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Digital Platform Regulation: Global Perspectives on Internet Governance

Terry Flew, Fiona R. Martin (eds.)

Cham: Palgrave Macmillan (2022), xvii, 319 pp.

"Once a specialised and niche field within internet and digital media studies, internet governance has in recent years moved to the forefront of policy debate. In the wake of scandals such as Cambridge Analytica and the global 'techlash' against digital monopolies, platform studies are undergoing a ... more

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Observatório Ibero-americano da Ficção Televisiva (OBITEL) 2021. Ficção televisiva ibero-americana em tempos de pandemia. Ficción televisiva iberoamericana en tiempos de pandemia
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Maria Immacolata Vassallo de Lopes, Morella Alvarado Miquilena (eds.)

Santiago de Chile: Editorial Universidad Católica de Chile (2021), 483 pp.

"La comparación con los años previos pone en evidencia el brutal desplome de la producción durante 2020 a raíz de los confinamientos y otras restricciones debidos a la pandemia de COVID-19. Tomada como un todo, la exhibición nacional de estreno cayó respecto de 2019 en un 41%, pero en algunos ... more

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The Evolution of Entertainment in India

Kumud Ghosal, Jeevika Kapadia, Ashwini Sirsikar, Sasha Francis

Ipsos (2020), 11 pp.

"Television was introduced in India in 1959 but for many years it was limited to state-owned broadcaster Doordarshan, which had one channel with twice-weekly, one-hour programs. However, there has been a marked shift in the television entertainment options available in India today, with 48 paid-for ... more

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Observatório Ibero-americano da Ficção Televisiva (OBITEL) 2019. Modelos de distribuição da televisão por internet: Atores, tecnologias, estratégias
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Maria Immacolata Vassallo de Lopes, Guillermo Orozco Gómez (eds.)

Porto Alegre: Sulina (2019), 390 pp.

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Global Media and Cultural Policy: The European Union and Audiovisual Industries in the Global South

Benjamin A. J. Pearson

Ann Arbor, MI: University of Michigan, Doctoral Thesis (2019), viii, 193 pp.

"This dissertation explores audiovisual assistance programs through an examination of the largest such program: the EU’s ACPCultures+, which since 2008 has awarded over 50 million Euros to nearly 60 audiovisual training programs, distribution initiatives, and production projects in sub-Saharan Afr ... more

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Ibero-American Observatory of Television Fiction Obitel 2018: Ibero-American TV Fiction on Video on Demand Platforms
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Maria Immacolata Vassallo de Lopes, Guillermo Orozco Gómez (eds.)

Porto Alegre: Sulina;Globo Comunicação e Participações (2018), 410 pp.

"This Yearbook is divided into three parts. The first is an introduction chapter, containing a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view, which makes possible to observe the development of fiction in each count ... ry, highlighting their main productions, as well as the theme of the year. The second part consists in 11 chapters, one for each country, with an internal structure of fixed topics, but with new additions every year. The sections that compound each chapter are the following: 1) Country’s audiovisual context: this section presents general information about the audiovisual sector regarding the production of television fiction, such as history, trends and relevant events. 2) Analysis of premiere fictions: it is made through quantitative tables that show specific data about national and Ibero-American TV fictions released in each country. In this section the ten most watched titles of the year are highlighted. Since 2017, the Yearbook also brings the five most watched national productions of the year in an effort to enhance and deepen the issue of national identities in each country. 3) Transmedia reception: this section presents and exemplifies what channels offer to the audience fiction on the internet, as well the description of the audience’s behavior when watching, consuming and interacting with their fictions through websites, social networks and other platforms. 4) Highlights of the year: the most important productions not only in terms of audience (rating), but also for their sociocultural impact and for generating innovation in television fiction production or reception. 5) Theme of the year, which this year is Ibero-American TV fiction on video on demand platforms. This theme converges with the interests of Obitel, which for years has been following the trajectory of Ibero-American television fiction by rapidly changing scenarios. Multiple screens, transmissions, new formats, pay TV, UGC, among other topics, have been monitored and analyzed theoretically by each Obitel country research group. In this Yearbook, the proposal is to discuss production on video on demand platforms (VoD), addressing new forms of distribution and consumption. The objective was to verify the panorama of VoD production and consumption in the Obitel countries and the presence of national fiction on these platforms. In order to do so, we attempted to identify the reconfigurations that are occurring in the television scenario of each country in the face of new platforms of production, distribution and audiovisual consumption. Such reconfigurations take place from production to reception, from narrative forms to business models, to debates on legislation and regulation." (Pages 21-22) more

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African Cinema on Demand? The Politics of Online Distribution and the Case of the African Film Library

Alexander Fisher

Journal of African Media Studies, volume 10, issue 3 (2018), pp. 239-250

"This article considers the impact of online distribution on the long-term availability and preservation of African cinema. It examines the case of Electronic Media Network’s (M-Net) African Film Library (AFL), a video-on-demand (VOD) library of classic African films that was launched in 2012, but ... more

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The State of Video

New York: GroupM (2017), 46 pp.

"Video, particularly linear television, remains the dominant form of entertainment and, as many “web-endemic” businesses will confirm, the dominant vehicle for brand building among all advertising channels. All over the world, however, the supply of high-rating, passively consumed, linear-delive ... more

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Online Video Forecasts 2015

Anne Austin, Jonathan Barnard, Nicola Hutcheon

London: ZenithOptimedia (2015), 85 pp.

"This report gives forecasts for online video spend and consumption, where available, for 40 markets in which online video is at varying stages of development. From markets such as Singapore, where 85% of the population claims to access online video (according to GlobalWebIndex, 2014), to countries ... more

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Online Filme produzieren: Geschäftsmodelle im Zeitalter der Digitalisierung

Joachim Knaf

Konstanz: UVK (2010), 219 pp.

"Die Filmproduktion befindet sich im Umbruch: Die Anzahl der Marktteilnehmer und Distributionswege wächst, gleichzeitig sinkt aber das Produktionsvolumen der Sender für unabhängige Filmhersteller. Joachim Knaf analysiert die bestehenden Geschäftsmodelle der AV-Produzenten und stellt mit einem Fa ... more