"The collusion between the political class and media owners [in Central and Eastern Europe] has reached unprecedented levels, leading to a phenomenon known as media capture, a situation where most or all of the news media institutions are operating as part of a government-business cartel that contro
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ls and manipulates the flow of information with the aim of protecting their unrestricted and exclusive access to public resources." (Back cover)
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"Only three of the ten most popular television channels in Kazakhstan are not government-owned. Former President Nursultan Nazarbayev directly or through his family, also owns television channels. For example, KTK, the second most watched television channel in the country is run by the Foundation of
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the First President of the Republic of Kazakhstan-Elbasy. Another popular television channel, NTK, is owned directly by a Nazarbayev family member. Nazarbayev resigned in March 2019, but political analysts say that he did so to be able, before he dies, to supervise a smooth transition to a new regime that will continue his policies, ensuring centralization of political control and preventing criticism of authorities as Nazarbayev did during his 29-year tenure. When it comes to online news, the Government owns three of the 10 most visited websites: Kazinform.kz, Bnews.kz and 24.kz. In fact, none of the most popular news portals in Kazakhstan are independent and truly free of government control. For example, TengriNews.kz, one of the most read news websites is owned by the company Alash Media Group, which is known for promoting a strong pro-government narrative.
The foreign influence in Kazakhstan’s media landscape is limited as foreigners can own only 20% of a media company. That being said, the Russian influence in the Kazakh media is notable. The most popular television channel in the country, Eurasia, jointly owned by the governments of Kazakhstan and Russia, is known for promoting a heavy pro-Russian agenda on world affairs. Another popular television channel, Channel 31 (31 Kanal) is co-owned by Bulat Utemuratov, a wealthy local businessman, and the Russian-funded STS Media Holding. Kenes Rakishev, another entrepreneur, owner of Channel Seven (Sedmoy Kanal), is also a partner in Fastlane Ventures, a prominent Russian venture fund that usually invests in internet companies.
The Government is by far the largest funder in the media, with over €144m spent in cash dished out to media companies in 2017, more than the overall ad spend in Kazakhstan, according to industry estimates. Most of the government funding goes to government-owned media companies or privately held outlets that show support of the Government. For example, in television, the biggest chunk of government cash is spent on financing Khabar and Qazaqstan, two government-owned channels.
In such a centralized media environment in which the Government plays a disproportionately big role, there is hardly any space for independent journalism. Owned by a civil society activist and journalist, Vlast.kz is arguably the sole truly independent news website among the 10 most visited websites in the country. There are other independent news media such as Azattyq, the local service of Radio Free Europe/Radio Liberty, but their audience is much smaller." (Page 4)
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"To understand the situation and examine what can be done to address it, we sent out a questionnaire to journalists in 16 countries in the region, asking them about the state of press freedom and the areas in which they felt their ability to work was being curtailed. We also asked them about sources
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of support and solidarity in their profession and asked what may be of assistance to them in the future. This report focused very much on the experience of working journalists and the threats that they directly identify. The journalists questioned spoke of coming under attack from politicians who discredit individual journalists and media outlets, launch vexatious lawsuits, and weaponise government advertising revenue to harm critical media and financially boost friendly outlets. There is also in many countries an outright state of media capture, where media outlets have been brought under direct or indirect government control. The region’s media landscape is also marked by rising job insecurity for journalists, along with increased polarisation in the media landscape. Outlets are characterised as being starkly pro- or anti-government and the journalists who work for them are also essentially made to pick a side." (Executive summary)
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"From a normative standpoint the media are usually seen as one of the pillars of a national integrity system, entrusted with the tasks of exposing and preventing acts of corruption and educating the public of the harm caused by corruption. Nevertheless, corruption continues to be one of the most sig
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nificant challenges that Europe faces, undermining citizens' trust in democratic institutions and weakening the accountability of political leadership. Evidence suggests that in fragile EU democracies such as Bulgaria, despite more than eight years of full membership and numerous preventive measures, corruption is rife and the press is hardly capable of exposing abuses of power or authority. On the contrary - drawing on in-depth interviews with 35 Bulgarian journalists - this paper argues that since communism collapsed in the late 1980s the media in post-communist societies such as Bulgaria has gradually become an instrument to promote and defend private vested interests, and is plagued by corruption. Senior journalists and editors cast serious doubt over the ability of the post-communist free press and journalism to act as a watchdog for society." (Abstract)
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"Without a doubt, the combined power of the public arena and broadcast media is a very efective social tool for collective action in Afghanistan. Yet there are serious limits to both the media’s self-advocacy and the public’s strong and unwavering support. Te media-related crimes and murders men
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tioned in this chapter are a few of the many. Yet no arrests are made and no one is prosecuted in most of these cases. Zoorawarah can continue to censor media makers with impunity and without fears of retribution. Broadcasting the incidents of violence and censorship against media personnel and the media writ large, as well as the subsequent protests and production of investigative and expository programs is indeed generative in creating dialogue and raising awareness about media rights and the important role of a free media in a society, but it is clearly not enough. Tus far, we have seen examples of two types of potential cultural imperialism. By aggressively promoting and offering their own media products, programs, and formats, at little or no cost, the argument can be made that foreign countries are impeding the development of Afghanistan’s own media industry, artistry, and media crafts. Additionally, we have seen examples of censorship, both from endogenous and exogenous forces, ranging from pressuring the government to ban programming or directly pressuring producers to do so. In extreme cases, we have seen an egregious third form of censorship becoming prevalent in Afghanistan. High-level media personnel and wealthy media owners who are ofen prominent public fgures, such as politicians, warlords, drug lords, religious leaders, and businessmen, hire body guards and live behind gated fortress mansions, while low-level television personalities and reporters are subjected to threats, physical attacks, and death for providing people with programming they want to watch and which gives them a platform to raise their voices. Hence, it is the mid- and low-level media professionals, not the owners of the television stations they work for nor the foreign governments that are the patrons of the stations, who bear the ultimate burden of media freedom and reform in Afghanistan. Caught between warring ideologies that range from Islamist to commercial to “developmentalist,” as brave as these Afghan media personalities and journalists are, and despite their high media a profile, their low socioeconomic status leaves them vulnerable to abuse and possible death." (Conclusion, page 168-169)
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"The media industry has been ravaged by the economic crises. Some media, mainly those covering tabloid fare and digitally savvier than others or those backed by deep-pocketed investors, are surviving or even thriving. But independent journalism outfits, particularly outside the Western world, have b
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een grappling with serious financial problems. This article is an analysis of how government uses funding, directly and indirectly, to capture the media. It describes trends in how governments use funding to control media by not financing independent journalism, but choosing to fund instead media outlets that advance the government agenda and the interests of its allies and supporters, either political groups or businesses." (Abstract)
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"The boundaries between media, politics and business have always been blurry in Albania. However, because of the small size and the high number of outlets the market was perceived by some local observers as vibrant and plural. However, a joint research project between Reporters Without Borders and t
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he Balkan Investigative Reporting Network in Albania, reveals that the Albania media scene is highly concentrated in the hand of few major owners, who have strong political affiliations, and control more than half of the audience share and nearly 90% of the market share." (http://www.mom-rsf.org/en/countries/albania)
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"Mexico’s booming media industry is controlled by some of the richest businessmen on earth. While the sector grows at a rate three times that of the overall economy, an alarming concentration of media ownership goes hand in hand with the well-known lack of safety for Mexico’s journalists, many o
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f whom cannot even make a living from their precarious salaries, increasing their vulnerability to pressures of all kinds. The almost traditional concentration of a lot of power in the hands of very few media magnates and politicians also comes as a result of blatant regulatory flaws." (http://www.mom-rsf.org/en/countries/Mexico)
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"This chapter analyses contextual factors that are common to the seven countries of this region that affect developing a genuine public service orientation in media policies and performance. By better understanding historical legacies, inadequate technological development and late entry into digital
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isation, and problems rooted in economic underdevelopment and clientelism, the prognosis for the emergence of ‘networked societies’ under illiberal conditions is at least tardy and perhaps impractical in the foreseeable future, at least. Contextual factors prioritise a set of values that greatly complicate the development of public service broadcasting in technological and democratic terms, much less the even more complex transition to public service media." (Abstract)
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"The seemingly buzzing Lebanese media market is, in fact, controlled by only a few highly politicized owners that are either directly affiliated with political parties or belong to Lebanese dynasties. Additional threats to media pluralism arise from clear editorial lines defined by politics, close t
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ies among the dynasties, and a number of regulatory shortcomings." (http://www.mom-rsf.org/en/countries/Lebanon)
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"This report explores the recent trajectory of South African news with a specific focus on the economic sustainability of news media. Digital news consumption on mobile phone, and especially via Social Media on Smart Phones (SMSP) is fracturing audiences and reducing traditional sources of revenue.
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Printed newspapers in particular are starting to close and will be closing, this report suggests, at an accelerated rate, and while the past two or three years have seen a revival in important national-level political reporting, local and community media is increasingly losing the struggle to survive. Dozens of community papers have closed in 2015-2017, some after many decades of publishing. The Times in Johannesburg closed in January 2018. Many others will follow. In addition, as this report explores, much of the best current journalism produced in South Africa is currently financed by grants and donations from international foundations. The disruption of the news industry by digital technology has, in South Africa, been exacerbated by political manipulation of news media, including, as this report explores, a multi-pronged attack on media coordinated by what the report describes as the Zuma-centred power elite (after the 2017 PARI report “How South Africa is being Stolen”)." (Executive summary)
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"This collection covers the major trends of the media environment of the post-Communist world and their recent development, with special focus on Russia and the post-Soviet space. The term ‘media environment’ covers not just traditional print and electronic media, but new media as well, and rang
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es from the political to entertainment and various artistic spheres. What role do market forces play in the process of media democratization, and how do state structures regulate, suppress, or use capitalism toward their own gain? What degree of informational pluralism has been achieved in the newly independent republics? What are the prospects for transparency and the participation of civil society in Russian and Eurasian media? To what degree do trends in post-Communist media reflect global trends? Is there a worldwide convergence with regard to both media formats and political messaging? Western observers usually pay their keenest attention to the role of media in Russia and Eurasia during national elections. While this is a valid focus, the present volume [...] aims at understanding the deeper overall ‘media philosophies’ that characterize post-Soviet media systems and environments, and the type of identity formation that they are promoting." (Publisher description)
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"Analyzing the political consequences of the most extensive corruption investigation in recent Latin American history, Operação Lava-Jato, this book answers two central questions about the contradictory effects news media has on political systems. First, how can political actors in a seemingly wel
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l-functioning democracy quickly override checks and balances, and replace a head of state with a corrupt vice-president? Second, how can very active news media, while ostensibly performing the role of the watchdog, still fail to deliver media accountability to the public? Combining a quantitative view of the media sphere with case studies of the leaks, legal actions, and alliances forming and breaking in the Brazilian Congress, Mads Bjelke Damgaard demonstrates that the media’s attention to leaks and investigations of corruption paved the way for Dilma Rousseff’s impeachment. By timing the disclosure of information in scandals, actors with inside information were able to drive the media agenda and let some scandals escape from the limelight. The book delivers an in-depth study of how scandals become political weapons in a time of media personalities and post-politics." (Publisher description)
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"Poland has become a crucial battleground in the drive by authoritarian-minded leaders to gain control over political discourse and limit media pluralism. The Law and Justice government has sought to control the media as part of a broader push to weaken checks and balances and silence independent vo
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ices. By rejecting the media’s independence, the government is deepening polarization within Poland. The fate of media freedom in Poland will herald either the continued march of populist authoritarianism around the world or a turning of the tide and a new period of democratic resilience. The EU and Poland’s allies, including the United States, should make clear that Poland’s best interests lie in respecting the media’s independence and allowing a diversity of views to flourish." (Key findings)
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"In this volume of essays edited by Anya Schiffrin, media capture is shown to be a growing phenomenon linked both to the resurgence of authoritarian governments as well as to the structural weaknesses presently afflicting media markets. In this environment, political figures and economic elites are
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colluding to undermine the independence of privately-owned media, and efforts to stop this collusion by activists, regulators, and the international community have proven to be ineffective." (Publisher description)
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"Power in Brazil means family business, both traditionally and to this very day. Dynasties of landowners known as “Colonels” extend their territorial claims to the airwaves, combining economic and political interests with tight control of public opinion. Neither digital technology and the rise o
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f the internet nor occasional regulatory efforts seem to pose a serious challenge to these oligopolies. A joint investigation by the Brazilian NGO Intervozes and Reporters Without Borders between July and October 2017 now shows who are the key players and what are their respective other interests. The investigation comprises the 50 most important media outlets in Brazil and the 26 corporate groups owning them. Transparency about ownership of media companies remains low as there is no legal obligation for companies to disclose their shareholder structure." (http://www.mom-rsf.org)
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"The Media Ownership Monitor (MOM) reveals a high level of audience concentration in various media sectors. An almost maximum concentration was found among the printed press, where the top four media companies (Graphic Communications Group Limited, New Times Corporation, Western Publications Limited
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, Business and Financial Times Limited) together reach 95.9% of the readership. Three out of four readers (72.1%) choose a state-run newspaper for information or entertainment. Private companies on the other hand dominate the broadcasting sector. A high concentration exists in the TV segment, where the top four owners (Multimedia Group, Osei Kwame with U2 Company Ltd. /Despite Group of Companies, TV3 Network/ Media General Ghana Limited, state-owned Ghana Broadcasting Corporation) represent an audience share of 77.4%. The radio market is more diverse and ‘market leaders’ differ from region to region. Again the Multimedia Group and the Despite Group of Companies have a considerable market position by operating several nationwide outlets. All in all, radio shows a medium level of audience concentration around the four market leaders that together deliver news to 44.8% of the listenership." (http://www.mom-rsf.org)
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"Nine of the 36 media companies involved in Morocco’s most influential media are directly linked to the state, the government or the royal family. Four of them – SOREAD, SNRT, EcoMedias and Horizon Press – are among the most important media companies in terms of turnover and show the potential
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influence of politically linked media owners. The royal family itself is a leading media owner. Its holding company, the Société Nationale d’Investissement (SNI), has shares in four media companies, three of which are among the top five media companies (SOREAD, EcoMedias and Radio Méditerranée Internationale). One of the key questions raised by the MOM’s findings is why leading figures from the business and financial world invest in newspapers that make no profit. Some of Morocco’s richest businessmen have stakes in five of the nine French-language publications examined by the MOM: Aujourd’hui Le Maroc, La Vie Eco, Les Inspirations Eco, La Nouvelle Tribune and L’Economiste. Two of these businessmen, Aziz Akhannouch and Moulay Hafid Elalamy, are also government ministers." (http://www.mom-rsf.org)
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