"Stories about Africa appeared infrequently on U.S. television: a mention appeared once in every five hours of TV programming. Viewers were seven times more likely to see references to Europe. Despite the low frequency of mentions, we know that there were more than 3.6 billion views of these depicti
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ons of Africa in the U.S. in March. Five countries — Egypt, South Africa, Kenya, Seychelles and “Congo” — accounted for almost half (49%) of all mentions of any African nation. Most mentions of Africa (43%) appeared on national or local news, with over 1.5 billion views. Business, technology and economy in Africa accounted for 8% of news coverage while crime accounted for 16%. Viewers saw one out of five references to Africa in unscripted entertainment, including talk shows, game shows and reality programming. Twenty percent of those mentions were on the game show Jeopardy. Documentaries (17%) and scripted entertainment (15%) account for almost all the rest of Africa depictions." (Summary of key findings, page 6)
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"In presenting some of the findings from an analysis of 3,387 media reports and from interviews with Africa correspondents and other journalists from eight countries, this chapter provides several insights on patterns of media representations of the conflict in Darfur. After initial neglect, peaks i
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n reporting followed political initiatives, especially Kofi Annan's analogical bridging from the Rwandan genocide to Darfur, and the ICC interventions. Judicial interventions increased reporting and citations of the crime frame. While the humanitarian emergency frame featured prominently in early stages, its use declined quickly as continued suffering was no longer news and as the government of Sudan cut off sources of information. Diplomatic representations also declined over time. Patterns of reporting follow similar paths in all countries, but they do so at different levels of intensity. In addition, receptivity to the crime frame and use of the genocide label vary across countries. The causal factors of such variation are country-specific policy preferences and cultural sensitivities, distinct characteristics of media fields and varying strengths, that is, resources, power and prestige, of social fields that surround journalism." (Conclusions, page 270)
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"This cutting edge book explores the role of the media in the highly disputed area of China-Africa relations, notably how various aspects of the issue have been portrayed, negotiated and contested in media and academic discourses. As Africa's biggest trading partner and creditor, China explores Afri
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ca not only as a marketplace for importing primary commodities and exporting manufactured goods, but also as a preferred testing ground for its media and telecommunication sector aspiring for further internationalization. At a time when the influence from Global North has been on the wane in the continent, emerging powers are regarded as new inspirations for Africa's development. China in particular tries to bolster multipolarity in Africa by factoring in media influence and facilitating the digitalization process of the continent. This book offers an up-to-date geopolitical analysis of China-Africa, examining the role of communication and telecommunication in the power shift, especially in constructing social and cultural realities in which the idea of "development" has been recurrently redefined and negotiated in the public domain. This volume tackles the issue from the new perspective of mediatization, considering how the media on the one hand shapes public opinion with its narratives and a logic of its own, and on the other hand simultaneously becomes an integrated part of other institutions like politics, trade, business as more of these institutional activities are performed through both interactive and mass media." (Publisher description)
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"As news organizations cut correspondent posts and foreign bureaux, non-governmental organizations have begun to expand into news reporting. But why and how do journalists use the photographs, video, and audio that NGOs produce? What are the effects of this on the kinds of stories told about Africa?
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And how have these developments changed the nature of journalism and NGO-work? 'Who’s Reporting Africa Now?' is the first book to address these questions—using frank interviews and internal documents to shed light on the workings of major news organizations and NGOs, collaborating with one another in specific news production processes. These contrasting case studies are used to illuminate the complex moral and political economies underpinning such journalism, involving not only NGO press officers and journalists but also field workers, freelancers, private foundations, social media participants, businesspeople, and advertising executives." (Back cover)
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"Das berüchtigte Bild des hungernden, nackten, ungeschützten Kindes ist ein Leitmotiv in der humanitären Hilfe, das bis heute kollektive und individuelle Vorstellungswelten im Globalen Norden formt. Die Bilderwelten, die die Krisen im Globalen Süden porträtieren, sind geprägt von einer kolonia
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len Kontinuität. Die Körper von Schwarzen Menschen und Menschen of Color werden in passiven, leidenden, abhängigen Positionen gezeigt und auf diese reduziert. Die Darstellungen sind allerdings nur die 'Spitze des Eisbergs': Die Bilder drücken im wahrsten Sinne des Wortes plakativ ein Verhältnis von Machtungleichheit aus, das nicht nur die Spendenwerbung, sondern auch die Strukturen von Entwicklungszusammenarbeit und vielen anderen Bereichen prägt. Aus unterschiedlichen Positionen, Gruppen und Organisationen kamen Anstöße zu einer Auseinandersetzung mit Spendenwerbung und Öffentlichkeitsarbeit von Hilfsorganisationen. Beispielsweise haben ISD und glokal in den letzten Jahren ein vielfältiges Programm aus Workshops, öffentlichen Interventionen und Projekten wie den Dokumentarfilm white charity (whitecharity.de) entwickelt, um einen Prozess der Sensibilisierung und des Verlernens anzustoßen. Hier stand jedoch erstens Kritik im Vordergrund, zweitens blieb die Diskussion eher szene-intern auf entwicklungspolitische Akteur_innen beschränkt. Mit dem Projekt (De-)koloniale Bilderwelten wollten wir einen Schritt weitergehen, indem wir die Künstler_innen Rajkamal Kahlon, Isaiah Lopaz und Lena Ziyal dazu eingeladen haben, alternative Werbeplakate zu entwerfen. Diese wurden auf Plakatwänden an zentralen Plätzen im öffentlichen Raum Berlins gezeigt. Außer den künstlerischen Beiträgen dieses Projekts versammelt die Publikation zudem die Stimmen und Gegenentwürfe von Aktivist_innen, Wissenschaftler_innen und Künstler_innen." (Vorwort)
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"Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, esp
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ecially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and ‘darkest Africa’ news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture." (Publisher description)
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"Suzanne Franks discusses how the visually dominated storytelling of famines in Africa distorted the causes of famine and therefore obscured the most effective solutions. As journalists struggled to document the depths of human suffering, humanitarian communication in these early stages raised compa
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ssion, concern, and actions of all sorts, but also helped to extend the conflicts and misled global publics by offering simple explanations for complex circumstances. In addition, it left in its wake a legacy, and a visual convention of stereotypic imagery, of The Starving African; anonymous, vulnerable, powerless, and forever waiting for food from the West." (Introduction to part 4, page 186)
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"This paper presents the results of a comprehensive scoping review of empirical research into US and UK media representations of Africa published between 1990 and 2014. The results show that existing research has a remarkably narrow focus on a specific number of countries, events, media and texts. R
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esearch into representations of North Africa, Francophone Africa, non-news genres, non-elite media and radio content, is particularly scarce. This, I contend, provides an insufficient basis for reaching any firm, generalisable conclusions about the nature of media coverage of Africa. The common assumption that representations are dominated by Afro-pessimism, for example, may be accurate – but it is not currently substantiated by the existing evidence. In short, the widespread belief that we know how Africa is represented in the US and UK media is shown to be a myth. This paper also discusses how this myth has been maintained through certain citation practices and interpretations of evidence as well as the implications of these findings for the many corporations, governments, non-governmental organisations and researchers whose activities depend upon, or have helped to preserve, this myth." (Abstract)
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"This article examines the depiction of three impoverished Lagosian slums in the controversial British Broadcasting Corporation (BBC) documentary, Welcome to Lagos, which highlights the negative impacts of globalised capitalism on urban culture in Nigeria’s commercial centre and biggest city. In r
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ecent times scholarship on postcolonial urbanisation has been marked by an important shift in focus from economic concerns to interest in the peculiar cultural dimensions of life in postcolonial cities. As this article argues, however, dominant depictions of postcolonial cities continue to highlight ways in which cultural responses to the harsh effects of late capitalism in such cities reflect economic strategies of what Mike Davis calls “informal survivalism." (Abstract)
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"This article argues that when it comes to reporting conflicts in the developing world the western press ignores the private sphere of economic activity because it privileges a narrative of people fighting over the nation state, as well as political ideologies and territory gained and lost. This cho
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ice of media framing matters in how western audiences understand the complexity of resource wars. To explore this concept further I examine American and British press coverage of conflict diamonds in the civil wars fought in Angola, the Democratic Republic of the Congo, and Sierra Leone in the pages of four western newspapers of record: The Guardian (UK), The Times (UK), the New York Times (US) and the Washington Post (US). Overall, while conflict diamonds were present in the reporting, the press ignored the full extent of involvement of private companies and international capital in the financing and trading of diamonds to fuel war." (Abstract)
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"In your text, treat Africa as if it were one country“ (Wainaina, 2012) – was der kenianische Autor und Gründer des Literaturmagazins Kwani Binyavanga Wainaina in seiner satirischen Gebrauchsanweisung How to Write about Africa SchriftstellerInnen empfiehlt, wird in Medienbeiträgen zu Afrika be
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ständig umgesetzt. Wenngleich die Berichterstattung zum afrikanischen Kontinent und ihre Kontextbedingungen, zumindest im deutschsprachigen Raum, keineswegs intensiv erforscht sind, besteht zu ihrer Ausgestaltung ein wissenschaftlicher Common Sense: Der Kontinent wird medial undifferenziert als homogene Einheit voller Probleme dargestellt, die eurozentristische Berichterstattung konzentriert sich vorwiegend auf die „4Ks“ – Kriege, Korruption, Krankheiten und Katastrophen. Das alltägliche Leben wird dabei meist ebenso ausgeblendet wie positive Entwicklungen, die von AfrikanerInnen initiiert wurden. Vielmehr werden diese als passive HilfeempfängerInnen gezeichnet, die auf ihre Rettung durch den helfenden Westen warten." (Editorial, Seite 2)
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"This article examines global representation of the primary continental imperialisms reshaping contemporary Africa: the parallel expansionist exercises of China (centering on commercial expansion) and of the United States (centering on military expansion). Our analysis assesses the current state of
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these continent-wide involvements and sets out the background of how US-African and Sino-African relationships have been portrayed by news media. We then analyze how both Chinese and US expansions in Africa are represented by three prominent global media organizations online: Al Jazeera English, BBC and CNN. This research concludes that global media report modern imperialism in Africa mostly in ways that support the imperial project rather than mobilize resistance toward it." (Abstract)
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"This study examines media coverage of the 2011–2012 famine in Somalia by the websites of BBC News, CNN and Al-Jazeera. Using a combination of quantitative and qualitative content analyses, it explores why coverage of the famine began as late as it did, despite ample evidence of its inevitable unf
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olding, as well as the manner in which the famine was explained in popular news accounts. The study surveys famine-related news reports for evidence of four paradigms present in the current literature on famine and its causes, through which the famine could have been understood: as a Malthusian competition between population and land; as a failure of food entitlements; as critical political event; and as an issue of criminality. The findings include an overwhelming reliance on Malthusian explanations of famine, and noticeable under-reporting of the famine – despite ample evidence – until it was formally declared as such by the United Nations." (Abstract)
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"This article explores how the U.S. news media construct the topic of hunger in Africa for U.S. audiences. Specifically, the article addresses how newspapers define and delimit the relationship between U.S. citizens and foreign sufferers. Through a framing analysis and critical discourse analysis of
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randomly sampled newspaper stories, the author finds that while news articles covering hunger in the United States usually frame the problem as pertinent to the public sphere, the victim as worthy of political action, and the reader as political agent, articles covering hunger in Africa frame the issue as irrelevant to the public sphere, the victim as removed from political action, and the reader as politically impotent. Interviews with journalists are used to understand why discrepancies occur." (Abstract)
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"In Blaming the Victim, Jairo Lugo-Ocando sets out to deconstruct and reconsider the variety of ways in which the global news media misrepresent and decontextualise the causes and consequences of poverty worldwide. The result is that the fundamental determinant of poverty - inequality - is removed f
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rom their accounts. The books asks many biting questions. When - and how - does poverty become newsworthy? How does ideology come into play when determining the ways in which 'poverty' is constructed in newsrooms - and how do the resulting narratives frame the issue? And why do so many journalists and news editors tend to obscure the structural causes of poverty? In analysing the processes of news production and presentation around the world, Lugo-Ocando reveals that the news-makers' agendas are often as problematic as the geopolitics they seek to represent." (Publisher description)
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