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Filme drehen: Geschichten, Montage, Regie
München: UVK (2023), 280 pp.
"Wie Filme fesselnde Geschichten erzählen, zeigt Hagen Myller. In seinem Buch beschreibt er maßgebliche Arbeitsschritte: von der Konzeption der Handlung über die Montage bis hin zur Regie. Der Fokus liegt auf einem zentralen Aspekt, der in der filmwissenschaftlichen Literatur oft unberücksichtig
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Die Kunst der Drehbuchentwicklung: Über die Zukunft des Geschichtenerzählens
Köln: Herbert von Halem Verlag (2022), 246 pp.
"Das neue Zeitalter der Streamingwelt bedeutet nicht nur einen Umbruch der Sehgewohnheiten des Publikums, die Entwicklung der Geschichten hat sich ebenfalls radikal verändert. Serien führen ihre Erzählungen über Stunden aus und sind komplexer und diverser. Filme werden nicht nur für den nationa
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Global Media and Cultural Policy: The European Union and Audiovisual Industries in the Global South
Ann Arbor, MI: University of Michigan, Doctoral Thesis (2019), viii, 193 pp.
"This dissertation explores audiovisual assistance programs through an examination of the largest such program: the EU’s ACPCultures+, which since 2008 has awarded over 50 million Euros to nearly 60 audiovisual training programs, distribution initiatives, and production projects in sub-Saharan Afr
...
Writing and Producing for Television and Film
Key Guidance
New Delhi et al.: Sage, 2nd ed. (2015), xiii 234 pp.
"This book is intended as a guide on the use of the visual media for behavior change communication. It is not intended as a textbook for those just entering the world of television or film writing and production. While there are some reminders of good writing and production techniques for many progr
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Nacidos para contar: Escribir y producir para TV y cine
Buenos Aires: Grijalbo (2015), 217 pp.
"Dos de los más exitosos profesionales de la TV argentina, Jorge Maestro y Pablo Culell, un autor y un productor, explican cómo generar productos exitosos en los medios audiovisuales repasando el paso a paso que va de la idea hasta la puesta en pantalla y estimulando la creatividad y la capacidad
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Escribiendo series de televisión
Buenos Aires: Ediciones Manantial (2014), 213 pp.
Texten für TV
Konstanz: UVK, 4., überarb. Aufl. (2014), 173 pp.
Schreiben für Film und Serie: Drehbücher selbst entwickeln
Berlin: Dudenverlag (2014), 191 pp.
"Und nun hat auch der Duden eine kleine Hilfestellung für angehende Drehbuchschreiber veröffentlicht, die neben die deutschsprachigen Vorreiter von G. Koehler "Drehbuch schreiben" und N. Mosleh "Drehbuchschreiben" zu stehen kommt. Die Informationen zur richtigen Vorgehensweise bei der Drehbuchentw
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Was kostet mein Drehbuch? Das Script als Basis für die Filmkalkulation
Konstanz: UVK (2009), 179 pp.
Schreiben fürs Hören: Trainingstexte, Regeln und Methoden
Konstanz: UVK, 4., überarb. Aufl. (2009), 189 pp.
Da criação ao roteiro: Teoria e prática
São Paulo: Summus Editorial, revised ed. (2009), 494 pp.
TV-Serien: Schreiben fürs Fernsehen
Andrea von Struve; Petra Post (Übs.)
Frankfurt am Main: Zweitausendeins (2008), 240 pp.
The Fundamentals of Film-Making
Lausanne: AVA Publishing (2008), 208 pp.
Cómo crear una serie de televisión
Madrid: T&B Editores (2007), 174 pp.
Roteiro de cinema e televisão: A arte e a técnica de imaginar, perceber e narrar uma estória
Rio de Janeiro: Zahar, 2nd ed. (2007), 407 pp.
Drehbuchschreiben für Fernsehen und Film: Ein Handbuch für Ausbildung und Praxis
Berlin: Ullstein, 4., aktual. Aufl. (2006), 244 pp.
Film und TV: Der Publikumsvertrag. Emotionales Drehbuchschreiben mit 'the human factor'
München: TR-Verlagsunion (2005), 203 pp.
Writing and Producing for Television and Film
New Delhi et al.: Sage (2005), 278 pp.
"This book is designed to provide practical guidelines to those in the field of entertainment-education drama who want to sharpen their skills. With separate sections for various users - programme managers, writers, producers, directors and actors - the book is a structured, step-by-step manual that
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Writing the Short Film
Burlington, MA: Elsevier Focal Press, 3rd ed. (2005), ix, 359 pp.
"The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dra
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Storytelling in Film and Television
Cambridge, Mass.: Harvard University Press (2003), xiii, 172 pp.
"Popular films and television series tell stories in an entertaining, easily comprehensible fashion. They seem simple, yet often the audience must keep track of several characters, multiple plot lines, motifs, and thematic meanings. Television viewers often face the additional challenge of frequent
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