"Os telejornais das emissoras católicas assumem-se como católicos, não se furtando a noticiar acontecimentos e temáticas ligadas à religião. Apesar disso, este não é seu objetivo principal. Sobressaem as notÃcias de interesse social, recortes da realidade, daquilo que acontece dia-a-dia no
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Brasil e no mundo, bem como de problemáticas que afetam a vida de seu público. Se por um lado a seleção das notÃcias revela a preocupação com aquilo que é o cerne do jornalismo: a realidade e os acontecimentos diários, por outro os limites dos veÃculos na captação de imagens e na produção de reportagens interferem sobremaneira no resultado final. Ainda assim, a partir desta pesquisa podemos afirmar que a maioria dos valores-notÃcias compartilhados pelos profissionais de jornalismo está presente nos telejornais das emissoras católicas." (Considerações, página 14)
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"This study (a) investigates the complex set of emergent meanings from Al-Jazeera's visual narratives about itself, and (b) analyzes how Al-Jazeera's visual texts articulate a broader set of nationalist meanings concerning Qatar, its home country. Rather than a content analysis of language, visual e
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lements are emphasized, which transcend the news story or program content. The "content" here involves not just events themselves but the metatextual meanings emerging from the images woven among programs, promotional videos, and commercial advertisements." (Abstract)
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"Bad News for Refugees analyses the political, economic and environmental contexts of migration and looks specifically at how refugees and asylum seekers have been stigmatised in political rhetoric and in media coverage. Through forensic research it shows how hysterical and inaccurate media accounts
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act to legitimise political action which can have terrible consequences both on the lives of refugees and also on established migrant communities." (Back cover)
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"News Media in the Arab World: A Study of 10 Arab and Muslim Countries is based on ongoing research at the Department of Media and Communication, University of Leicester, and has investigated the rapidly changing nature of the news media in Arab countries. They have investigated the role of newspape
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rs and television in news provision and the impact of new media developments, most especially the emergence of the internet as a platform for news distribution and of international satellite television channels such as Al Jazeera. Examining the constantly developing nature of news, the collection contains separately authored chapters produced by the researchers responsible for each original analysis, covering Bahrain, Egypt, Iraq, Kuwait, Libya, Oman, Qatar, Palestine, Saudi Arabia and the United Arab Emirates." (Publisher description)
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"Almost 300 news channels are currently available in Europe, of which more than 170 are established in the European Union. Private channels dominate the national TV news landscape with more than 80% owned by private companies. The pan-European channels with the widest distribution in Europe are CNN
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International, BBC World News, Al Jazeera (English), Euronews (English) and RT (Russia Today). The number of news channels available over free DTT channels has increased to 43, compared to 16 four years ago." (Website European Audiovisual Observatory)
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"Using Entman’s work on mediated public diplomacy, the authors conducted an Arabic-language online survey of news consumers on Arab websites, including one US-funded media outlet. They examined factors leading to gaps in exposure and perceptions of credibility for three Arab news outlets. Specific
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ally, they examined variables that differentiated between exposure to and perceived credibility regarding the three satellite news media – al-Jazeera, al-Arabiya, and al-Hurra. Results showed that issue importance and attitudes toward the United States were significant predictors of exposure gaps between the US-funded network and other Arab media. Exposure gaps were also powerful predictors of perceived credibility." (Abstract)
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"This article presents and discusses the results of an experiment, which gathered audience responses to television news coded as war journalism and peace journalism respectively, in two countries, Australia and the Philippines. From the peace journalism model, evaluative criteria were first derived
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as a set of headings for content analysis of existing television news as broadcast in each country. The test material was then coded to fall within the upper and lower peace journalism quintiles of the ‘idiom and range’ of local television journalism in each case. Distinctions under the headings were particularized for individual stories by critical discourse analysis, to disclose potential sources of influence transmitted into audience frames. Data about emotional responses, gathered from self-reporting questionnaires, were combined with a textual artefact, with participants completing a ‘thought-listing protocol’ as they watched. Focus groups also viewed the material and provided more in-depth narrative responses. Watching peace journalism left people less angry and fearful, and more hopeful and empathic. Peace journalism viewers were also less inclined to apportion ‘blame’ to one ‘side’, and more likely to think about cooperative solutions to the problems presented." (Abstract)
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"Television has recently experienced unprecedented expansion in Bangladesh. Given its popularity and influence, and with more people using it for their information, research on the credibility of TV news is warranted. Perceived independence of TV channels, their social role, source expertise, object
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ivity, and audiovisual quality were hypothesized to influence credibility perceptions of TV news. Based on factor analysis and multiple regression analysis, four of these five factors had a significant effect. Implications of TV news credibility in Bangladesh's development efforts are discussed." (Abstract)
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"The project investigated foreign TV news in 17 countries from five regions in the world: Belgium, Brazil, Canada, Chile, China, Egypt, Germany, Hong Kong, Israel, Italy, Japan, Poland, Portugal, Singapore, Switzerland, Taiwan and the United States of America. The data of the content analysis in all
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these countries in 2008 contain over 17,500 news items. The analysis concentrates on ‘news geography’, a term that is used to describe the extent to which the countries of the planet are represented in TV news. The results show a complex, multifaceted picture of foreign news reporting in the world. This multifaceted picture demands multi-causal interpretation. Several factors are discussed, i.e. the types of countries, their political order and integration into the international system, trade, different degrees in political power, but also historical connections, cultural ties, etc. Principally, the foreign news outlet depends on the selection criteria of journalists. On the whole the findings seem to question the world’s globalization, which is often taken for granted." (Abstract)
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"The tabloid news genre has been chastized for depoliticizing its public by causing cynicism about the democratic process and lowering the standards of rational public discourse. Counter-arguments point to the alternative public sphere offered by popular media such as ‘tabloid TV’ which is the f
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ocus of this study. The ‘tabloid TV’ genre is relatively new in Zambia and in the African context in general. This article sets out to examine the rapid rise in popularity of the Zambian private television station, Muvi TV. It examines Muvi TV’s main evening news as an example of the ‘tabloid TV’ news genre vis-à -vis the criticisms levelled against tabloidization. The article presents results from a reception study of viewers in the capital city, Lusaka. A three-stage qualitative study was carried out, consisting of a thematic/content analysis of news bulletins, focus groups and individual, semi-structured interviews. The findings suggest that audiences attach greater credibility to Muvi TV’s news broadcasts than those of the public broadcaster, the Zambia National Broadcasting Corporation (ZNBC). As such, Muvi TV can be seen to fulfil a political function despite its sensationalized approach." (Abstract)
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