"Divided into five parts, the Handbook opens with a state-of-the-art overview of the subject’s intellectual landscape, introducing the historical background, theoretical foundations, and major academic approaches to communication, media, and religion. Subsequent sections focus on institutional and
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functional perspectives, theological and cultural approaches, and new approaches in digital technologies. The essays provide insight into a wide range of topics, including religious use of media, religious identity, audience gratification, religious broadcasting, religious content in entertainment, films and religion, news reporting about religion, race and gender, the sex-religion matrix, religious crisis communication, public relations and advertising, televangelism, pastoral ministry, death and the media, online religion, future directions in religious communication, and more." (Publisher description)
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"This book explores how religion manifests itself in television. It focuses on how religious traditions, practices, and discourses have been incorporated into non-religious television programmes and how they bring both the community and the media into the fold of religion. The volume traces the cult
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ural and institutional history of television in the state of Sikkim, India, to investigate how it became part of the cultural life of the communities. The author analyses three televised shows that captured the community’s imagination and became ceremonial and religious engagement. Through these case studies, he highlights how rituals and myths function in mass media, how traditional institutions and religious practices redefine themselves through their association with the visual mass medium, and how identities based on religion, cultural tradition, and politics are reinforced, transformed, and amplified through television. The book further analyses the engagement of televised religion with audiences, its reach, relevance, and contents and its relationship with urbanity, tradition, and identity." (Publisher description)
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"In Pakistan, religious talk shows emerged as a popular television genre following the 2002 media liberalization reforms. Since then, these shows have become important platforms where ideas about Islam and religious authority in Pakistan are developed and argued. In Religious Television and Pious Au
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thority in Pakistan, Taha Kazi reveals how these talk shows mediate changes in power, belief, and practice. She also identifies the sacrifices and compromises that religious scholars feel compelled to make in order to ensure their presence on television. These scholars, of varying doctrinal and educational backgrounds-including madrasa-educated scholars and self-taught celebrity preachers-are given screen time to debate and issue religious edicts on the authenticity and contemporary application of Islamic concepts and practices. In response, viewers are sometimes allowed to call in live with questions. Kazi maintains that these featured debates inspire viewers to reevaluate the status of scholarly edicts, thereby fragmenting religious authority. By exploring how programming decisions inadvertently affect viewer engagements with Islam, Religious Television and Pious Authority in Pakistan looks beyond the revivalist impact of religious media and highlights the prominence of religious talk shows in disrupting expectations about faith." (Publisher description)
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"Religious channels in the MENA region are approximately 10 percent of all free-to-air (FTA) channels from 2012 to 2014. This is a relatively high share compared to many markets outside the region, such as the U.K., where religious channels only represent one percent of FTA channels. Religious chann
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els increased by 50 percent from 2012 to 2014 [...] The market structure and trends in religious content follow the region’s faith demographics. This is why Sunni Muslim channels are more numerous. At an overall market level, 88 percent of religious FTA television channels are focused on Islam content and the remaining 12 percent on Christian content. Of Muslim channels, 83 percent are Sunni and 17 percent are Shia. The region currently has no FTA TV channels dedicated to other faiths. Growth in religious channels remains driven by the Sunni Muslim sub-segment, which contributed almost half of new religious channels (12 out of 25 from 2011 to 2014). At the same time, the region is also seeing significant growth in Shia and Christian channels. Over the same period, the number of Shia channels more than doubled from five to eleven, and the number of Christian channels expanded more than four-fold from two to nine." (www.mideastmedia.org/industry/2016/religious)
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"This report contains the collected, examined, and produced information on the fundamental characteristics of the media and communication industries, whenever possible, in the MENA region as a whole. It typically includes 14 countries from Mauritania on the Atlantic Ocean to Oman on the Arab Gulf. F
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ive MENA countries have been selected for more detailed information: Egypt, Lebanon, Qatar, Saudi Arabia, and the United Arab Emirates. In probing the media landscape, we examine large and small countries from North Africa and the Gulf; some that are quite stable, some more turbulent; media-rich and media-poor with different regimes and degrees of media regulation. So, this report finally complements our surveys of the media audience with a close and systematic look at the media content offering, its production, and distribution. This report consists of sections for each individual medium as traditionally defined: television, film, radio, magazines, newspapers, and recorded music. With the ongoing (but not total) migration of traditional media to digital platforms, digital has a section of its own." (www.mideastmedia.org/industry/2016/about/#s68)
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"The study is based on the analysis of legends of 'Devon Ke Dev Mahadev', a mythological drama series that is shown on Indian television channel "Life OK" [...] The story revolves around Lord Shiva or Mahadev - the Lord of Lords as one of the three most powerful mythical characters. The serial is a
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popular serial because Hindu culture, like many other civilizations in the world, believes more in Devine power and the God and Goddess are the one supernatural entity. Mahadev is the obvious choice." (Page 19)
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"On the whole, it seems religious television viewing had moderate or no influence whatsoever at attitudinal level among Hindu and non-Hindu viewers. In the light of the analysis, it is argued that strongly held religious beliefs and cultural dictates would not get influenced by religious television
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viewing as it lacked religious and spiritual sanctity." (Page 17)
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"O presente artigo tem como tema central o programa Fala Que Eu Te Escuto, produzido pela Igreja Universal do Reino de Deus. Exibido diariamente no início da madrugada na Rede Record, trata-se de um programa em que o sagrado traveste-se de profano. Embora dê a impressão de ser um programa secular
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, se utilizando de todos os ingredientes típicos de um espetáculo televisivo, de forma subliminar veicula mensagens que buscam persuadir os telespectadores. Para tanto, tem como um de seus focos discursivos a demonização do cotidiano." (Resumo)
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"Religiöse Symbole und Rituale sind im Fernsehen allgegenwärtig, intensive Auseinandersetzung mit Spiritualität oder Werten der Religionsgemeinschaften eher selten. Dies ist ein zentrales Ergebnis des Forschungsprojekts »Religion im Fernsehen«, das die Thematisierungs- und Darstellungsmuster di
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eses kulturellen Phänomens in fünf Schweizer Fernsehprogrammen untersucht hat. Als erstes stellt das Forschungsteam das methodische Vorgehen und die Resultate der Studie vor, in der insgesamt 1.680 Programmstunden mittels qualitativer und quantitativer Verfahren analysiert wurden. Anschließend nehmen Wissenschaftler verschiedener Disziplinen, Experten aus dem Medienbereich sowie Religionsvertreter zu den Ergebnissen Stellung, diskutieren weitere Aspekte des Themas und gehen dabei auch auf das Fernsehen in Deutschland ein." (Verlagsbeschreibung)
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"Since the mid-1990s, the influence of satellite television broadcasting in the Middle East has become central to the shaping of public attitudes in the region and beyond. While many of the main influential mainstream satellite channels are news-focused, entertainment and religious broadcasting are
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also significant. Religious Broadcasting in the Middle East offers a synopsis of a conference held at Cambridge in January 2010. It focuses on the discourses of a selection of Islamic, Christian and Jewish religious broadcasting channels, as well as the wider factors and structures that sustain them." (Back cover)
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"¿Por qué hay tantos teleapóstoles en Guatemala? Me conformo con presentar siete líneas de investigación que nos ayudarán a responder esta pregunta. Para responder adecuadamente, también habría que contrastar la experiencia guatemalteca con otras experiencias latinoamericanas, especialmente
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la brasileira.
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"Increasingly, Pentecostal, Buddhist, Muslim, Jewish, Hindu, and indigenous movements all over the world make use of a great variety of modern mass media, both print and electronic. Through religious booklets, radio broadcasts, cassette tapes, television talk-shows, soap operas, and documentary film
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these movements address multiple publics and offer alternative forms of belonging, often in competition with the postcolonial nation-state. How have new practices of religious mediation transformed the public sphere? How has the adoption of new media impinged on religious experiences and notions of religious authority? Has neo-liberalism engendered a blurring of the boundaries between religion and entertainment? The vivid essays in this interdisciplinary volume combine rich empirical detail with theoretical reflection, offering new perspectives on a variety of media, genres, and religions." (Publisher description)
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"The growing connections between media, culture and religion are increasingly evident in contemporary society, but until now have rarely been theoretically linked. The contributors to this volume effectively combine these areas into a coherent whole. The issues they examine include: the decline of r
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eligious institutions during the late twentieth century; the increasing autonomy and individualized practice of religion; and the surge of media and media-based icons that are often imbued with religious qualities, and the ensuing effect on cultural practices." (Publisher description)
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