"This report presents findings from the third wave of the Worlds of Journalism Study (WJS3), conducted between 2021 and 2025. In this iteration, we focused on journalists’ perceptions of risk and uncertainty in their profession and sought to identify key factors that shape how journalists navigate
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journalism’s changing environment. These risks and uncertainties arise from four partially overlapping domains: politics, economy, technology, and news consumption. Accordingly, the WJS3 questionnaire addressed journalists’ safety, editorial freedom, professional roles, news influences, and labor conditions. Our survey confirms that journalism is under pressure. Journalists worldwide are often undercompensated, and more than one-third engage in secondary employment. Economic pressures on news organizations have intensified in most countries. Nearly half of journalists have been targeted with hate speech, while psychological, physical, and digital threats are more prevalent in the Global South than in the Global North. More than 300 researchers from 75 countries participated in WJS3. This report provides a concise overview of key global findings. Subsequent publications will analyze specific topics in greater depth; please visit worldsofjournalism.org for more information." (Foreword, page 4)
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"In 'Media Compass: A Companion to International Media Landscapes', an international team of prominent scholars examines both long-term media systems and fluctuating trends in media usage around the world. Integrating country-specific summaries and cross-cutting studies of geopolitical regions, this
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interdisciplinary reference work describes key elements in the political, social, demographic, cultural, and economic conditions of media infrastructures and public communication. Enabling the mapping of media landscapes internationally, Media Compass contains up-to-date empirical surveys of individual countries and regions, as well as cross-country comparisons of particular areas of public communication. 45 entries, each guiding readers from a general summary to a more in-depth discussion of a country’s specific media landscape, address formative conditions and circumstances, historical background and development, current issues and challenges, and more." (Publisher description)
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"This volume, Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds, tells stories of women who have worked with and within communities to bring the communities’ stories to life through screenwriting. In gathering these examples, we asked for stories that achieved some level
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of impact for the communities. Impact was considered across a number of indices. We wanted to show that attitudes have shifted, policies have been rewritten and the life experiences and ranges of possibility for some have changed for the better as a result of women’s work. We hope to show through our stories that film can change lives; that sharing stories matters; and that women are everywhere, using their skills in screen production for the good of many.
In her excellent book, Women in the International Film Industry: Policy Practice and Power, Susan Liddy (2020) offers ‘a wide-ranging, critical assessment of practice, policy and progress’ to establish the range and scale of gender inequality that currently exists in the world of screen production. She quotes O’Neill and Domingo (2015) to point out that social, economic and political conditions vary, and ‘combine in different ways to enable or constrain women’s agency and leadership’ in screen production (Liddy 2020: 1). In contrast, our book approaches the same problem from the opposite perspective: we seek to correlate the ‘policy, practice and power’ (Liddy 2020) with the actual work of women screenwriters. Our aim is to point out what women screenwriters, creators and filmmakers are doing in disparate corners of the world, and how their effort is positively impacting communities, shaping culture and creating change.
We argue that, despite the fact that women screenwriters are underrepresented in leadership roles in film industries worldwide, the impact of their films remains visible and palpable. We provide evidence that, as women step into the roles of screenwriter, filmmaker and collaborator, using known and emerging technologies, formats and genres under the broad scope of ‘screen production’, they raise the voices of other women and other communities. This volume shows the impact of women’s voices in creating real change for the communities whose stories are told through the topics and themes of these women’s screen works. Not least, this volume seeks to celebrate these women and their communities and bring awareness of that impact to broader communities worldwide." (Introduction, page 1)
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"Imagining AI: How the World Sees Intelligent Machines is the first volume showcasing research into how different cultures around the globe envision life with artificial intelligence. AI is now a global phenomenon. Yet Hollywood narratives dominate perceptions of AI in the English-speaking West and
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beyond, and much of the technology itself is shaped by a disproportionately white, male, US-based elite. However, different cultures have been imagining intelligent machines since long before we could build them, in visions that vary greatly across religious, philosophical, literary and cinematic traditions. This book aims to spotlight these alternative visions. Imagining AI draws attention to the range and variety of visions of a future with intelligent machines and their potential significance for the research, regulation and implementation of AI. The book is structured geographically, with each chapter presenting insights into how a specific region or culture imagines intelligent machines. The contributors, leading experts from academia and the arts, explore how the encounters between local narratives, digital technologies, and mainstream Western narratives create new imaginaries and insights in different contexts across the globe. The narratives they analyse range from ancient philosophy to contemporary science fiction, and visual art to policy discourse. The book sheds new light on some of the most important themes in AI ethics, from the differences between Chinese and American visions of AI, to digital neo-colonialism. It is an essential work for anyone wishing to understand how different cultural contexts interplay with the most significant technology of our time." (Publisher description)
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"In Latin America, the production of telenovelas and TV series about the region's recent and traumatic past has grown considerably in the last 20 years, affecting societal perceptions of the past, historical consciousness, and political culture. While these TV products are usually perceived as trivi
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al, they do provide a historical framework to a wide audience, which finds it easier to relate to the national past through fiction than through history books, journalistic articles or documentaries. Latin America’s Contested Pasts in Telenovelas and TV Series analyzes the historical culture of Latin American society embodied in telenovelas and TV series from the 1960s to this day. It compiles regional case studies on the televised representation of 20th-century dictatorships in Chile, Argentina, and Brazil, as well as the war against drug trafficking and the armed conflict in Colombia. Highlighting the political and social relevance of fictional television, the contributions offer interdisciplinary insights into its discourses and narratives, from the heroization of criminals to the search for reconciliation and the construction of a historical memory." (Publisher description)
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"Based on an online survey with 330 Chilean journalists and 4,615 media users, this study examines the discrepancies between the expectations of Chilean audiences and news professionals regarding journalistic roles and their evaluation of media performance. The findings reveal that audiences place g
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reater importance on the disseminator and public service–oriented roles, while journalists prioritize roles aimed at influencing the public. Regarding media performance, audiences believe that journalism favors industry-oriented roles over those they prioritize. In contrast, journalists believe that the media mostly perform roles aligned with the audience’s expectations. Our results also show that although the watchdog and disseminator roles are strong predictors of quality journalism for both groups, the civic role only impacts quality journalism in the case of news professionals. Instead, audiences associate good journalism with practices that address their everyday problems, such as the ones represented by the service role." (Abstract)
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"How can current debates on ‘media capture’ be understood within the contexts of Africa and Latin America? This edited collection provides a nuanced exploration of media capture—a critical yet contested concept that examines and illuminates how media can become skewed in favour of power—whil
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e also highlighting spaces and strategies of resistance. By adopting a South-South perspective, it brings together scholars focused on these issues in both regions, featuring a dialogue between two leading scholars, Herman Wasserman and Silvio Waisbord in the Foreword. The book not only demonstrates how media practices in Africa and Latin America are influenced by the political economy of their media systems, but also contributes significantly to advancing empirical, theoretical, and comparative research on media in non-Western settings." (Publisher description)
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"This study applies the framing model of Semetko and Valkenburg (2000) to analyze media coverage of the Chilean social protests of 2019, with a particular emphasis on differences between radio and television coverage. This model uses 20 distinct questions to identify specific frames used in news rep
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orting. These findings indicate that the predominant frame across all protest coverage was Attribution of Responsibility, though this frame was even more prevalent for radio. For television, the results suggest a lower focus on the protesters’ demands, with a tendency to portray the events as a political conflict." (Abstract)
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"• Engagement with traditional media sources such as TV, print, and news websites continues to fall, while dependence on social media, video platforms, and online aggregators grows. This is particularly the case in the United States where polling overlapped with the first few weeks of the new Trum
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p administration. Social media news use was sharply up (+6pp) but there was no ‘Trump bump’ for traditional sources.
• Personalities and influencers are, in some countries, playing a significant role in shaping public debates. One-fifth (22%) of our United States sample says they came across news or commentary from popular podcaster Joe Rogan in the week after the inauguration, including a disproportionate number of young men. In France, young news creator Hugo Travers (HugoDécrypte) reaches 22% of under-35s with content distributed mainly via YouTube and TikTok. Young influencers also play a significant role in many Asian countries, including Thailand.
• News use across online platforms continues to fragment, with six online networks now reaching more than 10% weekly with news content, compared with just two a decade ago. Around a third of our global sample use Facebook (36%) and YouTube (30%) for news each week. Instagram (19%) and WhatsApp (19%) are used by around a fifth, while TikTok (16%) remains ahead of X at 12%.
• Data show that usage of X for news is stable or increasing across many markets, with the biggest uplift in the United States (+8pp), Australia (+6pp), and Poland (+6pp). Since Elon Musk took over the network in 2022 many more right-leaning people, notably young men, have flocked to the network, while some progressive audiences have left or are using it less frequently. Rival networks like Threads, Bluesky, and Mastodon are making little impact globally, with reach of 2% or less for news.
• Changing platform strategies mean that video continues to grow in importance as a source of news. Across all markets the proportion consuming social video has grown from 52% in 2020 to 65% in 2025 and any video from 67% to 75%. In the Philippines, Thailand, Kenya, and India more people now say they prefer to watch the news rather than read it, further encouraging the shift to personality-led news creators.
• Our survey also shows the importance of news podcasting in reaching younger, better-educated audiences. The United States has among the highest proportion (15%) accessing one or more podcasts in the last week, with many of these now filmed and distributed via video platforms such as YouTube and TikTok. By contrast, many northern European podcast markets remain dominated by public broadcasters or big legacy media companies and have been slower to adopt video versions.
• TikTok is the fastest growing social and video network, adding a further 4pp across markets for news and reaching 49% of our online sample in Thailand (+10pp) and 40% in Malaysia (+9pp). But at the same time people in those markets see the network as one of the biggest threats when it comes to false or misleading information, along with Facebook.
• Overall, over half our sample (58%) say they remain concerned about their ability to tell what is true from what is false when it comes to news online, a similar proportion to last year. Concern is highest in Africa (73%) and the United States (73%), with lowest levels in Western Europe (46%).
• When it comes to underlying sources of false or misleading information, online influencers and personalities are seen as the biggest threat worldwide (47%), along with national politicians (47%). Concern about influencers is highest in African countries such as Nigeria (58%) and Kenya (59%), while politicians are considered the biggest threat in the United States (57%), Spain (57%), and much of Eastern Europe." (Executive summary, page 10-11)
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"Community broadcasting emerged in Chile at the end of the dictatorship, but so far, there have been no coordinated or consistent public policies aimed at promoting the sector. Using a conceptual framework on the multiple dimensions of sustainability and the social benefit of community communication
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, this article presents the results of a collective work that systematizes the sector’s demands on state institutions in which I took part as a consultant. The conclusion is that a public policy that promotes and strengthens community broadcasting will only be effective in the current scenario if it is cross-sectoral, with the Ministry of Culture at the head – providing specific support that ensures organizational continuity – and in coordination with other state and government institutions, conceiving these media as cultural community organizations whose particularity lies in their potential to boost and strengthen their communities of reference through a participatory appropriation of multiple media channels." (Abstract)
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"Paz y reconciliación son temas cruciales de nuestra historia. En la coyuntura de análisis y debates, La fiesta de las paces reflexiona sobre la construcción de la paz desde una perspectiva interdisciplinaria y, lo que es más importante, desde voces no institucionales. Los autores demuestran que
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la paz desborda lo oficial y académico; rescatan esfuerzos cívicos, populares y sus distintas formas de expresión en el territorio. Los enfoques que aquí se compilan presentan a la paz desde miradas indígenas, negras, femeninas, artísticas, medioambientales y territoriales. No solo es la ausencia de guerra, sino la oposición a cualquier forma de violencia. La fiesta de las paces nos recuerda que la paz se celebra colectivamente y se vive en lo común. Es un llamado a liberar la fiesta, el humor, el relato y la alegría como elementos fundamentales en el camino hacia una paz auténtica y diversa." (Descripción de la casa editorial)
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This book illuminates the complex relationship between social media, identity, and youth in the Global South. By examining the profound impact on the psychosocial well-being and economic prospects of young people across diverse regions, the collection present empirical evidence from scholars spannin
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g Asia, Africa, North America, Central, and South America. Contributors show how young people experience adverse side-effects online, such as social withdrawal, or animosity to others, and how good social health and social media use can help young people develop economic resources, become independent, and socially responsible. Additionally, the book explores the role of social media channels, such as Facebook and Instagram, in the rise of cyberbullying, sexting, and online radicalization; how these platforms re-negotiate identity in developing countries and compromise productivity; and how the behaviour of celebrities on said platforms influence youth behaviour. Structured into five thematic sections, this book presents a nuanced understanding of the well-being implications arising from social media use among young people hailing from diverse socio-cultural and economic backgrounds and political exigencies.
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"Between 2019 and 2021, the combined income of all the sectors studied increased by 44%. The sector with the most significant percentage growth is internet advertising, impacting other traditional media industries (newspapers, radio, and television) which have experienced a decrease in relative mark
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et share. Within the telecommunications sector, notable increases in income from ISPs, stable revenue for mobile telephony, and a decline in revenue from fixed telephony and the multichannel video distribution (MCVD) are observed. Overall, high levels of concentration exist in the media, telecommunications, and internet industries. The internet applications sector shows the highest concentration according to the CR4 indicator, followed by telecommunications, and then the media and cultural industries. When considering the HHI indicator, online news and the written press exhibit lower levels of concentration. Television demonstrates moderate yet important concentration. Compared to Argentina and Brazil, Chile has a higher number of broadcast TV channels competing for audience interest. Conversely, certain internet services showcase very high HHI values, hinting at near-monopoly situations. Over the three years under review, there is relative stability aside from declines in audiovisual streaming services. Netflix, initially facing challenges in Latin America, is now encountering heightened competition." (Executive summa[internal remarks]
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"This book addresses the issues raised by digital platforms in the Global South, with an emphasis on the cultural stakes involved. It brings together an interdisciplinary team of researchers - including political economists, socio-economists, geographers, media sociologists or anthropologists - who
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each explore these issues through an insightful case study at a local, national, regional or international scale. While studying the strategies of some of the main US-based Big Tech platforms or video streaming platforms towards the Global South, the chapters also consider the often-neglected active role local or regional actors play in the expansion of those Western digital players, and highlight the existence of a constellation of local or regional platforms that have emerged in Africa, Asia, Latin America or the Middle East. In addition to analysing the complex relationships of competition, collaboration or dependence between these diverse actors, this volume examines the ways in which the rise of these digital platforms has generated new forms of cultural entrepreneurship and participated in the reconfiguring of the conditions in which cultural contents are produced and circulated in the Global South." (Publisher description)
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"Chile’s largest social uprising in 30 years began in October 2019. Protests erupted throughout the country, inspired by a widespread belief that the state and powerful institutional actors, such as the media, had undermined the dignity of much of the population. In this article, we explore how an
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d the extent to which mainstream media, specifically television, has affected the dignity of the Chilean people and how participants in the social uprising defined the concept. Drawing on the hundreds of complaints filed with the National Television Council (CNTV) and using grounded theory, we argue that allegations against harm to people’s dignity caused by the media have become more prevalent in Chile. The reasons given by audience members include the violence of the broadcasts themselves, the stigmatization of certain people and groups, and a lack of journalistic ethics. Ultimately, this article analyzes a key concept for social uprisings and connects it to the ethical and political role of media systems and newsmaking in contemporary democracies." (Abstract)
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"We use the concept of hagiography to analyze the absurd content found in the memes that circulated after the first round of Chile’s 2021 presidential election. We examined 201 video and image memes to elucidate how the supporters of the then-candidate Gabriel Boric created a narrative of the poli
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tical moment. A qualitative multimodal analysis shows the use of absurdity to create a heroic idealization of the leftist politician who eventually won the presidency. Social media users depicted the election as a climactic moment where democracy was in danger and portrayed Boric as the hero who appeared at just the right moment with the right message. The term hagiography refers to stories about saints that were read collectively and contributed to the creation of worship communities in medieval Europe. This notion, together with multimodal analysis, helps us understand absurdity not only as a matter of form and content but also as a mode of interaction mediated by memes." (Abstract)
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"In this ground-breaking two-volume set, world-leading experts produce a rich, authoritative depiction of the world's press, its freedom, and its limits. We want press freedom but we also want freedom from the press. A powerful press may expose corrupt government or aid it. It may champion citizens
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or unfairly attack them. A vulnerable press may lack supporters and succumb to conformity. It may resist, and overcome tyranny. According to common belief, press freedom involves social responsibilities to equip public debate and render government transparent. Is this attitude valid given that the press is usually a private, commercial actor? Globally, the health, authority, and viability of the press varies dramatically. These patterns do not conform to traditional divisions between North and South, East and West. Instead, they are much more complex. How do we measure successful press regulation? What concessions can the state and/or society demand of the press? What constitutes the irreducible core of press freedom? The contributions in Volume 1 look at key jurisdictions in Europe; whereas Volume 2 goes beyond Europe to analyse the situation in key jurisdictions in Asia, Africa, the Americas and Oceania." (Publisher description)
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"1. Un asunto de identidad: No existe una única definición de lo que es una radio católica y esa circunstancia que puede ser sana también genera división en los medios. [...]
2. Medios para la comunión: Una conclusión que se desprende de las entrevistas aquí realizadas es que los medios poc
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o se comunican entre sí. [...]
3. La financiación: No existe un solo medio en la región que pueda decir que sus finanzas son las más sanas, que no necesita inyección económica alguna o que no desea mejorar sus ingresos. [...]
4. El limbo de la legalidad: Todo medio de comunicación católico se caracteriza, de acuerdo a las conversaciones sostenidas para realizar este libro, por tener una concesión o permiso dentro de la legalidad y si carece de ello es claro que el silencio de los entes reguladores constituye un “permiso” para emitir. [...]
5. La formación y capacitación: Algunos medios de comunicación son robustos en la formación eclesial pero débiles en la capacitación radial. Otros, los menos, son sólidos en lo radial pero flácidos en lo eclesial. [...]
6. Hacia la creatividad: Las radios católicas, en general, proponen a sus audiencias contenidos de fondo, interesantes, formativos, etc. sin embargo su profundidad no se compadece con las formas de presentarlos. [...]
7. La incidencia: Los medios católicos no son protagonistas en la vida de sus regiones y no lo hacen porque no quieren tener problemas con nadie. [...]
8. El sueño de hacer red: Una tarea aplazada en las frecuencias regionales es el trabajo en red del cual se habla, pero no se cristaliza. [...]
9. Evangelizar en una nueva cultura: La experiencia de los medios eclesiales en el entorno digital es concluyente, son más las necesidades que las fortalezas que se tienen. [...]
10. La importancia de las audiencias: Evangelizar al pueblo de Dios ya evangelizado es un círculo vicioso y quizá hasta nocivo para cualquier medio en la medida en que él solo se va cerrando a nuevas posibilidades de escucha. [...]" (Conclisiones, páginas 245-256)
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