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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), vii, 248 pp.
Outside the Machine? Donor Values and the Case of Film in Tanzania
In: Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Mahir Saul; Ralph A. Austen (eds.)
Athens, Ohio: Ohio University Press (2010), pp. 160-177
Der brasilianische Film in Deutschland
In: Deutsch-brasilianische Kulturbeziehungen: Bestandsaufnahme, Herausforderungen, Perspektiven
Wolfgang Bader (ed.)
Frankfurt am Main: Vervuert (2010), pp. 213-222
"Zwar haben große Filme wie “Central do Brasil” oder “Cidade de Deus” die Zuschauer für den brasilianischen Blick auf die Welt sensibilisiert; dennoch müssten die kleineren Produktionen durch die Möglichkeit der Koproduktion und eine intensive Verleihförderung mit einer guten Untertitel
...
Untold Stories
Westminster Papers in Communication and Culture, volume 7, issue 2 (2010), pp. 31-50
"Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inte
...
La cooperación cinematográfica entre España y los países de América Latina y el Caribe
In: La cooperación cultura-comunicación en Iberoamérica
Enrique Bustamante (ed.)
Madrid: Agencia Española de Cooperación Internacional para el Desarrollo (AECID) (2007), pp. 207-232
Producción, coproducción e intercambio de cine entre España, América Latina y el Caribe
Top Insights
Madrid; La Habana: Fundación Carolina;Fundación del Nuevo Cine Latinoamericano (2006), 63 pp.
Soutenir le cinéma des pays du Sud: évaluation rétrospective de la coopération française dans la zone de solidarité prioritaire (1991-2001)
Paris: Ministère des Affaires Étrangères, Direction Générale de la Coopération Internationale et du Développement (DGCID) (2003), 165 pp.
Afrikanische Kinowelten: Die Dekolonisierung des Blicks
Bad Honnef: Horlemann (2001), 311 pp.
"Der erste Teil verfolgt die Entwicklung des afrikanischen Kinos von der kolonialen Vereinnahmung hin zum Afrozentrismus. Im zweiten Teil des Buches werden einzelne Filme vorgestellt und analysiert, wobei besonders auf typisch afrikanische Stilmittel wie der Gebrauch von Stille, der mündlichen Übe
...
Sous l'arbre à palabres II: Guide pratique à l'usage des cinéastes africains et du sud
Cottenchy: Caravane Éditeurs, 2nd ed. (2001), 346 pp.
'When You've Got Meat to Cook, You Go and Find Someone with Fire': The Logics of Western Aid
In: African Cinemas: Decolonizing the Gaze
Olivier Barlet
London: Zed Books (2000), pp. 260-277
Evaluation of Worldview International Foundation
Oslo: Royal Norwegian Ministry of Development Cooperation (1997), 74 pp.
"Four years after its inception, Worldview International Foundation can look back on considerable achievements in the field of video training and production. Close to 150 video productions, more than 50 people trained in the use of video, 16 mm films that have reached an audience of several millions
...
Afrique, quel marché de la culture? La production et la diffusion des biens culturels et médiatiques de l'Afrique francophone subsaharienne
Paris: Haut Conseil de la Francophonie (1996), 182 pp.
"Examine la production et la distribution de matériel culturel et multimédia en Afrique francophone subsaharienne et l'impact des nouvelles technologies sur les réseaux de communication." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 378)
Film, Video and TV Productions: A Survey of the Netherlands and Other Major Markets in the European Union
Centre for the Promotion of Imports from Developing Countries, 2nd ed. (1994), 165 pp.
Europäische Förderprogramme im Filmbereich
In: Medienkontinent Europa? III. Wissenschaftliches Colloquium des Instituts für Medienforschung der Hochschule für Film und Fernsehen "Konrad Wolf", Potsdam-Babelsberg
Peter Hoff; Dieter Wiedemann (eds.)
Berlin: Vistas (1993), pp. 49-59
Integración audiovisual en América Latina y Europa
Corto Circuito (Unión Latina, Lima), issue 16-17 (1991), 80 pp.
Cinéma et culture en Afrique
Berlin: Deutsche Stiftung für Internationale Entwicklung (DSE) (1989), 62 pp.
Film und Kultur in Afrika
Berlin: Deutsche Stiftung für Internationale Entwicklung (DSE) (1989), 56 pp.
La coopération technique en matière de presse, d'agence de presse et cinéma
Paris: Institut Français de Presse, Mémoire de fin d'études (1966), 299 pp.
"Présentation assez bien documentée de l'action de la France, de certains pays européens et des organismes internationaux en matière de presse, agences de presse et cinéma en Afrique noire francophone essentiellement — Mise au point utile." (Jean-Marie Van Bol, Abdelfattah Fakhfakh: The use o
...
Bref aperçu des services fournis par le centre pour le film et la TV-Outremer aux départements cinématographiques travaillant en Afrique : Rapport d'un colloque sur le « cinéma et l'Afrique Noire »
Bruxelles: Exposition Universelle et Internationale de Bruxelles (1958), 8 pp.
"La conception et les réalisations du centre pour le film et la TV Outremer." (Jean-Marie Van Bol, Abdelfattah Fakhfakh: The use of mass media in the developing countries. Brussels: CIDESA, 1971 Nr. 929, topic code 411)
