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Remapping Cold War Media: Institutions, Infrastructures, Translations
Bloomington: Indiana University Press (2022), ix, 312 pp.
"Cold War media cultures are typically remembered in terms of an East-West binary, emphasizing conflict and propaganda. Remapping Cold War Media, however, offers a different perspective on the period, illuminating the extensive connections between media industries and cultures in Europe's Cold War E
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Exporting the French Co-Production Model: Aide Aux Cinémas Du Monde and Produire Au Sud
In: European Film and Television Co-Production: Policy and Practice
Julia Hammett-Jamart; Petar Mitric; Eva Novrup Redvall (eds.)
Cham: Palgrave Macmillan (2018), pp. 223-239
"This chapter examines how the Aide aux cinemas du monde fund and the Produire au Sud workshop aim at strengthening France’s central position in the co-production of world cinemas. The Aide aux cinemas du monde provides funding to French co-producers of films from all over the world, while the Pro
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European Film and Television Co-Production: Policy and Practice
Cham: Palgrave Macmillan (2018), xxiii, 365 pp.
"This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media land
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Produire des films: Afriques et Moyen Orient
Presses Universitaires du Septentrion (2018), 386 pp.
"Dans des pays caractérisés par une profusion d’images essentiellement venues d’autres continents, et par une production très inégale, voire inexistante, quels ont été les modèles dominants de production ? Quels sont ceux que les mutations en cours font émerger ? Quels sont les enjeux é
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Coprodução no Ibermédia: Uma análise dos filmes brasileiros coproduzidos com apoio do fundo entre 2003 e 2013
In: Cinema em português: VII jornadas
Frederico Lopes; Paulo Cunha; Manuela Penafria (eds.)
Covilhã: Livros LabCom (2015), pp. 87-100
"O fomento à produção cinematográfica em regime de coprodução tem sido uma saída para os países latinoamericanos que pressionados em sua cadeia produtiva pela hegemônica indústria cinematográfica norte americana têm dificuldades em desenvolver suas cinematografias. Desde da década de 19
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Glut der Erinnerung: Retrospektive deutsch-palästinensischer Koproduktionen. Filmreihe im Zeughauskino: 28.5. bis 13.6.2015
Berlin: Deutsches Historisches Museum (2015), 24 pp.
From the Field: Co-Producing the Memory. Cinema Production Between Europe and the Middle East
Global Media Journal - German Edition, volume 1, issue 1 (2011), 13 pp.
"The media intervention programs and training initiatives for Arabs reflect hegemonies and dependencies. Taking into consideration the absence of a public cinema infrastructure in the Arab World and thus the lack of institutional representation or backing for film-makers leads one to question to wha
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Der brasilianische Film in Deutschland
In: Deutsch-brasilianische Kulturbeziehungen: Bestandsaufnahme, Herausforderungen, Perspektiven
Wolfgang Bader (ed.)
Frankfurt am Main: Vervuert (2010), pp. 213-222
"Zwar haben große Filme wie “Central do Brasil” oder “Cidade de Deus” die Zuschauer für den brasilianischen Blick auf die Welt sensibilisiert; dennoch müssten die kleineren Produktionen durch die Möglichkeit der Koproduktion und eine intensive Verleihförderung mit einer guten Untertitel
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Untold Stories
Westminster Papers in Communication and Culture, volume 7, issue 2 (2010), pp. 31-50
"Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inte
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Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV
London; Berkeley; Los Angeles: University of California Press (2007), x, 341 pp.
Producción, coproducción e intercambio de cine entre España, América Latina y el Caribe
Top Insights
Madrid; La Habana: Fundación Carolina;Fundación del Nuevo Cine Latinoamericano (2006), 63 pp.
Was heißt "Produzieren für Europa"?
In: Medienkontinent Europa? III. Wissenschaftliches Colloquium des Instituts für Medienforschung der Hochschule für Film und Fernsehen "Konrad Wolf", Potsdam-Babelsberg
Peter Hoff; Dieter Wiedemann (eds.)
Berlin: Vistas (1993), pp. 69-75
Bemerkungen zur Ost-West-Koproduktion aus der Sicht der Produzentin
In: Medienkontinent Europa? III. Wissenschaftliches Colloquium des Instituts für Medienforschung der Hochschule für Film und Fernsehen "Konrad Wolf", Potsdam-Babelsberg
Peter Hoff; Dieter Wiedemann (eds.)
Berlin: Vistas (1993), pp. 76-79
Coproduction et distribution internationales de programmes éducatifs
In: Actes du Troisième Congrès International de l'U.E.R. sur la Radio et la Télévision Educatives. Paris, 8-22 mars 1967
Paris: Office de Radiodiffusion-Télévision Française (ORTF) (1968), pp. 166-171
"Recherche de programmes provenant d'autres pays ou d'autres organismes: tel est le désir manifesté par les spécialistes de la radiodiffusion éducative — Des nécessités pratiques sont à la base de ce désir — 1. Ressources financières limitées au niveau de la programmation locale (le ca
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Le rôle de la Coopération internationale dans la production cinématographique : Rapports sur différentes méthodes de coproduction dans le domaine éducatif et culturel
Paris: UNESCO (1962), 36 + (2) pp.
"L'auteur est directeur du Nederlandse Onderwijs Film, La Haye, Pays-Bas. Coproduction d'une série de films de géographie physique, de films scientifiques, de géographie générale, de films en liaison avec l'ONU, du film: « Les régions climatiques de l'Europe » — Conclusions et recommandati
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