"En este libro, creado a muchas manos, nos centramos en la Comunicación Comunitaria, en sus aportes teóricos, epistémicos, políticos, metodológicos y prácticos, pensándola centralmente de cara a las organizaciones y movimientos sociales. Académicamente, este libro se gesta en el marco de la
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actividad de investigación denominada Comunicación Comunitaria: contribuciones teórico-epistémicas, inscrita en el Programa de Investigación llamado Procesos de Comunicación y Organización (PCO), del Centro de Investigación en Comunicación (CICOM) de la Universidad de Costa Rica (UCR). El objetivo de la publicación es divulgar procesos y resultados de investigación académica reciente, así como ofrecer una serie de reflexiones teórico-epistemológicas, perspectivas críticas y experiencias prácticas vinculadas a la comunicación organizacional en clave comunitaria, para apoyar los procesos formativos de la Escuela de Ciencias de la Comunicación Colectiva (ECCC), de la Universidad de Costa Rica (UCR), tanto en el bachillerato como en la licenciatura y el posgrado." (Presentación, página 7)
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"This volume, Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds, tells stories of women who have worked with and within communities to bring the communities’ stories to life through screenwriting. In gathering these examples, we asked for stories that achieved some level
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of impact for the communities. Impact was considered across a number of indices. We wanted to show that attitudes have shifted, policies have been rewritten and the life experiences and ranges of possibility for some have changed for the better as a result of women’s work. We hope to show through our stories that film can change lives; that sharing stories matters; and that women are everywhere, using their skills in screen production for the good of many.
In her excellent book, Women in the International Film Industry: Policy Practice and Power, Susan Liddy (2020) offers ‘a wide-ranging, critical assessment of practice, policy and progress’ to establish the range and scale of gender inequality that currently exists in the world of screen production. She quotes O’Neill and Domingo (2015) to point out that social, economic and political conditions vary, and ‘combine in different ways to enable or constrain women’s agency and leadership’ in screen production (Liddy 2020: 1). In contrast, our book approaches the same problem from the opposite perspective: we seek to correlate the ‘policy, practice and power’ (Liddy 2020) with the actual work of women screenwriters. Our aim is to point out what women screenwriters, creators and filmmakers are doing in disparate corners of the world, and how their effort is positively impacting communities, shaping culture and creating change.
We argue that, despite the fact that women screenwriters are underrepresented in leadership roles in film industries worldwide, the impact of their films remains visible and palpable. We provide evidence that, as women step into the roles of screenwriter, filmmaker and collaborator, using known and emerging technologies, formats and genres under the broad scope of ‘screen production’, they raise the voices of other women and other communities. This volume shows the impact of women’s voices in creating real change for the communities whose stories are told through the topics and themes of these women’s screen works. Not least, this volume seeks to celebrate these women and their communities and bring awareness of that impact to broader communities worldwide." (Introduction, page 1)
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"This book offers an in-depth view of how intricate and intractable conflicts can be and how the communicative aspects of conflict are equally challenging. The author reviews and guides readers through classic and contemporary analysis in the field, providing a truly interdisciplinary work. Handbook
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of Conflict and Peace Communication is divided into five navigable sections - Theory Development, Method Development, Traditional/Digital Media and Peace and Conflict, Case Studies, and Innovative Approaches - that help illuminate workable and innovative peace communication strategies relevant to today's conflicts. Readers will also find: informative contributions from a collection of outstanding scholars, practitioners, and activists; comprehensive explorations of past conflict communication theory in the context of contemporary theory; practical tools to navigate complex local and global conflicts; in-depth examinations of strategies of peace communication from the margins that acknowledge and elevate solutions for and from the most vulnerable." (Publisher description)
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"This report presents findings from the third wave of the Worlds of Journalism Study (WJS3), conducted between 2021 and 2025. In this iteration, we focused on journalists’ perceptions of risk and uncertainty in their profession and sought to identify key factors that shape how journalists navigate
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journalism’s changing environment. These risks and uncertainties arise from four partially overlapping domains: politics, economy, technology, and news consumption. Accordingly, the WJS3 questionnaire addressed journalists’ safety, editorial freedom, professional roles, news influences, and labor conditions. Our survey confirms that journalism is under pressure. Journalists worldwide are often undercompensated, and more than one-third engage in secondary employment. Economic pressures on news organizations have intensified in most countries. Nearly half of journalists have been targeted with hate speech, while psychological, physical, and digital threats are more prevalent in the Global South than in the Global North. More than 300 researchers from 75 countries participated in WJS3. This report provides a concise overview of key global findings. Subsequent publications will analyze specific topics in greater depth; please visit worldsofjournalism.org for more information." (Foreword, page 4)
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"Imagining AI: How the World Sees Intelligent Machines is the first volume showcasing research into how different cultures around the globe envision life with artificial intelligence. AI is now a global phenomenon. Yet Hollywood narratives dominate perceptions of AI in the English-speaking West and
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beyond, and much of the technology itself is shaped by a disproportionately white, male, US-based elite. However, different cultures have been imagining intelligent machines since long before we could build them, in visions that vary greatly across religious, philosophical, literary and cinematic traditions. This book aims to spotlight these alternative visions. Imagining AI draws attention to the range and variety of visions of a future with intelligent machines and their potential significance for the research, regulation and implementation of AI. The book is structured geographically, with each chapter presenting insights into how a specific region or culture imagines intelligent machines. The contributors, leading experts from academia and the arts, explore how the encounters between local narratives, digital technologies, and mainstream Western narratives create new imaginaries and insights in different contexts across the globe. The narratives they analyse range from ancient philosophy to contemporary science fiction, and visual art to policy discourse. The book sheds new light on some of the most important themes in AI ethics, from the differences between Chinese and American visions of AI, to digital neo-colonialism. It is an essential work for anyone wishing to understand how different cultural contexts interplay with the most significant technology of our time." (Publisher description)
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"In Latin America, the production of telenovelas and TV series about the region's recent and traumatic past has grown considerably in the last 20 years, affecting societal perceptions of the past, historical consciousness, and political culture. While these TV products are usually perceived as trivi
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al, they do provide a historical framework to a wide audience, which finds it easier to relate to the national past through fiction than through history books, journalistic articles or documentaries. Latin America’s Contested Pasts in Telenovelas and TV Series analyzes the historical culture of Latin American society embodied in telenovelas and TV series from the 1960s to this day. It compiles regional case studies on the televised representation of 20th-century dictatorships in Chile, Argentina, and Brazil, as well as the war against drug trafficking and the armed conflict in Colombia. Highlighting the political and social relevance of fictional television, the contributions offer interdisciplinary insights into its discourses and narratives, from the heroization of criminals to the search for reconciliation and the construction of a historical memory." (Publisher description)
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"How can current debates on ‘media capture’ be understood within the contexts of Africa and Latin America? This edited collection provides a nuanced exploration of media capture—a critical yet contested concept that examines and illuminates how media can become skewed in favour of power—whil
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e also highlighting spaces and strategies of resistance. By adopting a South-South perspective, it brings together scholars focused on these issues in both regions, featuring a dialogue between two leading scholars, Herman Wasserman and Silvio Waisbord in the Foreword. The book not only demonstrates how media practices in Africa and Latin America are influenced by the political economy of their media systems, but also contributes significantly to advancing empirical, theoretical, and comparative research on media in non-Western settings." (Publisher description)
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"Este livro celebra a trajetória acadêmica das mulheres que ajudaram a construir o campo da Comunicação no Brasil. Organizado por regiões, os volumes resgatam as histórias de pesquisadoras que, como fundadoras e consolidadoras, desafiaram estruturas e deixaram sua marca na produção de conhec
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imento. A iniciativa dá visibilidade a essas mulheres, destacando suas contribuições para o ensino, a pesquisa e a extensão universitária, ao mesmo tempo em que preserva a memória de sua atuação no desenvolvimento da área." (Verso)
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"In 'Media Compass: A Companion to International Media Landscapes', an international team of prominent scholars examines both long-term media systems and fluctuating trends in media usage around the world. Integrating country-specific summaries and cross-cutting studies of geopolitical regions, this
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interdisciplinary reference work describes key elements in the political, social, demographic, cultural, and economic conditions of media infrastructures and public communication. Enabling the mapping of media landscapes internationally, Media Compass contains up-to-date empirical surveys of individual countries and regions, as well as cross-country comparisons of particular areas of public communication. 45 entries, each guiding readers from a general summary to a more in-depth discussion of a country’s specific media landscape, address formative conditions and circumstances, historical background and development, current issues and challenges, and more." (Publisher description)
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"Im Amazonasgebiet, abgelegen von den brasilianischen Metropolen, hat sich eine lebendige Rap-Szene etabliert. Anders als im Großstadt-Rap geht es in ihren Texten weniger um soziale Ungleichheit, sondern vor allem um Umweltzerstörung und kulturelle Identität." (Einleitung)
"• Engagement with traditional media sources such as TV, print, and news websites continues to fall, while dependence on social media, video platforms, and online aggregators grows. This is particularly the case in the United States where polling overlapped with the first few weeks of the new Trum
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p administration. Social media news use was sharply up (+6pp) but there was no ‘Trump bump’ for traditional sources.
• Personalities and influencers are, in some countries, playing a significant role in shaping public debates. One-fifth (22%) of our United States sample says they came across news or commentary from popular podcaster Joe Rogan in the week after the inauguration, including a disproportionate number of young men. In France, young news creator Hugo Travers (HugoDécrypte) reaches 22% of under-35s with content distributed mainly via YouTube and TikTok. Young influencers also play a significant role in many Asian countries, including Thailand.
• News use across online platforms continues to fragment, with six online networks now reaching more than 10% weekly with news content, compared with just two a decade ago. Around a third of our global sample use Facebook (36%) and YouTube (30%) for news each week. Instagram (19%) and WhatsApp (19%) are used by around a fifth, while TikTok (16%) remains ahead of X at 12%.
• Data show that usage of X for news is stable or increasing across many markets, with the biggest uplift in the United States (+8pp), Australia (+6pp), and Poland (+6pp). Since Elon Musk took over the network in 2022 many more right-leaning people, notably young men, have flocked to the network, while some progressive audiences have left or are using it less frequently. Rival networks like Threads, Bluesky, and Mastodon are making little impact globally, with reach of 2% or less for news.
• Changing platform strategies mean that video continues to grow in importance as a source of news. Across all markets the proportion consuming social video has grown from 52% in 2020 to 65% in 2025 and any video from 67% to 75%. In the Philippines, Thailand, Kenya, and India more people now say they prefer to watch the news rather than read it, further encouraging the shift to personality-led news creators.
• Our survey also shows the importance of news podcasting in reaching younger, better-educated audiences. The United States has among the highest proportion (15%) accessing one or more podcasts in the last week, with many of these now filmed and distributed via video platforms such as YouTube and TikTok. By contrast, many northern European podcast markets remain dominated by public broadcasters or big legacy media companies and have been slower to adopt video versions.
• TikTok is the fastest growing social and video network, adding a further 4pp across markets for news and reaching 49% of our online sample in Thailand (+10pp) and 40% in Malaysia (+9pp). But at the same time people in those markets see the network as one of the biggest threats when it comes to false or misleading information, along with Facebook.
• Overall, over half our sample (58%) say they remain concerned about their ability to tell what is true from what is false when it comes to news online, a similar proportion to last year. Concern is highest in Africa (73%) and the United States (73%), with lowest levels in Western Europe (46%).
• When it comes to underlying sources of false or misleading information, online influencers and personalities are seen as the biggest threat worldwide (47%), along with national politicians (47%). Concern about influencers is highest in African countries such as Nigeria (58%) and Kenya (59%), while politicians are considered the biggest threat in the United States (57%), Spain (57%), and much of Eastern Europe." (Executive summary, page 10-11)
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"[...] Pedro Jerónimo’s anthology addresses a highly relevant topic. It offers insights into the state of local media in countries where little research has been published to date. Of the eight contributions in the volume, four focus on Europe and Latin America (Romania, Portugal, Europe, and Bra
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zil), while the other four examine China. Thematically, the contributions cover a broad spectrum of topics within the field of local media: the impact of economic and social challenges on local journalism, automation in local journalism, transnational cooperation in investiga-tive research, and the potential of information apps for local communities. The four articles on China focus on the role of local media during the COVID-19 pandemic. While the title of the anthology may not lead readers to expect such a wide range of topics, some might have expected more research specifically on news deserts, i.e. studies examining the societal effects of local media decline [...] The anthology’s strength lies both in its detailed insights into specific aspects of local media communication in various countries and its potential to inspire further re-search. Readers seeking such inspiration will find the book valuable, whereas those expecting conceptually and methodologically rigorous case studies may be disappointed." (Review by Matthias Künzler, Global Media Journal–German Edition, Vol. 14, No. 2, 2024, pages 2-4)
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"This study observes content-related indicators of the editorial decisions made by factcheckers during the 2022 Brazilian run-off election. Specifically, it aims to investigate factcheckers’ outputs regarding verification genres, scrutinized actors, types of verified falsehoods, and inspected plat
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forms. The focus on Brazil stems from its reputation as a disinformation hub, owing to social polarization, populist communication, high social media use, low media trust, and intense WhatsApp penetration. Consequently, factchecking agencies have proliferated within Brazil’s media landscape. To provide some hints about the fact-checkers’ editorial choices, we conducted a quantitative content analysis of verification articles (n = 349) published during the second round of the presidential election by four leading fact-checking organizations: Lupa and Aos Fatos (independents), Estadão Verifica (press), and AFP Checamos (global news agency). The results reveal a prioritization of combating online falsehoods (82.2%) spread by anonymous sources, as opposed to verifying public figures’ statements (5.5%), a trend already observed in other media systems. Although Meta’s social networks and Twitter are primarily monitored, other platforms such as TikTok, Kwai, and Telegram are increasingly gaining fact-checkers’ attention. Fact-checkers predominantly scrutinized anonymous disinformation agents. Moreover, they primarily debunked falsehoods targeting the opposition, legacy media, social networking companies, and the Supreme Electoral Court. Despite the anonymity, 77.4% of the verified falsehoods were found to be beneficial to Bolsonaro, while 12% were advantageous to Lula da Silva." (Abstract)
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"International broadcasting services are typically designed to serve public diplomacy and soft power objectives. Traditionally, Western powers have explored and benefited from this state-sponsored media category. However, countries in the Global South, like Brazil, have endeavoured to establish cros
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s-border television services to bolster their international presence. This paper scrutinizes TV Brasil Internacional as a case study, examining its designated functions, management, and funding models. The research illuminates through document surveys and semi-structured interviews that while the channel initially reflected Brazil’s external policies and public service ideals, structural alterations enabling increased governmental intervention alongside budget cuts rendered the international service dormant." (Abstract)
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"Drawing from nation-branding as a recent development in contemporary globalization, and new middle power theory that examines hierarchies of nations, we used thematic textual analysis to examine business press coverage of the IBSA (India, Brazil, South Africa) consortium for business news represent
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ations and the positioning of IBSA nations in the global arena. Analysis of coverage in India’s The Financial Express, Brazil’s Valor Econômico and South Africa’s Business Day revealed that regional economic leadership, strengths in trade and technology, development aid and the consortium’s collective engagement in global activism inform the business press’ positioning of the IBSA countries as new middle powers." (Abstract)
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