"In this article, we suggest that the ideological cultural forces explain the differences in journalism practices in Western and Muslim majority countries (MMC). It is argued that the norms, values, and the deep political culture of the West and MMC have been materialized leading to different types
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of journalism practices. The statistical analysis of 11,246 interviews from twenty four Western and MMC conducted as part of the second wave of Worlds of Journalism Study demonstrates that journalists’ perception of influences, editorial autonomy, and journalistic roles reflect clear varied patterns, which resemble the overall cultural lines that shape their journalistic ideology. This article, we argue, has extended the hierarchical model of influences to embrace the wider regional cultural lines that avoid the trap of national media systems—centrism. Furthermore, it refutes the dominance of a global Western monoculture and, in turn, a singular global journalism practice." (Abstract)
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"This paper looks at the extent to which journalistic culture in Muslim-majority countries is shaped by a distinctive Islamic worldview. We identified four principles of an Islamic perspective to journalism: truth and truth-telling (siddiq and haqq), pedagogy (tabligh), seeking the best for the publ
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ic interest (maslahah), and moderation (wasatiyyah). A survey of working journalists in Africa (Egypt, Sierra Leone, and Sudan), Asia (Bangladesh, Indonesia, Malaysia, Oman, Qatar, Turkey, and the United Arab Emirates), and Europe (Albania and Kosovo) found manifestations of these roles in the investigated countries. The results point to the strong importance of an interventionist approach to journalism—as embodied in the maslahah principle—in most societies. Overall, however, journalists’ roles in Muslim-majority countries are not so much shaped by a distinctively Islamic worldview as they were by the political, economic, and socio-cultural contexts." (Abstract)
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"With a focus on young Egyptian women, this article explores the different ways it becomes possible to reconcile a Muslim identity with a cosmopolitan openness towards the world. Informed primarily by transnational television, these women articulate a divine cosmopolitan imagination through which th
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ey form multiple allegiances to God, the nation and global culture simultaneously. Thus, a close analysis of their regular consumption of transnational television helps challenge linear and somewhat naturalized preconceptions of how Muslims articulate perceptions of self and others. In the articulation of both their cosmopolitan imagination and religious identities, young Egyptian women have become skilled negotiators, moving within and between mediated and non-mediated discourses. They move physically within a grounded place that sets the moral boundaries for bodily existence, yet shift subjectively between disembedded spaces of mediated representation, often providing new contexts for meaning and inclusivity. The result, for young Egyptian women, is a divine cosmopolitan imagination." (Abstract)
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"Media Evolution on the Eve of the Arab Spring brings together some of the most celebrated and respected names in Arab media research to reflect on the communication conditions that preceded and made the Arab uprisings possible." (Publisher description)
"The ability of individuals to openly speak their minds is a core principle not only of American journalism, but American democracy. Even when speech is insulting or disrespectful to others-speech that might run afoul of hate speech laws throughout Western Europe or be banned outright in much of the
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rest of the world-it is generally permitted in the United States. But the rise of the Internet and the instantaneous global communications it enables have raised a host of new questions about how to handle hate speech and other potentially offensive speech when it can be seen by audiences in other countries that do not share those values." (CIMA website)
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"The essays in this volume reflect a wide-range of issues and concerns related to children’s media culture in Africa. For example, several address the role of entertainment television in Addis Abba, Ghana, South Africa, Kenya, and Zambia and in the lives of Muslim children. Other essays introduce
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us to children-centered media from Ghana, South Africa, and Zimbabwe, and the innovative programs of PLAN-International. In addition to entertainment media and children-centered media, media education and digital media literacy are also discussed." (Publisher description)
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"Arab Media: Power and Weakness is comprised of research synopses (comprehensive overviews over the current academic literature and “blind spots” of research in one of the above mentioned fields); original empirical research; and theoretical papers. The result is a comprehensive handbook of up-t
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o date research and scholarship on this important and fast-changing subject, which will be of use to all students and researchers of the contemporary Arab world." (Publisher description)
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"Investigating a vibrant audio-recording industry in southern Yemen, The Moral Resonance of Arab Media shows how new forms of political activism emerge through sensory engagements with Arabic poetry and song. From the 1940s onward, a new cadre of political activists has used audio-recording technolo
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gies, especially the audiocassette, to redefine traditional Muslim authorship. Cassette producers address conflicted views about the resurgence of tribalism by showing Yemenis how to adapt traditional mores toward more progressive and pluralistic aims. Skilled bards continue to perform orally marked tribal verse. As Miller demonstrates through an analysis of several centuries of changing media ecology, however, oral performance is anything but static. Much of the power of orality stems from its relation to writing, print, and audiovisual media that link tribal ideals with metropolitan and national discourses. Through an examination of the lives and works of individual poets, singers, and audiences, Moral Resonance shows how tribalism becomes a resource for critical reform when expressed in tropes of community, place, person, and history. Yemenis' use of audiocassettes turns such tropes into cultural resources for morally evaluating political liberalism." (Publisher description)
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"This is the first book to bring together many aspects of the interplay between religion, media and culture from around the world in a single comprehensive study. Leading international scholars provide the most up-to-date findings in their fields, and in a readable and accessible way. Some of the to
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pics covered include religion in the media age, popular broadcasting, communication theology, popular piety, film and religion, myth and ritual in cyberspace, music and religion, communication ethics, and the nature of truth in media saturated cultures." (Publisher description)
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