"Short videos are very popular in China. The provincial TV stations in China use short videos to disseminate information. Curiosity about the influence of short video news is the primary motivation of this study. This paper integrates theories of news and place, focuses on local visibility, explores
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how short videos can serve as media infrastructure to report news, construct local visibility and change public life. Taking a sample of official short videos from 31 provincial TV stations in China, this paper uses the narrative analysis method to decode the videos. It is found that short videos create a unique news space which are reflected in narrative language, narrative framework and narrative theme, respectively. This study argues that the short video platform has shaped a place with public vitality, participated in local image management, and built the “visible community”. This has innovated the existing theoretical relationship between news and place, and the short video media practice of TV stations in various provinces has provided the world with the Chinese experience of creating place." (Abstract)
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"In Bosnia and Herzegovina (BiH), scholars and practitioners often cite the lack of shared narrative as a primary challenge to long-term peace. A study of the multi-ethnic, collaborative story-telling work of the Post Conflict Research Centre (PCRC), a Bosnian peacebuilding organization, however, te
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lls a different story. Instead of aiming to forge a singular narrative, PCRC weaves together multiple stories that express complex positions while driving narrative frames that show peace is possible. In a context where actors might not be ready for a joint narrative, the organization demonstrates how plural stories can co-exist, and be strategically mobilized and disseminated through diverse formats to actively engage others in peace-building processes. Identifying key narrative principles, tactics and frames employed by PCRC, this article proposes more attention is paid to how narrative can be strategically harnessed to de-stabilize the stories that drive entrenched division and to foster and cultivate a culture of peace." (Abstract)
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"La narratologie comme science de la production-analyse-diffusion du récit, touche tous les secteurs de la vie (toute discipline dont l'objet est sous forme de récit) : narratologie littéraire, médiatique, journalistique, catéchétique, éducative, psychologique, analyse et publicité narrative
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s. Cependant, avec l'essor des Histoires ou des Stories à l'ère du numérique, tout internaute peut inventer un récit. Il faut une initiation à la pratique de la narratologie comme art de faire passer efficacement une information à travers la narration d'une histoire. Dieudonné Tebangasa Apala distingue la pensée narrative de celle positiviste et montre l'évolution de la narratologie littéraire à celle médiatique. Après avoir défini le récit à partir d'Histoire et Narration, il indique les conditions de sa production, ses typologies, les méthodes d'analyse, les fonctions du personnage dans l'organisation narrative. L'auteur rappelle l'évolution de l'analyse narrative : de l'analyse structurale à celle du contenu, en passant par Paul Ricour. Il détermine le concept Storytelling (Story), son rôle, son but et son utilisation." (Description de la maison d'édition)
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"Wie Filme fesselnde Geschichten erzählen, zeigt Hagen Myller. In seinem Buch beschreibt er maßgebliche Arbeitsschritte: von der Konzeption der Handlung über die Montage bis hin zur Regie. Der Fokus liegt auf einem zentralen Aspekt, der in der filmwissenschaftlichen Literatur oft unberücksichtig
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t bleibt - der Montage, durch die Film erst Film wird. Durch sie wird aus Handlung Erzählung und aus Bildern eine Geschichte. Filme drehen vermittelt Schlüsselkonzepte des Filmemachens, die für Produzent:innen, Regisseur:innen, Autor:innen und Cutter:innen relevant sind." (Verlagsbeschreibung)
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"This Handbook presents a transnational and interdisciplinary study of refugee narratives, broadly defined. Interrogating who can be considered a refugee and what constitutes a narrative, the thirty-eight chapters included in this collection encompass a range of forcibly displaced subjects, a mix of
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geographical and historical contexts, and a variety of storytelling modalities. Analyzing novels, poetry, memoirs, comics, films, photography, music, social media, data, graffiti, letters, reports, eco-design, video games, archival remnants, and ethnography, the individual chapters counter dominant representations of refugees as voiceless victims. Addressing key characteristics and thematics of refugee narratives, this Handbook examines how refugee cultural productions are shaped by and in turn shape socio-political landscapes." (Publisher description)
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"Chinas Streben nach weltweiter medialer Dominanz und Diskursmacht ist eine konkrete Gefahr für demokratische Länder. Wenn sich Demokratien dem nicht widersetzen, werden chinesische Bürgerinnen und Bürger jegliche Hoffnung auf Pressefreiheit im eigenen Land verlieren und der Journalismus, wie wi
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r ihn kennen, wird künftig mit chinesischer Propaganda konkurrieren. Auch in Deutschland gibt es Beispiele dafür, wie China versucht, die Medienberichterstattung im eigenen Sinne zu beeinflussen, etwa durch Medienkooperationen, gemeinsame Sendungen oder China-freundliche Beilagen in Zeitungen. Auch die chinesische Botschaft in Deutschland kommentiert und kritisiert auf ihrer Webseite immer wieder deutsche Medienberichte. Im zweiten Kapitel werden vor diesen Erfahrungen verschiedene Kooperationsformen typologisiert sowie Empfehlungen an Journalistinnen, Journalisten und Medienhäuser ausgesprochen, inwieweit und unter welchen Voraussetzungen Kooperationen möglich sein könnten. Eine Gefahr - bei allen Kooperationstypen und auch allgemein in der Berichterstattung - ist die unkritische Übernahme von chinesischen Narrativen. Daher soll das dritte Kapitel für Argumente und Deutungsrahmen (sog. Frames), die für chinesische Propaganda kennzeichnend sind, sensibilisieren und alternative Darstellungen und Argumentationen anbieten. Denn ausländische Medien spielen eine wichtige Rolle dabei, Propagandainhalte zu verbreiten - eine Methode, die in Peking einen eigenen Namen hat: "ein Boot leihen, um auf den Ozean hinauszufahren". Chinas Vorhaben könnte dazu führen, dass sich teils auch subtile Narrative und ein bestimmtes, dem chinesischen Regime wohlwollendes Vokabular verbreiten und durchsetzen kann." (Seite 3-4)
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"The trending hashtags analysed in this study all appeared at the onset of the Covid-19 pandemic in 2020, when a range of Western media suggested that the African continent would be hit worst. However, as Western nations (such as the US and the UK) struggled under increased disease burden, content s
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uch as the #DontRushChallenge, #DontLeaveMeChallenge and #JerusalemaChallenge kept global social media audiences entertained and aware. These challenges should not be underestimated for their subversion of the idea of what popular narratives Africans can produce and engage in. The fact that a gospel Zulu song became an anthem for collective Covid-19 solidarity and entertainment is significant. Many users would not have understood the words of the song or identified the religious genre it belonged to. But the song's Creolisation of African cultures, through its infusion of Angolan dance techniques created a hybrid African cosmopolitan aesthetic that was easy for others to partake of. Thus emerged a sort of “solidarity from below”, as discussed in the literature review." (Discussion, page 11)
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"Dominant narratives promoting economic growth at the expense of state institutions and basic social services have long underpinned a neoliberal model of spiralling debt and austerity in the MENA region. This exacerbates political capture and inequality and takes shape in an environment of media con
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centration and shrinking civic space. It is important for change movements to understand dominant narratives in order to challenge and shift them. With the right tools, civil society organizations, activists, influencers and alternative media can start changing the myths and beliefs which frame the socio-economic debate and predetermine which policy options are accepted as possible and legitimate, and which are not." (Abstract)
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"Narratives, both personal and social, guide how we live and how we are acculturated into our social worlds. As we make changes in our lives, our personal stories change and, in turn, have the potential to influence the social narratives of which we are a part. Likewise, when there are changes in th
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e culture and social worlds around us, that social narrative changes, thereby affecting our personal narratives. In other words, personal and social narratives are strongly linked and mutually influence each other. We may feel and know these transformations take place and understand the ways in which our lives are affected. However, we often struggle to document these shifts. This article suggests using the practical theory, Coordinated Management of Meaning (CMM) (Pearce, 2007), for narrative analysis to identify and surface personal and social narrative transformations." (Abstract)
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"The scan identified eight core findings: 1. Both positive and negative narratives use a moral framework as a justification and trigger to tap into values. Both welcoming and restrictive narratives can be rooted in a view of what is right—for instance, calling for generosity or compassion toward r
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efugees because of humanitarian values, or arguing for penalties for irregular or unauthorized immigrants because of a commitment to law and order. 2. Many positive migration narratives invoke feelings of national pride rather than attempting to “sell” concrete benefits of migration. In many countries, top-down stories about migration tap into (and affirm) core notions of national identity (such as humanitarianism or diversity) and attempt to invoke pride (such as being a nation of immigrants). Other pro-migration narratives take a more transactional approach by highlighting how immigration reaps benefits for receiving societies, often focusing on migrants’ economic contributions. 3. Elite, top-down messages about migration often clash with views on the ground. Many government leaders spread messages about the benefits of migration, but these do not always align with people’s lived experiences. And in many places, the public has a fundamental mistrust of government or perceives that policymakers have failed to effectively manage migration challenges, which can also spark skepticism. 4. Narratives about migration are not always ideologically driven; they can be motivated by political pragmatism or used to advance other political or policy goals. Political rhetoric on migration is not always connected to ideology or values per se, but may instead be used as a calculated means to advance other policy goals (such as boosting foreign aid, gaining votes, or maintaining political power). The link to political pragmatism may offer an important clue as to why certain messages are amplified in certain settings and with certain audiences but not others. 5. The most dominant threat narratives are driven by insecurity—whether related to economics, culture and identity, personal safety, or national security. The stickiest negative narratives about migration are often interwoven with perceived threats to security (for instance, anxiety about jobs and resources, crime, or about changes to culture or social norms), even if these threats are not well supported by data. Threats to personal safety and security or economic livelihoods can be highly destabilizing, even if they are episodic or only affect a small number of people—and these fears are not easily defused with contrary evidence [...]" (Executive summary, page 3)
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"Inspired by methods used in risk assessment, this paper suggests a structured professional judgment approach (SPJ) to facilitate the decision-making process in expert group settings tasked with the development of narrative-based countering violent extremism (CVE) products. The added value of this c
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oncept is to systematically apply the relevant knowledge distributed among the literature and identify the strengths and weaknesses of the narrative-based CVE product in early stages like the baseline assessment. This may enable campaigners to avoid expensive mistakes and accelerate the development of products. A tentative checklist is provided. Furthermore, indicators for monitoring and evaluation are suggested." (Abstract)
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"This research project contributes to the CVE (countering violent extremism) literature by studying narratives as tools of reflections on self-identity designed intentionally within gaming exercises to help contextualize and account for as much environmental complexity as possible. This paper provid
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es theoretical understandings of narratives (and their role in our lives), discusses narratives as they relate to violent extremist ideologies, and proposes how narrative reflections may serve as a deradicalization tool within cooperative games. Additionally, this article highlights elements of narrative reflection within current CVE resources and provides a list of exercises (games) that can be used in the field to promote narrative reflections." (Abstract)
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"The literature on African youth narratives about Africa is sparse. Only one report in the literature review focussed on youth narratives, and it indicated that youth did not value their own stories, but relied on western tropes in storytelling. We came across nine recent reports based on attitudina
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l surveys (six of which were done by the British Council) but they did not explore youth narratives, and also mainly interviewed youth in higher education, even though the bulk of African youth are not in higher education. Nevertheless, we found 23 journal articles, book chapters and theses on African youth identity, which will be explored in more depth in this report." (Executive summary)
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