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Mujeres de la comunicación Chile

Ana María Castillo, Paula Flores-Aguilar, Isabel Pavez (eds.)

Bogotá: Friedrich-Ebert-Stiftung (FES), Programa de medios y comunicación para América Latina y el Caribe (2024), 353 pp.

"[Las editoras de este libro lo describen como] un tejido que hila la reflexión colectiva sobre lo que a ellas les hubiese gustado encontrar en su camino como mujeres estudiantes, docentes e investigadoras de la Comunicación. Se trata de un tejido que, a cuatro hilos, teje las historias de 23 muje ... more

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Reuters Institute Digital News Report 2023
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Nic Newman, Richard Fletcher, Kirsten Eddy, Craig T. Robertson, Rasmus Kleis Nielsen (eds.)

Oxford: Reuters Institute for the Study of Journalism (2023), 158 pp.

"Across markets, only around a fifth of respondents (22%) now say they prefer to start their news journeys with a website or app – that’s down 10 percentage points since 2018. Publishers in a few smaller Northern European markets have managed to buck this trend, but younger groups everywhere are ... showing a weaker connection with news brands’ own websites and apps than previous cohorts – preferring to access news via side-door routes such as social media, search, or mobile aggregators. • Facebook remains one of the most-used social networks overall, but its influence on journalism is declining as it shifts its focus away from news. It also faces new challenges from established networks such as YouTube and vibrant youth-focused networks such as TikTok. The Chinese-owned social network reaches 44% of 18–24s across markets and 20% for news. It is growing fastest in parts of Asia-Pacific, Africa, and Latin America. • When it comes to news, audiences say they pay more attention to celebrities, influencers, and social media personalities than journalists in networks like TikTok, Instagram, and Snapchat. This contrasts sharply with Facebook and Twitter, where news media and journalists are still central to the conversation. • Much of the public is sceptical of the algorithms used to select what they see via search engines, social media, and other platforms. Less than a third (30%) say that having stories selected for me on the basis of previous consumption is a good way to get news, 6 percentage points lower than when we last asked the question in 2016. Despite this, on average, users still slightly prefer news selected this way to that chosen by editors or journalists (27%), suggesting that worries about algorithms are part of a wider concern about news and how it is selected. • Despite hopes that the internet could widen democratic debate, we find fewer people are now participating in online news than in the recent past. Aggregated across markets, only around a fifth (22%) are now active participators, with around half (47%) not participating in news at all. In the UK and United States, the proportion of active participators has fallen by more than 10 percentage points since 2016. Across countries we find that this group tends to be male, better educated, and more partisan in their political vie ws. • Trust in the news has fallen, across markets, by a further 2 percentage points in the last year, reversing in many countries the gains made at the height of the Coronavirus pandemic. On average, four in ten of our total sample (40%) say they trust most news most of the time. Finland remains the country with the highest levels of overall trust (69%), while Greece (19%) has the lowest after a year characterised by heated arguments about press freedom and the independence of the media." (Summary, page 10) more

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The Routledge Companion to Media Anthropology
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Elisabetta Costa, Patricia G. Lange, Nell Haynes, Jolynna Sinanan (eds.)

London; New York: Routledge (2023), xxv, 617 pp.

"Comprising 41 chapters by a team of international contributors, the companion is divided into three parts: histories; approaches; thematic considerations. The chapters offer wide-ranging explorations of how forms of mediation influence communication, social relationships, cultural practices, partic ... more

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Women's Activism Online and the Global Struggle for Social Change

Carmit Wiesslitz (ed.)

Cham: Palgrave Macmillan (2023), xxi, 310 pp.

"This book showcases the online activism of women's groups around the world in the post-#MeToo era, and presents an overview of the diversity of its current expressions. The focus of this book extends beyond campaigns against rape culture to include women's struggles on other political and environme ... more

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Reuters Institute Digital News Report 2024
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Nic Newman, Richard Fletcher, Craig T. Robertson, Amy Ross Arguedas, Rasmus Kleis Nielsen (eds.)

Oxford: Reuters Institute for the Study of Journalism (2023), 167 pp.

"In many countries, especially outside Europe and the United States, we find a significant further decline in the use of Facebook for news and a growing reliance on a range of alternatives including private messaging apps and video networks. Facebook news consumption is down 4 percentage points, acr ... oss all countries, in the last year. • News use across online platforms is fragmenting, with six networks now reaching at least 10% of our respondents, compared with just two a decade ago. YouTube is used for news by almost a third (31%) of our global sample each week, WhatsApp by around a fifth (21%), while TikTok (13%) has overtaken Twitter (10%), now rebranded X, for the first time. • Linked to these shifts, video is becoming a more important source of online news, especially with younger groups. Short news videos are accessed by two-thirds (66%) of our sample each week, with longer formats attracting around half (51%). The main locus of news video consumption is online platforms (72%) rather than publisher websites (22%), increasing the challenges around monetisation and connection. • Although the platform mix is shifting, the majority continue to identify platforms including social media, search, or aggregators as their main gateway to online news. Across markets, only around a fifth of respondents (22%) identify news websites or apps as their main source of online news – that’s down 10 percentage points on 2018. Publishers in a few Northern European markets have managed to buck this trend, but younger groups everywhere are showing a weaker connection with news brands than they did in the past. • Turning to the sources that people pay most attention to when it comes to news on various platforms, we find an increasing focus on partisan commentators, influencers, and young news creators, especially on YouTube and TikTok. But in social networks such as Facebook and X, traditional news brands and journalists still tend to play a prominent role. • Concern about what is real and what is fake on the internet when it comes to online news has risen by 3 percentage points in the last year with around six in ten (59%) saying they are concerned. The figure is considerably higher in South Africa (81%) and the United States (72%), both countries that have been holding elections this year. • Worries about how to distinguish between trustworthy and untrustworthy content in online platforms is highest for TikTok and X when compared with other online networks. Both platforms have hosted misinformation or conspiracies around stories such as the war in Gaza, and the Princess of Wales’s health, as well as so-called ‘deep fake’ pictures and videos." (Executive summary, page 10) more

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Grauen ohne Grenzen: Horror in Film & Literatur

iz3w, issue 394 (2023), pp. 22-41

"Wie einst im ursprünglichen Gothic die verlassenen Schlösser des Feudalismus als Orte des Spuks in die bürgerliche Ära hineinragten, so sind es heute die globalen Ruinen des geplatzten Traums von Freiheit, Gleichheit und Brüderlichkeit, in denen das Grauen haust: Von den vom Immobiliencrash ge ... more

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Equally Safe case studies: Protecting women journalists

London: Article 19 (2023)

"What might feminist approaches to the protection of journalists look like, and what benefits might they bring? From national organisations to grassroots networks, our findings document women’s monumental efforts to make structural changes, tackle entrenched patterns of gender-based discrimination ... more

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Rethinking Film Festivals in the Pandemic Era and After

Marijke de Valck, Antoine Damiens (eds.)

Cham: Palgrave Macmillan (2023), xix, 342 pp.

"This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can't happen; while films have found new (temporary) channels of distribution ... more

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Ageing with Smartphones in Urban Chile: The Experience of Peruvian Migrants

Alfonso Otaegi

London: UCL Press (2023), xiii, 193 pp.

"Based on 16 months of ethnographic fieldwork, Ageing with Smartphones in Urban Chile analyses the experience of ageing for Peruvian migrants aged around 60, who have lived in Chile for over 20 years. Their lives are informed by a series of experiences of being in between. They live between two coun ... more

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El libro de divulgación científica en Chile 2015-2020

Paulo González Ibarra, Ignacio Alfaro Rojas et al.

Santiago de Chile: Ministerio de las Cultura, las Artes y el Patrimonio (2023), 397 pp.

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Libertad de prensa en tres países de la región: Perú, Chile y México

María Sosa Mendoza

Lima: Instituto de Defensa Legal (IDL);Hanns-Seidel-Stiftung (2023), 32 pp.

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Engaging social media audiences with riots: TV and newspapers’ coverage of the 2019 protests in Colombia and Chile

Victor Garcia-Perdomo, Maria Isabel Magaña, Juan Camillo Hernandez-Rodriguez, Jose Augusto Ventin-Sanchez

International Communication Gazette, volume 86, issue 8 (2023), pp. 607-632

"This research utilizes the theoretical framework of the protest paradigm to analyze how major TV channels and newspapers in Chile and Colombia covered-on their official X (Twitter) accounts-the massive 2019 protests. The paper collected data using the software Crimson Hexagon(CH), a social media an ... more

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PubliElectoral: Elecciones 2022 Chile. Informe de Elección Plebiscito de Salida

Roca Belén, Vladimir Garay

Derechos Digitales;Asociación por los Derechos Civiles (ADC) (2023), 50 pp.

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Pluralismo TV: Medición y análisis del pluralismo en la televisión chilena

Chiara Sáez Baeza, Jorge Avilés, Felipe Riffo, Javier García

Social Ediciones;Universidad de Chile, Facultad de Ciencias Sociales (2023), 182 pp.

"El libro “Pluralismo TV. Medición y análisis del pluralismo en la televisión chilena” busca contribuir al debate sobre el pluralismo mediático, revisando el marco jurídico nacional, proponiendo una operacionalización de la medición del pluralismo informativo en la televisión y discutien ... more

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Observatorio Iberoamericano de Ficción Televisiva OBITEL 2023. As produtoras independentes e a internacionalização da produção de ficção televisiva na Ibero-América = Las productoras independientes y la internacionalización de la producción de ficción televisiva en Iberoamérica
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Maria Immacolata Vassallo de Lopes, Juan Piñon, Catarina Duff Burnay, Rosario Sánchez Vilela, Mónica S. Kirchheimer (eds.)

Santiago de Chile: Ediciones Universidad Católica de Chile (2023), 367 pp.

"Probablemente, el indicador más elocuente del descenso en la producción es que, sumados, los mismos países produjeron en 2022 un 54% de lo que producían en 2012. El gráfico 3 muestra las caídas ocurridas en cada país. A nivel agregado, los niveles de producción de 2012 son similares a los ... de 2017, pero a partir de ahí empieza una disminución que se agudiza durante la pandemia, se recupera parcialmente en 2021 y vuelve a caer en 2022. A los factores ya mencionados como algunas de las posibles causas de la caída, el descenso inversión publicitaria y desplazamiento de hacia las plataformas, cabe considerar otros dos que apuntan a la sustitución: la ya consolidada presencia de telenovelas turcas y de otros orígenes incipientes y también la competencia de las reposiciones. La brecha en la calidad visual de las realizaciones de fines de los años 90 en adelante, respecto de las actuales, es baja. Telenovelas históricas como Terra Nostra, Betty la Fea o Pasión de Gavilanes se reprograman y son consumidas de un modo parecido a las actuales. Un elemento recurrente entre los capítulos nacionales de este informe es relevar la importancia de la reposición de materiales ya exhibidos. Los intercambios de contenidos audiovisuales entre países iberoamericanos han estado presentes por décadas, pero hay fuertes diferencias en las cantidades de producciones que cada país importa o exporta. Asimismo, también hay diferencias en la variedad de orígenes desde los que se importan contenidos. En los capítulos nacionales se muestra la cantidad de títulos y horas de ficción televisiva de estreno iberoamericana de exhibida en el país durante 2022. Vistas individualmente, muestran los consumos locales. Sin embargo, al combinarlas, revelan los flujos de intercambios de producciones entre países.Eso es lo que se muestra en la tabla 3, usando las horas como unidad de medida. La tabla 3 puede leerse vertical y horizontalmente. Leída verticalmente, muestra el origen de la ficción televisiva de estreno exhibida en cada país. Horizontalmente, muestra los distintos países en que se exhibió ficción televisiva originada en un país [...] La tabla 3 muestra que el principal país exportador de ficción televisiva en Iberoamérica es México, al igual que en los años anteriores. En 2022 vendió contenidos a todos los países, salvo Portugal, siendo además, con la excepción del cono sur, el principal exportador hacia cada uno de los países de la región. En segundo lugar, tanto en volumen como en cantidad de países a los que exportó, está Brasil. Un caso llamativo es Colombia: no sólo redujo sus exportaciones en casi un 60%, sino que su producción se redujo en un 53%, fundamentalmente por la reducción en la producción de telenovelas. Los casos de España y Portugal son interesantes en 2022 por la misma razón que lo fueron en 2021. Su volumen de producción los ubica sólo por debajo de Brasil o México y muy por encima de todos los demás países. La factura de sus realizaciones es de alto estándar. Sin embargo, sus niveles de exportaciones no alcanzan al 5% de lo producido." (Páginas 26-28) more

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Estrategia de transformación digital. Chile Digital 2035

Ximena Órdenes, Raimundo Roberts, Puppy Rojas, Fernando Rojas (eds.)

Santiago de Chile: Comisión Económica para América Latina y el Caribe (CEPAL) (2023), 50 pp.

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Generation Z in Chile, Colombia, México, and Panama: Interests and New Digital Consumption Habits. Their Use of Instagram and TikTok

Eva Citlali Martínez Estrella, Eliana Samacá Salamanca, Ainhoa García Rivero, Carlos Cifuentes Ambra

Profesional de la Información, volume 32, issue 2 (2023), 15 pp.

"In a reality that combines the virtual with the physical and in a context of information saturation, there are consumers who are more critical, demanding, and less loyal. In this context, it is timely to know the new habits of the Centennials, so as to understand their behaviors and consumption tre ... more

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Ibero-American Observatory of Television Fiction Obitel 2022: Transformations in the Seriality of Ibero-American Television Fiction in Times of Streaming
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Maria Immacolata Vassallo de Lopes, Juan Piñon, Catarina Duff Burnay, Rosario Sánchez Vilela (eds.)

Santiago de Chile: Ediciones Universidad Católica de Chile (2022), 382 pp.

"In some of the countries, to a greater extent Spain and the Hispanic USA, fiction consistently occupies at least 40% of the programming time. This occurs in countries that, due to income levels, should be those with a higher degree of access to other sources of fiction audiovisual content, such as ... more

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The Global Handbook of Media Accountability
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Susanne Fengler, Tobias Eberwein, Matthias Karmasin (eds.)

London; New York: Routledge (2022), xviii, 614 pp.

"The Global Handbook of Media Accountability brings together leading scholars to 'de-Westernize' the academic debate on media accountability and discuss different models of media self-regulation and newsroom transparency around the globe. With examination of the status quo of media accountability in ... more

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El discurso de las élites chilenas durante el conflicto social que inicia en octubre de 2019: Representación de la identidad mediática de los subalternos en editoriales en el diario El Mercurio

Vivien Ormeño Morales

Santiago de Chile: Universidad de Chile, Magister Thesis (2022), 321 pp.

"Los 63 editoriales analizados confirman que quiénes tienen la posibilidad de hacer uso de la palabra (Ranciere, 2014), a través de las vías institucionales, continúan siendo las élites. Si tuviéramos que contar la historia de lo ocurrido entre el 18 de octubre y hasta el 15 de noviembre del 2 ... more

Reuters Institute Digital News Report 2023 Top Insights

The Routledge Companion to Media Anthropology Top Insights

Reuters Institute Digital News Report 2024 Top Insights

Ibero-American Observatory of Television Fiction Obitel 2022: Transformations in the Seriality of Ibero-American Television Fiction in Times of Streaming Top Insights

The Global Handbook of Media Accountability Top Insights

Reuters Institute Digital News Report 2023
Top Insights

The Routledge Companion to Media Anthropology
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Reuters Institute Digital News Report 2024
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Ibero-American Observatory of Television Fiction Obitel 2022: Transformations in the Seriality of Ibero-American Television Fiction in Times of Streaming
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The Global Handbook of Media Accountability
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