"This Yearbook is divided into three parts. The first is an introduction chapter, containing a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view, which makes possible to observe the development of fiction in each country, highlighting their main productions, as well as the theme of the year. The second part consists in 11 chapters, one for each country, with an internal structure of fixed topics, but with new additions every year. The sections that compound each chapter are the following: 1) Country’s audiovisual context: this section presents general information about the audiovisual sector regarding the production of television fiction, such as history, trends and relevant events. 2) Analysis of premiere fictions: it is made through quantitative tables that show specific data about national and Ibero-American TV fictions released in each country. In this section the ten most watched titles of the year are highlighted. Since 2017, the Yearbook also brings the five most watched national productions of the year in an effort to enhance and deepen the issue of national identities in each country. 3) Transmedia reception: this section presents and exemplifies what channels offer to the audience fiction on the internet, as well the description of the audience’s behavior when watching, consuming and interacting with their fictions through websites, social networks and other platforms. 4) Highlights of the year: the most important productions not only in terms of audience (rating), but also for their sociocultural impact and for generating innovation in television fiction production or reception. 5) Theme of the year, which this year is Ibero-American TV fiction on video on demand platforms. This theme converges with the interests of Obitel, which for years has been following the trajectory of Ibero-American television fiction by rapidly changing scenarios. Multiple screens, transmissions, new formats, pay TV, UGC, among other topics, have been monitored and analyzed theoretically by each Obitel country research group. In this Yearbook, the proposal is to discuss production on video on demand platforms (VoD), addressing new forms of distribution and consumption. The objective was to verify the panorama of VoD production and consumption in the Obitel countries and the presence of national fiction on these platforms. In order to do so, we attempted to identify the reconfigurations that are occurring in the television scenario of each country in the face of new platforms of production, distribution and audiovisual consumption. Such reconfigurations take place from production to reception, from narrative forms to business models, to debates on legislation and regulation." (Pages 21-22)