"Caricaturistes - Fantassins de la démocratie est publié à l’occasion de la sortie du film-événement éponyme, co-écrit et produit par Radu Mihaileanu et réalisé par Stéphanie Valloatto, qui présente douze grands caricaturistes internationaux, reconnus pour leur courage et leur engagemen
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t en faveur de la démocratie. Radu Mihaileanu et Plantu les ont rencontrés dans leurs pays respectifs. Chacun d’eux a été invité à retracer son parcours, donner les motifs de son combat, raconter les épisodes comiques ou tragiques qui ont ponctué sa carrière. Le livre prolonge ces entretiens avec une large sélection de dessins reproduits, près de 300, et explique le processus créatif des auteurs. Grâce à ces douze lanceurs d’alerte armés seulement d’un crayon, Caricaturistes - Fantassins de la démocratie dit bien l’état du monde d’aujourd’hui et du combat pour la démocratie toujours et partout menacée." (Description de la maison d'édition)
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"Zimbabwean journalists and civil society activists in the diaspora have employed humour not merely to mock or ridicule but to conscientize people, and to raise attention for and awareness of the situation in Zimbabwe, including the social, economic and political realities and everyday life concerns
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and hardships experienced by ordinary people in the country. This article explores how diasporic Zimbabweans have made use of the freedoms in their current locations and of new media and other means to express their dissatisfaction with the Zimbabwean government and the state of affairs in their home country through satire and related forms of political humour. This article focuses particularly on the dissemination of cartoons and satirical messages from liberal host countries through the Internet. It is argued that political humour in the Zimbabwean diaspora has a counter-discursive function and serves as a ‘medium of communicating dissent’." (Abstract)
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"Depuis le séisme du 12 janvier 2010, l'aide internationale afflue à Haïti. Passés les premiers secours, c'est maintenant tout un pays qui doit se reconstruire. Un soutien durable est donc nécessaire pour que les Haïtiens puissent retrouver une vie normale. C'est pourquoi les dessinateurs de p
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resse et de bandes dessinées se sont mobilisés en réalisant ces 100 illustrations. En partenariat avec Le Monde, Radio France et l'association Cartooning for Peace, les Editions Casterman reverseront l'intégralité des profits de ce livre à la Fondation de France. Cette dernière se chargera de répartir les fonds entre les différents projets concrets sur place pour venir en aide aux victimes du tremblement de terre de la Perle des Caraïbes."
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"This volume documents from historical and contemporary perspectives, the situations, trends and issues of cartooning in a number of African countries, and profiles the individuals, forms and phenomena that stand out. All types of cartooning are covered, including comic books, comic strips, gag and
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political cartoons, and humour magazines. The contributors are scholars, writers, and practitioners of comic art who are either residents of or research visitors to Africa. Their approaches run the gamut from historical/contemporary overviews, to problem analysis of the profession and cartoonists, to textual analysis." (Publisher description)
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"The essays in this collection reveal that the social and political development of post-apartheid South Africa depends to an important degree on the evolving cultural, social and political identities of its diverse population and on the role of the media of mass communications in the country's new m
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ulticultural democracy. The popular struggle against the country's former apartheid regime and the on-going democratisation of South African politics have generated enormous creativity and inspiration as well as many contradictions and unfulfilled expectations. In the present period of social transformation, the legacy of the country's past is both a source of continuing conflict and tension as well as a cause for celebration and hope [...] South Africa's media of mass communications have an important role to play in the process of unprecedented social transformation - both in developing the respect for differences and the overarching identity as well as providing the public forum and the channels of communication needed for the successful development of the country's multicultural democracy. In South Africa, the democratization of the media must go hand in hand with the democratization of the political system in order to ensure that the majority of the citizenry participate effectively in the country's multicultural democracy. Topics covered include The "Struggle for African Identity: Thabo Mbeki's African Renaissance", "Between the Local and the Global: South African Languages and the Internet", "Shooting the East/Veils and Masks: Uncovering Orientalism in South African Media" and "Black and White in Ink: Discourses of Resistance in South African Cartooning." (Publisher description)
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"In Bad Language, Naked Ladies, and Other Threats to the Nation, Anne Rubenstein examines how comic books—which were overwhelmingly popular but extremely controversial in post-revolutionary Mexico—played an important role in the development of a stable, legitimate state. Studying the relationshi
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p of the Mexican state to its civil society from the 1930s to the 1970s through comic books and their producers, readers, and censors, Rubenstein shows how these thrilling tales of adventure—and the debates over them—reveal much about Mexico’s cultural nationalism and government attempts to direct, if not control, social change. Since their first appearance in 1934, comic books enjoyed wide readership, often serving as a practical guide to life in booming new cities. Conservative protest against the so-called immorality of these publications, of mass media generally, and of Mexican modernity itself, however, led the Mexican government to establish a censorship office that, while having little impact on the content of comic books, succeeded in directing conservative ire away from government policies and toward the Mexican media. Bad Language, Naked Ladies, and Other Threats to the Nation examines the complex dynamics of the politics of censorship occasioned by Mexican comic books, including the conservative political campaigns against them, government and industrial responses to such campaigns, and the publishers’ championing of Mexican nationalism and their efforts to preserve their publishing empires through informal influence over government policies. Rubenstein’s analysis suggests a new Mexican history after the revolution, one in which negotiation over cultural questions replaced open conflict and mass-media narrative helped ensure political stability." (Publisher description)
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"A história social e política do país vista por meio de caricaturas da imprensa." (Jean-Marie Van Bol, Abdelfattah Fakhfakh: The use of mass media in the developing countries. Brussels: CIDESA, 1971 Nr. 1305, topic code 110.5)