"This study discusses the use of TikTok during the war that began with the Russian attack on Ukraine in February 2022. TikTok has been the fastest growing social media channel and is known for its young user base. Although associated with lifestyle and light entertainment, it also become an importan
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t arena in the war. Young people abroad used TikTok to obtain information about the conflict and to comment on or share it. This article presents a case study of five young Ukrainian women who captured the attention and sympathy of international audiences via TikTok. The authors study how the women succeeded as influencers and the variety of roles they took on in their performances. For the latter, they suggest a classification scheme for war influencer roles. In addition, they analyse data on the reactions from their audiences, as they appeared in the comments field. In a longer discussion section, the article goes deeper into the gender dimension of war and social media, as well as the possibilities of cosmopolitanism or affective publics. Finally, the authors suggest directions for future research." (Abstract)
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"The study examines Global Times’ strategic narratives on the Russia-Ukraine War (2022–2024) by analysing 301 articles through issue, identity and systemic frameworks. It reveals China’s framing of the conflict as a US-Russia proxy war, positioning itself as a neutral mediator advocating multi
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lateral dialogue while critiquing Western hegemony. The narratives portray Russia as a rational actor defending sovereignty, Ukraine as weakened yet reckless, and Europe-EU as internally fractured. Systemically, China projects a multipolar vision, blending realist power dynamics with idealist peace-building. The findings underscore China’s media diplomacy in contesting Western discourse and advancing its global governance agenda." (Abstract)
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"This joint report from OpenMinds and the Digital Forensic Research Lab (DFRLab) analyzes the activity of a network of 3,634 automated accounts that posted pro-Russian comments on Telegram channels between January 2024 and April 2025 targeting Ukrainian populations inside Russian-occupied territorie
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s. These accounts crafted tailored messages to target the occupied territories, differentiating their content from that aimed at other audiences across Russia and Ukraine. Our investigation found that automated Telegram comments targeting local audiences in Ukraine fell into three overarching categories: pro-Russian propaganda, anti-Ukrainian propaganda, and abstract anti-war messaging and calls for peaceful coexistence. Individual narratives were often tailored to respond to current events and changes in local conditions, such as power or water outages, but there was also evidence of proactive narratives initiated by the network unrelated to external events.
The bot network used similar messaging when targeting channels based in Russia; however, a significantly larger share of comments targeting the occupied territory channels emphasized positive portrayals of Russian culture and government. Across the sixty-nine narrative themes identified (see appendix), the bot network pushed essentially the same menu of talking points in both Russia-wide and occupied territory channels. What differentiates the content aimed at the occupied territories from that aimed at a wider Russian audience is the proportion of talking points: themes that praised Russian culture, social services, and governance dominated in occupied territory-based channels, accounting for a markedly higher share of content than in Russia-based channels. The pattern points to an effort to cultivate the appearance of local consensus in favor of occupation and Russian administrative control, but not necessarily to create genuine agreement." (Executive summary)
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"The study presented here [...] is not limited to generalised theses and descriptions of the Balkan media scene under Russian influence that only scratch the surface. Rather, the focus is on documenting the effectiveness of Russian state media in the region with a focus on Serbia, which also has an
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impact on its neighbours Bosnia-Herzegovina and Montenegro (NATO member), all three of which are EU accession candidates. From this, strategies and recommendations for action are derived as to how the politically poisonous influence of Kremlin propaganda could be curbed after years of futile endeavours." (Introduction)
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"Carole Grimaud propose une plongée au cour de la complexité des processus de réception médiatique dans un contexte où la perception et l'interprétation des informations sont soumises à une incertitude palpable. À travers une approche interdisciplinaire, cet ouvrage explore les dynamiques so
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us-jacentes à la formation des représentations et des croyances chez les récepteurs. En s'appuyant sur une étude qualitative approfondie, cette recherche analyse les influences exercées par les médias, les processus cognitifs impliqués dans le traitement de l'information et les mécanismes de régulation cognitive et métacognitive, offrant ainsi une vision nuancée des réactions du public face à la surmédiatisation de la guerre en Ukraine. Ce livre donne des clés de compréhension essentielles pour appréhender les enjeux de la réception médiatique en période de crise." (Description de la maison d'édition)
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"The 2024 Europe and Eurasia Vibrant Information Barometer (VIBE) covers 18 countries throughout Europe, Eurasia, and Central Asia. With VIBE, IREX strives to capture a modern and evolving media space where people are simultaneously producers, transmitters, consumers, and actors in the information t
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hat influences their lives and environments. This year’s edition focuses on the media and information space across the countries in the study during calendar year 2023, capturing the impact of the second year of the Kremlin’s full-scale invasion of Ukraine, along with other issues related to the work of media like the lack of gender equity within the media sectors and issues with how gender is covered throughout the region." (Executive summary, page 7)
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"This article scrutinizes Russian state-run TV narratives over critical junctures – before the 2013 Euromaidan protests, the annexation of Crimea in 2014, and the periods leading up to and following the 2022 invasion – to illuminate how political agendas, historical narratives, and public percep
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tion intersect. The authors reveal the Russian political elite’s strategic shaping of narratives, influencing collective memory and swaying public opinion on the Ukraine crisis. The significance of the conflict narrative and Russia’s position is underscored, as reflected in the evolving structure of news broadcasts. The image of Russian leaders as capable and reliable is amplified during conflicts, while Ukrainian counterparts are persistently portrayed negatively. The media constructs an identity narrative that elevates Russian leaders and disparages Western counterparts post-crisis, mirroring geopolitical tensions. The framing of Ukraine’s narrative with WWII terminology is analyzed, highlighting attempts to deflect blame onto the West. This comprehensive study elucidates the subtle complexities of media narratives and their pivotal role in geopolitics and international relations." (Abstract)
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"Misinformation is one of the twenty-first century’s greatest challenges, a peril to democracy, peace, science, and public health. Yet we lack a clear understanding of what makes misinformation so potent and why it can spread so rapidly. In Falsehoods Fly, a leading cognitive scientist and philoso
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pher offers a new framework for recognizing and countering misleading claims by exploring the ways that information works—and breaks down. Paul Thagard examines the dangers of misinformation on COVID-19, climate change, conspiracy theories, inequality, and the Russian invasion of Ukraine. He argues that effective responses to these problems require understanding how information is generated and spread. Bringing together empirical findings about the psychological and social mechanisms that drive cognitive errors with philosophical accounts of critical thinking, Thagard develops an innovative theory of how we gain information. Grasping how the generation and transmission of knowledge can fail helps us find ways to repair it and provides tools for converting misinformation into facts. Offering a deep and rich account of the nature and workings of information, Falsehoods Fly provides practical, concrete strategies to stop the creation and spread of misinformation." (Publisher description)
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"Welche Auswirkungen hat der Angriffskrieg, den Russland seit Februar 2022 gegen die gesamte Ukraine führt, auf den Alltag und das Leben Einzelner? Dieser Frage ging die deutsch-amerikanische Illustratorin Nora Krug im Laufe einer einjährigen Korrespondenz mit einer ukrainischen Journalistin und e
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inem russischen Künstler aus Sankt Petersburg nach. Die daraus entstandenen illustrierten Berichte im Tagebuchstil stellen den Alltag, die Gefühle und die Gedanken der beiden nicht nur geografisch weit voneinander entfernten Protagonisten parallel dar und offenbaren extreme Unterschiede, aber auch erstaunliche Ähnlichkeiten. Sie zeigen auf der einen Seite die ukrainische Kriegsjournalistin, die zwischen Kiew, der Front und ihrer Familie im dänischen Exil, sowie zwischen Erschöpfung, Wut und Hoffnung hin und her wechselt, während die existenzielle Bedrohung allgegenwärtig ist. Auf der anderen Seite wird die Perspektive des russischen Künstlers dargestellt, der, durch den Krieg entfremdet von seinem Land, in den Westen ausreist, seine Familie in Sankt Petersburg zurücklässt und in innerer Zerrissenheit und Angst vor dem langem Arm des russischen Regimes lebt. Die persönlichen Berichte machen nicht nur greifbar, wie sich der Krieg im Laufe eines Jahres körperlich und psychisch auswirkt, sondern vermitteln auch ein differenziertes Bild davon, wie er den Blick auf zwischenmenschliche Beziehungen, kulturelle Identitäten oder die Haltung zu moralischen Fragen verändert." (Verlagsbeschreibung)
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"On March 9, 2022, the maternity and children’s hospital number 3 in Mariupol, Ukraine, was bombed as part of Russia’s full-scale war efforts in Ukraine. However, Russian statealigned media promoted a different narrative: namely, that the bombing itself, as well as the victims on site, were fake
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. Thus, combining concerns of war, gender, and disinformation, I analytically unfold the state-aligned news media coverage of the Mariupol case in Russia within the framework of multimodal critical discourse analysis. The analysis demonstrates how female agents are stripped of victimhood and symbolically annihilated across the material, introducing the concept of false agency. Meanwhile, the experts in the coverage are solely male and predominantly Russian, pointing to an intersectional and unequal divide based on gender and nationality. Moreover, the analysis illuminates how fact-checking is used as a deliberate tool to legitimize the disinformative coverage within the discourse of information warfare in Russian state-aligned media." (Abstract)
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"In the evolving landscape of communication technology, the interplay between media and collective identity becomes crucial due to its ability to shape the socio-political dynamics of nations. This article aims to address the role of collective identity construction in Russian state media, arguing t
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hat it is a highly manipulated process in the context of the Russian invasion of Ukraine that aims to shape the way the events are perceived by the Russian population. Through narrative analysis, the article aims to explore how the subject of Russian collective identity is constructed in the political talk show Evening with Vladimir Solovyov during the timeframe of one and a half years starting from the beginning of the full-scale war in Ukraine on February 24, 2022. The identified narratives constitute a complex structure that contributes to the construction of a particular Russian collective identity. While addressing different themes, overall, they shape public perceptions towards uniting individuals around particular ideas beneficial to the state and legitimising the actions of the Russian regime." (Abstract)
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"After the annexation of Crimea by Russia in March 2014, the peninsula experienced a progressive transition of telecommunication and broadcasting infrastructure under Russian influence, followed by a wave of repression of Ukrainian media. Between 2014 and 2015, dozens of Ukrainian media organization
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s and independent journalists left the peninsula to continue working in exile. This paper explores the phenomenon of informational annexation using a mixed methods approach consisting of in-depth interviews with media and IT professionals as well as digital ethnography and network measurements. It argues that, besides pressure from pro-Russian authorities, journalistic work in the area is challenged by legal and infrastructural factors such as the absence of legal and financial protections for Ukrainian journalists traveling to Crimea, lack of holistic digital security within media organizations, and increased Internet censorship in Crimea. By analyzing the risk perceptions and digital security practices of exiled and Crimean civic journalists, this paper explores how informational annexation challenges journalistic work on the infrastructural and organizational level, enabling the rise of civic journalism, and how it affects journalists' individual digital security practices. In the context of the current Russian invasion of Ukraine, this research provides insights into some of the informational annexation tactics used by Russians in the occupied Ukrainian territories." (Abstract)
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"The article is interested in the role of humour employed in memes on X by the government of Ukraine in the war following the invasion by Russia in 2022. It brings insights from cultural and humour studies as well as psychology into politics and shows how and what kind of humour the government aroun
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d President Volodymyr Zelenskyy, a professional comedian, uses in their meme communication via social media in order to communicate with the public, seek global legitimacy and support, as well as depict and attack the enemy. It shows that the government uses a broad set of different humour types, styles and theories while completely avoiding self-deprecation as a humour style and humour which corresponds to relief theory. While this absence may not seem surprising at first in a situation of war in which there is a need to maintain tension towards the enemy, to galvanize support and avoid emphasizing own faults which might make it appear weak, the void of such forms of humour should be reconsidered. While this absence may not seem surprising during a war – a time in which there is a need to maintain tension towards the enemy, to galvanize support and to avoid emphasizing one’s own faults so as not to give the appearance of weakness – the void of such forms of humour should be reconsidered. The article calls for further research on the benefits and limitations of laughter in war. It argues that both relief theory and self-deprecation can be effective tools of crisis communication as these forms of humour can contribute to the portrayal of confidence and strength, while also providing a means of dealing with the difficult and traumatic experiences the population is facing in times of war." (Abstract)
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"Inhaltsanalysen über die Darstellung von Konflikten in den Medien werden häufig durchgeführt, um den Vorwurf der Einseitigkeit empirisch zu überprüfen. Dies wirft die normative Frage auf, wie die Forderung nach einer ausgewogenen Bewertung, d. h. einer Gleichverteilung positiver und negativer
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Bewertungen zwischen Kontrahenten, als Qualitätsmaßstab rechtfertigt werden kann und wie dies fallbezogen, d. h. kontextabhängig geschehen muss. Diese Frage wird am Beispiel von Inhaltsanalysen zum russischen Angriffskrieg gegen die Ukraine diskutiert. In einer qualitativen Metastudie von 22 Inhaltsanalysen wurden zunächst induktiv acht Annahmen zur Rechtfertigung der Anwendung des Maßstabs für diesen Fall ermittelt. Vier davon beziehen sich auf das Verhältnis der Medien zu ihrer Umwelt: zur journalistischen Profession, der Medien untereinander sowie zum Publikum und zur Politik. Vier weitere Begründungen sind vom Verhältnis der Medien zum Krieg als Thema abgeleitet: zum normativ „richtigen“ und „falschen“ Handeln der Kontrahenten, zur Antizipation negativer Folgen, zum Framing des Kriegs als Machtkonflikt (statt als Konflikt um Werte) und aus der Position des Werterelativismus. Die Forderung nach einer ausgewogenen Bewertung war in den Studien häufig mit der Kritik an einer angeblich zu negativen Sicht der russischen Seite verknüpft. Die Diskussion der Fundstellen zeigt, dass die Argumente zur Rechtfertigung einer ausgewogenen Bewertung für den vorliegenden Fall nur begrenzt oder gar nicht tauglich sind. Damit kann die Studie zeigen, dass das Problem der „False Balance“nicht nur im Bereich des Wissens, sondern auch des Wertens zu finden ist. Außerdem ist „False Balance“ damit nicht nur ein Phänomen im Journalismus, sondern auch in der Wissenschaft." (Abstract)
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"In February 2022, Russia began a full-scale invasion of Ukraine. The relevant narrative articulated by Vladimir Putin presented it as a short-term mission of military professionals. However, as the war continued, the situation at the front required complicated decisions that the initial narrative w
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as not able to cover. This article analyses the core transformations of the Russian narrative on the war in Ukraine. Appealing to the strategic narrative concept, this article suggests a framework for assessing the narrative’s viability. The author reveals that, although the current modified narrative is not able to provide a clear and coherent explanation corresponding to people’s lived experiences, it is still effective due to the following reasons. First, it is built on and perceived within an intuitively familiar discursive landscape that has been promoted for decades. Second, the external prerequisites of the viability, such as the scale of its articulation through propaganda or existing opportunities to perceive alternative narratives, remain strong. Thus, it is likely that most of the rational argumentation in the narrative will be further replaced by its sacralization, and the information isolation will be continuously reinforced." (Abstract)
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"In modern warfare, digitalization has blurred the line where civilian ends and military begins. Embedded in the participative warfare theoretical paradigm, this article looks into how the information and communication technologies (ICT) enable civic resilience under the conditions of the foreign ar
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med aggression. Specifically, the authors explore how smartphones and smartphone applications empowered the Ukrainian civil society in the aftermath of the Russian full-scale invasion of 2022. Based on an online survey and semi-structured interviews, the article highlights how the device and its features not only allowed civilians to adapt to living in conditions of
a constant threat, but also to respond and support the defence from the rear. The authors conclude that, while the smartphone becomes an ‘online resilience hub’, acquiring many new functions like a mobile office, an online volunteer (frontline logistics and procurement) hub, an air-threat warner, a first-hand news source and so on, its security provision functions are not unconditional and may turn to the opposite, depending on the physical circumstances on the ground as well as the virtual information battlefield." (Abstract)
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"This report provides an overview of how Russian state and pro-Kremlin propaganda undermining international support for Ukraine has evolved over the two years since the beginning of the full-scale invasion on 24 February 2022. It outlines a range of semi-covert tactics through which Russian state an
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d pro-Kremlin outlets continue to reach substantial audiences despite European Union sanctions. Finally, this report highlights four key areas of vulnerability of the Western alliance that Russian state and pro-Kremlin actors are likely to exploit over the coming year." (About this report)
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"This article examines the war discourse on Russian television, particularly in political talk show broadcasts aired after Russia’s invasion of Ukraine on February 24, 2022. The question of how the two conflicting parties, Russia and Ukraine, are portrayed verbally and visually in these shows is s
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pecifically emphasized. While the quantitative analysis traces a massive increase in Russian talk show broadcasts since the beginning of the war, the Critical Discourse Analysis demonstrates which strategies are utilized to demonise and defame the Ukrainian side and to legitimise the war. By comparing the current war discourse with the Ukraine discourse in 2014, this study shows that talk shows have undertaken a significant role in supporting the war and have become a puissant didactic tool to influence and manipulate public opinion by perennially repeating key governmental messages and efficiently orchestrating all visual, verbal, and non-verbal means at their disposal." (Abstract)
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