constant publication; and the impacts of these media on attitude formation among the population. The book proposes a theoretical framework for identifying the specific conditions of post-authoritarian democracies that constrain the production of political entertainment, as well as its outcomes in terms of content and effects. This framework can be applied to the analysis of similar case studies, particularly in the Global South at large." (Publisher description)
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"This study examines the perceived relevance and implementation of competing normative ideals in journalism in times of increasing use of digital technology in newsrooms. Based on survey and content analysis data from 37 countries, we found a small positive relationship between the use of digital re
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search tools and “watchdog” performance. However, a stronger and negative relationship emerged between the use of digital audience analytics and the performance of “watchdog” and “civic” roles, leading to an overall increase in conception–performance gaps on both roles. Moreover, journalists’ use of digital community tools was more strongly and positively associated with “infotainment” and “interventionism." (Abstract)
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"Das Fernsehen ist ein politisches Medium. Es ist in seiner institutionellen Gestalt geprägt durch Entscheidungen im politischen System und durch verfassungsgerichtliche Rechtsprechung. Politische Akteure versuchen immer wieder, Einfluss zu nehmen und das Medium für eigene Zwecke zu nutzen. Gleich
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zeitig ist das Fernsehen auch auf der inhaltlichen Ebene durch und durch politisch - und das nicht nur in der dezidierten Politikberichterstattung. So prägen Nachrichten, Sondersendungen, Talk-Shows, aber auch satirische oder fiktionale TV-Formate den Blick der Rezipientinnen und Rezipienten auf Politik und Gesellschaft. Der Medienwissenschaftler Andreas Dörner zeigt, wie das Fernsehen politisch konstruiert ist und wie es zugleich selbst die politische Welt konstruiert, Identitätsangebote macht und Interpretationsfolien für das Weltgeschehen anbietet. Er analysiert auch den Wandel des Mediums im Zuge der allgegenwärtigen Digitalisierung. Das sogenannte lineare Fernsehen ist auf dem Rückzug, Mediennutzung individualisiert sich weiter und TV-Sender, Streamingdienste und Videoplattformen verschmelzen zu einem vielfältigen Bewegtbildmarkt. Aber auch mit geänderten Formen und Vertriebswegen nimmt das Medium weiterhin eine zentrale Stellung in der politischen Öffentlichkeit Deutschlands ein." (Verlagsbeschreibung)
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"In light of the controversial relationship and blurred lines between information and entertainment media, the current study’s goal aimed at qualitatively exploring media entertainment’s role in emerging adults’ political identity formation and engagement. By analyzing 55 semistructured interv
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iews from Germany, Croatia, Turkey, South Korea, and the Philippines, we examined how emerging adults in 5 countries—differing in tightness-looseness, political culture, and media freedom—explore alternative political identities (identity exploration) and commit to a set of political values (identity commitment). Across countries, notable similarities supported the notion of traditional and new forms of entertainment as universal drivers of political identity formation and engagement (e.g., informational source, broadening one’s horizon). However, idiosyncrasies of countries reflected unique cultural values, beliefs, and norms, and the benefits of media entertainment pathways to political identity development appeared to depend on political freedom and democracy." (Abstract)
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"En el Perú no ha llegado nuestro Trump, pero nadie se sorprenderá el día que aterrice. Porque aquí también show y política se han contaminado hasta no poder distinguirse. El entrevero es tal que el lector convendrá conmigo en que el premier Aníbal Torres resulta un cómico genuino, al tiemp
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o que el Cacash (Gerardo García), un youtuber de noticias satíricas, asemeja a un ciudadano serio y preocupado por el país. Los políticos dan risa y los comediantes informan. En este libro, Paul Alonso rastrea las hibridaciones entre información y entretenimiento en el Perú de las últimas tres décadas: el infotainment, un fenómeno que, después de todo, se trata de una evolución global que cuenta con exponentes admirables. El problema, en realidad, nos dice Alonso a modo de cierre, es que solo haya lugar para el infotainment. Porque si no diferenciamos entre espectáculo y política, estaremos condenados al interminable espectáculo de la política." (Editorial)
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"Esta obra colectiva de 25 capítulos cuenta con la visión de más de 60 expertos de la comunicación digital de cinco países y está avalada por grupos de investigación de universidades de primer nivel, así como de resultados de proyectos de investigación europeos e iberoamericanos. Asistimos
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a un replanteamiento de las bases del periodismo, de la gestión y transmisión de la información, de los formatos y géneros con los cuales se puede contar, incluso de cómo se hacen las noticias o de quiénes las cuentan; a la vez de explorar los fenómenos más actuales de la comunicación como la posverdad, las fake news, el storytelling, los influencers, la gamificación, el machine-learning y el big data, entre otros." (Cubierta del libro)
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"The article revisits classical debates about the positive and negative relation of popular culture and socio-political developments with regard to the Arab world. Within the Frankfurt School and modern Cultural Studies at times contradictory approaches to the role of entertainment in political cult
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ure are being debated. In Islamic and Middle Eastern Studies rather positive readings of entertainments’ political potential seem to prevail. During the “Arab Spring” the impact of participatory values promoted by both popular culture and the new social media (“entertainment is political”) appeared to be actually tangible. The article discusses the dynamic relation of entertainment television and individualization on a theoretical and empirical level. On the basis of a large body of follow-up discourses of media reception (group discussions) with young Egyptians during the time of the “Arab Spring,” we ask whether contemporary television shows promote both individualization on a cognitive, affective and practical level of experience as well as the appreciation of individualization as a social value. We argue that popular culture reveals tendencies of differentiation and modernization in Arab societies, which are all too often described as “collectivistic.” The case study shows that critical faculty, media literacy and the appreciation of individual articulation can be triggered by entertainment. Moments of “ironic pleasure” and transitions of simulated empathy and stimulated action are discussed." (Abstract)
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"This article explores how Peruvian sensational and spectacular media served the authoritarian discourse of Alberto Fujimori's government (1990-2000), and how TV infotainment evolved under democracy after 2000. Through interviews with producers and hosts of the TV shows and by reviewing specific epi
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sodes and media events, this article analyses five of the most representative Peruvian infotainment TV shows of the last two decades in Peru. Building upon a theory on media spectacle, infotainment and tabloidisation, this research shows how an increasing process of media hybridity-the blending of journalism, entertainment, politicsand popular culture-has challenged traditional notions of journalism and has become a prevalent strategy of new political communication forms in Peru, connecting with the global trend towards political infotainment in the media." (Abstract)
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"The telenovela El Candidato did not elect Vicente Fox per se but it was a very powerful media vehicle that certainly helped him. Although there were suspicions from the beginning about the telenovela’s positive support of the PRI in the context of the real election, it turns out that in fact upon
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detailed analysis key scenes and episodes of El Candidato’s general framework, the opposite proved to be true. TV-Azteca and El Candidato together negatively framed the image of the PRI and its role in ruling the country for 71 years, which then helped to underline the necessity of change. El Candidato visually explained the complexity of the social-political world even better that the politicians themselves or the press because its arguments are accompanied by images, angles, colors, music, emotions, etc. For some of those viewers-electors, the telenovela was an understandable guide to Mexican politics because the telenovela showed details related to what people thought about the PRI, politics, recent scandals and assassinations. The public mission of TVAzteca and its nightly newscast Hechos de la Noche following El Candidato resulted in sensationalizing real public events with the private goal of supporting a president close to its own interests." (Conclusion, page 23)
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"In CARGC Paper 2, Della Ratta explored how one 2013 Syrian television serial, Wilada min al-Khasira [Birth from the Waist] responded in real time to unfolding events of the Syrian revolution. She argued that the serial offers a living site for scholarly reflection on how cultural production and the
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power relations that shape it might shift, recombine, and adapt in the context of the three-year-old uprising turned into an armed conflict. Della Ratta mobilized the television serial to explore how the geopolitical relationships between Syrian and Gulf political elites had been dramatically reconfigured." (Description)
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"Anfang Mai 2012 wurde Vladimir Putin erneut ins Präsidentenamt eingeführt. Die pompöse Zeremonie unterschied sich nur graduell von seinem ersten Einzug in den Kreml im Jahr 2000. Man glaubt ihn inzwischen zu kennen. Doch Putin ist ein Verwandlungskünstler. Die mediale Inszenierung als omnipoten
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ter Herrscher, Feldherr, guter Zar und Retter seines Volkes verwendet nationale Traditionen aus vorrevolutionärer Zeit. Rückgriffe auf die internationale massenmediale Ästhetik sowie populäre Stereotypen versetzen Putin in die Rolle eines modernen Helden, Sexsymbols, Medien- und Popstars. Die symbolische Politik unter Putin ist im Zeitalter des Politainment angekommen." (Abstract)
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"This first book-length study of infotainment and its globalization by a leading scholar of global communication, offers a comprehensive and critical analysis of this emerging phenomenon. Going beyond - both geographically and theoretically - the ‘dumbing down’ discourse, largely confined to the
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Anglo-American media, the book argues that infotainment may have an important ideological role, a diversion in which ‘soft news’ masks the hard realities of neo-liberal imperialism." (Publisher description)
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"Examining the communications media and its relationship to political change in Southeast Asia, this study endeavours to provide both a regional comparative analysis and an interpretation of the mass communication media in the wake of 9/11." (Publisher description)
"Das Lehrbuch bietet eine aktuelle und verständliche Einführung in die verschiedenen Bereiche der Medienpsychologie. Neben den Grundlagen einer Medienpsychologie werden einschlägige Forschungsmethoden vorgestellt. Die spezifischen Anwendungsfelder schließen sowohl Einsatzgebiete der "klassischen
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" Medien als auch der neuen Medien ein. Im Lehrbuch werden zunächst die Grundlagen einer empirischen Medienpsychologie dargestellt, z.B. die Schlüsselkonzepte der Mediennutzung und Medienwirkung sowie der Medienkompetenz, aber auch kognitions-, emotions-, entwicklungs-, persönlichkeits- und sozialpsychologische Theorien. Weiterhin wird über die für dieses Fachgebiet spezifisch relevanten Forschungsmethoden informiert. Die Breite und Vielschichtigkeit der Forschungsfelder der modernen Medienpsychologie wird im dritten Teil des Lehrbuches deutlich. Hier vermitteln Beiträge aus dem Bereich der "klassischen" Medien als auch der neueren computerbasierten und interaktiven Medien einen umfassenden Eindruck vom breiten Spektrum der Aufgabenfelder. Themen sind z.B. Lesen, Fernsehnutzung und -wirkung, Infotainment und Edutainment, Unterhaltung, Werbung, computervermittelte Kommunikation, E-Learning und netzbasierte Wissenskommunikation, Computer- und Videospiele sowie die sozio-emotionale Dimension des Internet." (Verlagsbeschreibung)
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