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Fair Culture Charter
Bonn: German Commission for UNESCO (2024), 34 pp.
Avalúo, luego existo: Una guÃa para conocer el valor de tu inspiración
Bogotá: Centro Regional para el Fomento del Libro en América Latina y el Caribe (CERLALC) (2023), 92 pp.
"En términos sencillos, un avalúo es el proceso mediante el cual se determina cuánto vale algo. Es como una especie de radiografÃa financiera que se hace a un objeto, propiedad o incluso a un proyecto, para entender su valor en términos monetarios [...] Si eres un artista, escritor, músico o c
...
Digitalization and Development: Ecosystem for Promoting Industrial Revolution 4.0 Technologies in Malaysia
London; New York: Routledge (2023), xxii, 272 pp.
"This book examines the diffusion of digitalization and Industry 4.0 technologies in Malaysia by focusing on the ecosystem critical for its expansion. The chapters examine the digital proliferation in major sectors of agriculture, manufacturing, e-commerce and services, as well as the intermediary o
...
"Entertainment and media (E&M) revenue across South Africa, Nigeria and Kenya grew strongly in 2021 as all three markets, like the rest of the world, recovered from the effects of the COVID-19 pandemic. Industries that were more severely impacted in 2020, such as live music and B2B trade shows, made
...
The Utility and Viability of Digital Technologies in the Production and Distribution of Critical Content in East Africa
Nairobi: Hivos East Africa (2022), 52 pp.
"This research explored the utility and viability of digital technologies in the production and promotion of critical audio-visual content by creatives. More specifically, it sought to establish regional trends in the creative sector with regard to uptake of technology in the development of critical
...
Enduring Blindspots & Infinite Opportunities: Digital Creative Industries in Uganda
Kampala: Pollicy (2022), 49 pp.
"This study aims to understand the experiences of digital creatives in Kampala, Uganda, through a gendered lens. There is a large gap in the availability of data and knowledge on the digital creative industry in Uganda and this paper aims to address some of these blindspots. To understand these expe
...
Creative Industry 4.0: Towards a New Globalized Creative Economy
Geneva: United Nations (2022), v, 48 pp.
"This report looks at the implications for the Creative Economy of the rapid changes in automated technology and advanced internet communication that came to be known as Industry 4.0. Conservative estimates put the Creative Economy’s contribution to global gross domestic product at about 3 per cen
...
Cultural and Creative Industries in the Face of COVID-19: An Economic Impact Outlook
Paris: UNESCO (2021), 62 pp.
The Routledge Handbook to the Culture and Media of the Americas
London et al.: Routledge (2020), xix, 493 pp.
"The Routledge Handbook to the Culture and Media of the Americas charts the pervasive, asymmetrical flows of cultural products and capital and their importance in the development of the Americas. The volume offers a comprehensive understanding of how inter-American communication is constituted, fram
...
Cultural and Creative Industries Supporting Activities in Sub-Saharan Africa: Mapping and Analysis
Stuttgart: Institut für Auslandsbeziehungen (ifa) (2020), 104 pp.
"Over the last 20 years, the power of cultural and creative industries (CCIs) as enablers and drivers of sustainable development has been broadly recognised. They are viewed as critical to social cohesion, social and economic transformation, and political stability. For this reason, it is important
...
"The participating unions shared very different experiences arising from the project. But it was clear that for each in their own situation and circumstances, the tailored approach and targeted support has delivered real results. IEG/SIPTU Ireland, TF Sweden, ZZAP Poland, NVJ Netherlands reported th
...
Transmedia Storytelling in East Asia: The Age of Digital Media
London: Routledge (2020), xvi, 253 pp.
"This book offers a thorough investigation of the recent surge of webtoons and manga / animation as the sources of transmedia storytelling for popular culture, not only in East Asia but in the wider global context. An international team of experts employ a unique theoretical framework of media conve
...
The Economic Contribution of Copyright-Based Industries in Botswana
Geneva: World Intellectual Property Organization (WIPO); Botswana Institute for Development Policy Analysis (BIDPA) (2019), vi, 64 pp.
"The results of the study indicate that copyright industries make a significant contribution to the national economy of Botswana. In 2016, these industries contributed 5.46 per cent to value added and 2.66 per cent to the total labor force; meanwhile, in foreign trade they contributed 1.28 per cent
...
Cultural Crowdfunding: Platform Capitalism, Labour and Globalization
London: University of Westminster Press (2019), vii, 118 pp.
"Relying on individual contributions coordinated by social media to finance cultural production (and carry out promotional tasks) is a significant shift, especially when supported by morphing public policies, supposedly enhancing cultural diversity and accessibility. The aim of this book is to propo
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Futuros criativos
Lisboa: ACEP Associação para a Cooperação Entre os Povos (2019), 239 pp.
