"The outflow of money from state/public funds to the media has for years been unreasonable and non-transparent. Therefore, the ultimate goal of the ongoing media reforms is to introduce certain control and transparency through privatisation of state-owned media and introduce co-financing of media pr
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ojects pursuing public interest." (Conclusions)
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"En una minuciosa investigación, se realiza un recorrido a través de la comunicación de gobierno de los últimos tres mandatos presidenciales y se indaga en las particularidades de un aparato comunicacional sin precedentes en la historia de la República Argentina, en el que los gobiernos de Nés
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tor Kirchner y Cristina Fernández de Kirchner se han servido, entre otras cosas, de los medios del Estado para montar una maquinaria mediática cuyo presupuesto “supera la facturación del principal multimedios del país”." (Prólogo, página 7)
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"The practicability and effectiveness of state support schemes would have to be assessed on the basis of the economic and sociopolitical context in which the different types of support and subsidies are implemented. The expansive press subsidy schemes of Northern Europe cannot be directly compared t
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o the West African support schemes or the recent Latin American efforts to deconcentrate the media landscape and support to community media. There is no automatic relationship between the economic crisis and the scaling down of state support to media. The development and implementation of support schemes depend on political will." (Conclusion, page 31)
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"As advertising revenues shift to non-journalistic platforms, news organizations face financial difficulties. To safeguard pluralism and editorial competition, alternative funding sources should be considered. Policymakers can support private media organizations with mechanisms such as tax relief or
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even direct subsidies to specific media companies. Such support need not compromise media independence if safeguards such as statutory eligibility criteria are in place. Given convergence, support for private media should also be extended to online media." (Key messages)
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"In this report, Marie-Soleil Frère surveys the news landscapes of DRC, Burundi, and Rwanda. Marshaling an impressive range of data, she examines patterns of production and consumption, the often grim realities of law and regulation, the embryonic state of media policy, the role of donors, and the
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positive impact of online platforms. Most media outlets now have an online presence. SMS has become a basic tool for reporters. Interactivity gives voice to increasing numbers of listeners. The ease of digital archiving makes it possible to create a collective media “memory” for the first time. Chinese businesses are winning tenders for infrastructure projects. Above all, the unstoppable flow of digitized information enables ever more people to learn about current events and available services. “The average news consumer in Central Africa will soon leap to new opportunities,” Frère predicts, “without having to pass through the intermediate stages of a personal computer and a fixed telephone line.” The report ends with a set of practical recommendations relating to infrastructure, strategies to reduce access costs for journalists and the public, education and professionalization, donor activity, governance, regulation, and media management." (Page 2)
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"This research project was undertaken with the purpose of exploring the ways in which government mandated programme production schemes may contribute to the capacities and sustainability of the community radio sector. The study involved a critical policy analysis of the Irish Sound and Vision Scheme
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as well as an international comparative analysis of funding schemes as organised in five other jurisdictions [...] The five jurisdictions that were selected for comparison were Austria, Canada, Denmark, France and New Zealand. The choice of schemes was shaped by the ‘method of agreement’ principle, which allows for the selection of varied national contexts (political culture and longevity of scheme, etc.) combined with the relative comparative nature of the policy under consideration. It is important to note the structural differences between the funding schemes. In Denmark, France and Canada the schemes were initiated as dedicated community media/radio production funds and legislation and policy evolved accordingly. In Austria the scheme was legislated for and developed as a dedicated community broadcasting production fund alongside a dedicated fund for the commercial broadcasting sector. In New Zealand the scheme was legislated for as a generic ‘local content’ production fund (open to community, commercial and public television and radio broadcasters) and adapted to enable a dedicated funding policy for access/community radio production within the wider scheme. In Ireland the scheme originated from legislation for a ‘national content’ production fund, open to broadcasters (community, commercial and public) and independent producers. The scheme is ‘generic’ and open to all of these sectors and is thus not a dedicated community media scheme, nor does it contain a separate scheme for community media production funding." (Executive summary, pages v-vi)
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"The Department of Communications (“DoC”) Community Radio Support Programme (“CRSP”) was initiated in 1998 and includes a range of categories of support: Infrastructure rollout to provide technical equipment to stations; Signal distribution and upgrade; Programme production support on specif
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ic areas capacity building and training; and Satellite network infrastructure support. The CRSP project has played an important role in assisting in the growth and sustainability of the community radio sector since its inception. It has helped stations to get on air by installing studios in stations and increased their sustainability through subsidising signal distribution costs, giving support for programming and providing training (both workshops organised by the DoC and through support for the National Electronic Media Institute of South Africa (“Nemisa”). The CRSP was launched before the establishment of other public entities focused on supporting the sector such as the Universal Service and Access Agency of South Africa (“USAASA”), and the Media Development and Diversity Agency (“MDDA”), and therefore filled an important gap in assisting communities to exercise their rights to own their own media." (Executive summary, page 7)
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"El precio del silencio' revela una tendencia creciente en varios países de América Latina: la interferencia “tras bambalinas” que ejercen los gobiernos sobre los medios de comunicación y la independencia editorial. Esta “censura sutil” y sus continuos efectos inhibitorios aún no han rec
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ibido la atención que merecen. Por medio del monitoreo sistemático de tales prácticas en Argentina, Chile, Colombia, Costa Rica, Honduras, Perú y Uruguay, este informe procura llenar el vacío de información existente y revelar los peligros que entraña la censura indirecta para la libertad y la independencia de la tarea periodística. El presente informe examina cómo los gobiernos de los países analizados abusan de sus facultades regulatorias y de fondos públicos para controlar a los medios, con muy poca vigilancia: utilizan la publicidad oficial para castigar a los medios críticos y recompensar a los que se muestran amigables; deniegan el acceso y la información a los periodistas que consideran “críticos”; presionan secretamente a dueños y editores de medios para que cambien sus líneas editoriales; y otorgan licencias de radiodifusión de modo tal de beneficiar a los aliados políticos y acallar a las voces independientes." (Cubierta del libro)
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"The Price of Silence exposes a growing trend across several countries in Latin America: behind-the-scenes government interference with media freedom and editorial independence. This “soft censorship” and its pervasive chilling effects have not received the attention they deserve. By conducting
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systematic monitoring of such practices in Argentina, Chile, Colombia, Costa Rica, Honduras, Peru, and Uruguay, the report seeks to fill the information gap and reveal the danger soft censorship poses to journalistic freedom and independence. The report reveals how governments in the countries examined abuse the powers of regulation and the public purse to control the press with little scrutiny: they use government advertising to punish critics and reward friendly media; deny access and information to journalists perceived as “critical”; secretly pressure media owners and editors to change their editorial lines; and grant broadcast licenses in ways that benefit political allies and silence independent voices." (Back cover)
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"Discussions on how to support sustainability of independent media generally focus on the political conditions, the legal framework and – especially in German development cooperation – on the quality of journalistic coverage. Nevertheless, economic factors are of equal importance, not only for p
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ure survival but also with respect to editorial independence and the resources available to enhance or guarantee the quality of media outlets. The German Forum Medien und Entwicklung (Media and Development) highlighted in its annual international Symposium, “Money Matters – How independent media manage to survive”, two dimensions marking economic sustainability: factors constituting a restricting or enabling media environment; factors supporting the business management of media in their endeavour to become self-sustainable." (Executive summary, page 5)
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"This study aims at facilitating cost determination and levels of support for local content production in developing countries. It is based on the collection of detailed production costs for feature films for theatrical or television release, television fictions and works of animation, documentaries
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, television magazine programmes and entertainment shows. The data collected relate to the entire production chain, including pre-production, production, post-production, royalties, duplication, dubbing, subtitling, distribution and promotional costs. The 10 countries covered are: Mexico, Colombia, Senegal, Burkina Faso, Nigeria, Egypt, Jordan, India, Cambodia and Latvia. This is a useful tool to independent filmmakers, producers, commissioners, broadcasters, donors and development institutions involved in audiovisual work." (CAMECO Update 1-2008)
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"This book aims to provide a descriptive and analytical account of subsidy policies for periodical publications in Western Europe in 2006. It sets out the position of the policymakers who design and implement such policies, of sector industrial federations and of academics specialised in media polic
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ies and economics, as presented at the First International Symposium Press Subsidies in Europe: Development, Pluralism and Transparency, held in Barcelona on 19 and 20 June, 2006, and promoted and organised by the Catalan Government (Generalitat de Catalunya via the Communication Secretariat, the Catalan Institute for the Cultural Industries and Patronat Català Pro Europa) and by the Institute of Communication of Universitat Autònoma de Barcelona." (Back cover)
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