"Ce guide d'analyse générale des images se veut résolument simple, ouvert et pluridisciplinaire. D'une part, il traite des types les plus variés d'images (tableaux, photo graphies, affiches, vidéos, cinéma, presse, cartes, plans, nouvelles images...). De ce fait, il prend en compte l'iconogra
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phie aussi bien scientifique qu'artistique, décorative, de propagande ou technique, et l'éclaire d'exemples et de conseils. D'autre part, il réalise la première histoire des méthodes de compréhension de l'image, mettant en jeu art, histoire et sémiologie. Réunissant les préoccupations issues de ces disciplines diverses, l'auteur les rassemble dans une grille d'analyse générale de l'image. Elle permettra aux étudiants, aux chercheurs et aux enseignants de situer clairement l'étendue des questions à se poser à partir d'un document. Enfin, elle incitera l'amateur, le curieux, à regarder autrement les icônes qui nous entourent." (Description de la maison d'édition)
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"Whatever level of experience you have, this classic text will provide you with the key skills you need to complete a visual methods research project, understand the rationale behind each step, and engage with the contexts and power relations that shape our interpretation of visual images. With a cl
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ear step-by-step approach that is easy to dip in and out of, the book features: key examples in every methods chapter to demonstrate how the methods work in practice and with different visual materials; 'focus’ and ‘Discussion’ features that help you practice your skills at specific parts of the methods and understand some of the method’s complexities; guidance on researching using digital visual media, such as Instagram and TikTok, integrated throughout the book." (Publisher description)
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"The mediation of migration as a crisis has worked to shore up various forms of militarized surveillance, humanitarian response, legislative action, and affective investment. Bridging academic inquiry and artistic and activist practice, the essays, documents, and artworks gathered in Moving Images i
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nterrogate the mediation of migration and refugeeism in the contemporary European conjuncture, asking how images, discourses, and data are involved in shaping the visions and experience of migration in increasingly global contexts." (Publisher description)
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"WhatsApp is a key medium for the spread of news and rumors, often shared as images. We study a large collection of politically-oriented WhatsApp groups in India, focusing on the period leading up to the 2019 Indian national elections. By labeling samples of random and popular images, we find that a
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round 10% of shared images are known misinformation and most fall into three types of images. Machine learning methods can be used to predict whether a viral image is misinformation, but are brittle to shifts in content over time." (Abstract)
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"Visual Imagery and Human Rights Practice examines the interplay between images and human rights, addressing how, when, and to what ends visuals are becoming a more central means through which human rights claims receive recognition and restitution. The collection argues that accounting for how imag
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es work on their own terms is an ever more important epistemological project for fostering the imaginative scope of human rights and its purchase on reality. Interdisciplinary in nature, this timely volume brings together voices of scholars and practitioners from around the world, making a valuable contribution to the study of media and human rights while tackling the growing role of visuals across cultural, social, political and legal structures." (Publisher description)
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"The authors outline the topic of visuality in the 21st century in a trans- and interdisciplinary theoretical frame from philosophy through communication theory, rhetoric and linguistics to pedagogy. As some scholars of visual communication state, there is a significant link between the downgrading
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of visual sense making and a dominantly linguistic view of cognition. According to the concept of linguistic turn, everything has its meaning because we attribute meaning to it through language. Our entire world is set in language, and language is the model of human activities. This volume questions the approach in the imagery debate." (Back cover)
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"Vom Tafelbild über den Film bis zum 3D-Bild. Bilder überfluten uns in allen Bereichen der Gesellschaft, der Umgang mit digitalen Bildern wird immer wichtiger. Seit dem Pictorial oder Iconic Turn haben sich auch die Kulturwissenschaften des Themas angenommen und eine Wissenschaft vom Bild und der
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Bildwahrnehmung begründet. Das Handbuch gibt erstmals einen umfassenden Überblick, erläutert Grundlagen wie Semiotik, Phänomenologie und Ikonologie, analysiert verschiedene Einzelmedien und sich anschließende Bilddiskurse. Ein abschließender Teil beleuchtet die Bildtheorien verschiedener Disziplinen, und wie sich diese als Bildwissenschaft verstehen." (Verlagsbeschreibung)
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"This study (a) investigates the complex set of emergent meanings from Al-Jazeera's visual narratives about itself, and (b) analyzes how Al-Jazeera's visual texts articulate a broader set of nationalist meanings concerning Qatar, its home country. Rather than a content analysis of language, visual e
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lements are emphasized, which transcend the news story or program content. The "content" here involves not just events themselves but the metatextual meanings emerging from the images woven among programs, promotional videos, and commercial advertisements." (Abstract)
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"The essays explore the role and function of image making to highlight the ways in which the images "speak" and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East
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addresses aspects of the visual in the Islamic world, including the presentation of Islam on television; on the internet and other digital media; in banners, posters, murals, and graffiti; and in the satirical press, cartoons, and children's books." (Publisher description)
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"This book is an introduction to reading visual culture. It explains which methods are available to the undergraduate student and shows exactly how to use them. The book begins with a discussion of general themes and recent debates, on the meaning of culture and the function of the visual, that offe
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rs a critical inquiry into the relation of visual images to social identities and social relations. Gillian Rose then goes on to investigate in detail the different methods for interpreting visual images. The strengths and weaknesses of each method are discussed in relation to a detailed case study, as well as to the more general issues outlined in the introduction. These methods include: compositional interpretation, content analysis, semiology, psychoanalysis, discourse analysis, audience analysis." (Publisher description)
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"Die erstmals im Jahre 1985 erschiene "Buchkunde" wurde zu einem bis heute unübertroffenen Standardwerk für Bibliothekare und Buchgestalter, sowie für den grossen Leserkreis der kulturgeschichtlich Interessierten. Die hier vorliegende 6. überarbeitete und ergänzte Auflage berücksichtigt die Ve
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ränderungen im Buch-und Druckwesen, die sich vor allem durch die Computertechnik in den letzten Jahren ergeben haben." (Verlagsbeschreibung)
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"Wie kein Krieg zuvor war der Irak-Krieg von 2003/04 ein »Bilderkrieg«, in dem die Kriegsparteien Bilder als Waffen einsetzten und via Bild kommunizierten. Im Anschluß an seine große Studie »Bilder des Krieges - Krieg der Bilder« (2004) untersucht der Flensburger Historiker und Sozialwissensch
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aftler Gerhard Paul erstmals und umfassend die visuelle Rüstungsspirale des Irak-Krieges, die in den Hinrichtungsvideos und den Horrorbildern aus Abu Ghraib und Falludscha ihren Gipfelpunkt erreichte. Er rekonstruiert die Planung und die Inszenierung des Angriffs als sauberen »Blitzkrieg«, die symbolische Politik der Besetzung und Unterwerfung sowie die fotografischen Ikonen, die der Krieg produzierte. Paul untersucht die unterschiedlichen Perspektiven der Akteure - angefangen von den Militärs, über die »embedded correspondents« bis hin zu den Freelance-Reportern - auf das Geschehen und die vielfältigen »Bildstörungen« in Gestalt von Weblogs und Warblogs, die das gewünschte Kriegsbild immer wieder unterliefen." (Verlagsbeschreibung)
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"Un catalogue et une bibliographie attrayants des livres pour enfants d'auteurs africains et des travaux d'illustrateurs africains de livres pour enfants, conservés dans les collections des bibliothèques de la ville de Paris. Inclut des titres en français et en anglais, avec un index des auteurs
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et des illustrateurs, ainsi que des listes d'éditeurs et de distributeurs." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1552)
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