"The book was born out of the need to understand and convey the experience of journalists who testified before the International Criminal Tribunal for the Former Yugoslavia (ICTY). Aiming to shed light on the insufficiently researched role of journalists and newspaper material before the ICTY, Media
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centar Sarajevo’s research team gathered and analyzed 2,760 evidence items from the Hague Tribunal court records, while the experiences of 14 journalists who testified before the Hague Tribunal were recorded through in-depth interviews." (Publisher description)
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"Der Umgang mit der Kolonialgeschichte, die hierzulande lange im Schatten der Aufarbeitung des Nationalsozialismus und des Holocaust stand, unterliegt gegenwärtig einem grundlegenden Wandel. Zwar zählt auch Deutschland faktisch zu den postkolonialen Gesellschaften Europas, doch ist diese Tatsache
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kaum in das Bewusstsein der Menschen und in das Handeln der Politik vorgedrungen. Der Sammelband zieht Bilanz und will zugleich die notwendige Auseinandersetzung um eine Dekolonisierung globaler wie lokaler Machtverhältnisse und eine Dekolonialisierung der immer noch dominierenden Wissens- und Deutungsmacht des »Westens« anregen. Die aktuellen Debatten um den Völkermord an den Herero und Nama oder die koloniale Beutekunst im geplanten Humboldt Forum in Berlin richten den Fokus ein ums andere Mal auf eine koloniale Vergangenheit, die nicht vergehen will." (Verlagsbeschreibung)
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"Kann Gerechtigkeit eine Bedingung für Vergebung und Versöhnung sein? Diese Frage wird selten gestellt, ist aber für die Frage der Friedenspolitik in Nachkriegsgebieten von großer Bedeutung. Kriege in den Ländern in Mitteleuropa wie auch in der Region der Großen Seen Afrikas haben deren sozial
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e Gefüge schwer beschädigt. Umso schwerer waren Prozesse der Vergebung und Versöhnung. Die Suche nach der Wahrheit, auch wenn sie komplex, wenn nicht illusorisch ist, scheint ein entscheidender Faktor für die Verwirklichung von Gerechtigkeit, Vergebung und Versöhnung zu sein. Diese Themen standen in vergleichender Perspektive im Mittelpunkt der Debatten und Konferenzen der Girubuntu Peace Academy (GPA); die Ergebnisse werden in diesem Band dokumentiert." (Verlagsbeschreibung)
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"This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral and written narratives, literature, comic strips, photography, theatre, and cinematic images. The central argument is that traumatic memories are
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frequently beyond the sphere of medical, legal, or state intervention. To address these different, often intertwined modes of language, the contributors provide a variety of disciplinary approaches to foster innovative debates and provoke new insights. Prevailing definitions of trauma can best be understood according to the cultural and historical conditions within which they exist. Languages of Trauma explores what this means in practice by scrutinizing varied historical moments from the First World War onwards and particular cultural contexts from across Europe, the United States, Asia, and Africa – striving to help decolonize the traditional Western-centred history of trauma, dissolving it into multifaceted transnational histories of trauma cultures." (Publisher description)
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"[...] Im günstigen Falle bilden Bibliotheken, Archive, Museen, Forschungseinrichtungen und Medien mit digitalen Angeboten, geeignet kontextualisiert und erklärt, Anlaufpunkte der Orientierung und befördern den Diskurs über den Nationalsozialismus und die damit verbundenen abscheulichen Gräuelt
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aten. Diese Institutionen können zusammen als „Stimmen der Vernunft“ in die Resonanzräume des Internets gegen die Polemik der „Schnellen und Lauten“ wirken, die diese öffentlichen Räume auch zur Verbreitung nationalsozialistischen Gedankenguts nutzen. Im vorliegenden Tagungsband wird die kritische, transdisziplinäre Debatte zur zentralen Frage nach dem „richtigen“, das heißt verantwortungsvollen Um gang mit „toxischen“ Inhalten geführt. Sie widmet sich den rechtlichen und ethischen, aber auch organisatorischen, technischen, und gesellschaftlichen Aspekten dieser Frage. Ich wünsche diesem Tagungsband aufmerksame Leser*innen und der Debatte die erforderliche Gestaltungskraft, so dass daraus Impulse für den umsichtigen Umgang mit den Digitalisaten der NS-Zeit erwachsen." (Begleitwort Seite 15)
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"This book examines the afterlife of decolonization in the collective memory of the Netherlands. It offers a new perspective on the cultural history of representing the decolonization of the Dutch East Indies, and maps out how a contested collective memory was shaped. Taking a transdisciplinary appr
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oach and applying several theoretical frames from literary studies, sociology, cultural anthropology and film theory, the author reveals how mediated memories contributed to a process of what he calls “unremembering.” He analyses in detail a broad variety of sources, including novels, films, documentaries, radio interviews, memoires and historical studies, to reveal how five decades of representing and remembering decolonization fed into an unremembering by which some key notions were silenced or ignored. The author concludes that historians, or the historical guild, bear much responsibility for the unremembering of decolonization in Dutch collective memory." (Publisher description)
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"Este libro es un homenaje a la historia de millones de colombianos y colombianas que se niegan a convivir con la violencia y que han encontrado en el perdón, y en el encuentro honesto con los responsables del daño y el dolor, el camino hacia la reconstrucción de las relaciones rotas por la guerr
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a; un camino para sanar. La escucha de todas estas experiencias y el reconocimiento de estos dolores y luchas como propios nos devuelven la grandeza de ser seres humanos y nos sacan de la crisis ética en la que nos sumió esta guerra entre hermanos. En este libro encontrarán historias narradas por sus protagonistas, cuidadosamente tratadas por nuestro equipo territorial. Estas narraciones fueron escuchadas a lo largo y ancho del territorio nacional y son parte de la vida de hombres y mujeres del campo colombiano, muchos campesinos, otros indígenas o afrodescendientes, uno de ellos homosexual, y otra de ellas mujer transgénero: toda, población vulnerable por la desprotección del Estado cuando el campo, las veredas y los corregimientos se volvieron territorios de guerra, en los cuales la inmensa mayoría de los muertos fueron civiles. Esta es 'La fuerza de esta voz': la historia de vida de las personas que habitan los territorios recorridos por la Comisión de la Verdad con la intención de comprender el conflicto armado colombiano. Es la fuerza de su dolor, sus luchas y sus sueños. Compartir con el país lo que hemos escuchado es una forma de agradecer a quienes con generosidad nos brindaron su testimonio. Escucharnos, como país, es el primer paso para reconocernos, y reconocer a las víctimas, su dolor y su resistencia, y asumir juntos el compromiso de la no repetición de la guerra del conflicto armado interno: el compromiso de la paz grande." (Prólogo de Francisco de Roux, página 4-5)
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"Konzentrationslager als virtuelle Realität. Digitale Repräsentationen des Holocausts und ihre Grenzen der Wahrheit. Wenn es um den Holocaust geht, werden die "Grenzen der Darstellung" seit den seit den 1990er Jahren ausführlich diskutiert. Neuere digitale Technologien wie AR, VR und verschiedene
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andere Ansätze zur Erzeugung von Unmittelbarkeit, Immersion und emotionaler Intensität haben erneut heftige Reaktionen und Kontroversen ausgelöst. Dieser Artikel bietet eine Typologie der digitalen Ansätze, die seit 2010 zur Darstellung von NS-Konzentrationslagern verwendet wurden. In Anlehnung an Baudrillards Unterscheidung zwischen "Nachahmung", "Produktion" und "Simulation" und "Simulation" der Realität lassen sich verschiedene Regime von Beziehungen zwischen historischer Realität Repräsentationen von Geschichte identifiziert werden. Ungeachtet neuer Wahrnehmungsdimensionen, werden bisherige Narrative und Perspektiven zur Darstellung der NS-Verbrechen "saniert". (Abstract)
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"During recent decades, the question of how societies deal with the past has received increasing attention from political actors, civil society and academia. Yet, dealing with the past continues to be a very controversial issue that causes polemic debates. This book contributes to a cross-regional a
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nalysis of how societies in Latin America, South Africa and Germany deal with a past containing massive human rights violations." (Publisher description)
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"Societies attempting to ignore atrocities committed in the conflict setting generally find themselves confronted by their persistence. Whether manifesting as unresolved grievance, as social dysfunctionality or an easy reversion to violence, or as a simple reiteration of old animosities, the eventua
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l results are erosion and escalation. Victims of violational acts, especially, may feel as though the war has never ended, even after the formal peace has been declared. Dealing with the Past (DwP) comprises a suite of creative strategies for shifting this – measures that can provide victims with comfort, some satisfaction, and sometimes even repair; initiatives that tackle perpetrators and advance the rule of law; ways of overhauling legislation and reforming public institutions, and growing a culture of democratic governance; projects capable of generating a shared understanding of the abuses and the history in which they occurred; occasions for celebrating the life that remains, with all its learnings, among those who have survived. DwP is an approach to transformation that can, at best, enable sustainable transition out of entrenched patterns of violence and violation. Both an introduction to core concepts and comparative in its orientation, this toolkit is designed to address the practicalities – the nuts-and-bolts – of making DwP work." (Page 2)
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"The documentary dalan ba dame was produced by the East Timorese Commission for Reception, Truth and Reconciliation (Comissao de Acolhimento, Verdade e Reconciliaao de Timor-Leste, CAVR) and covers the twenty-four years of Indonesian occupation of Timor-Leste, during which nearly one quarter of the
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population died. The CAVR was originally set up to produce a report about the human rights violations committed between April 25, 1975, and October 25, 1999, analyze its root causes, and identify ways of how to come to terms with the violent past. It therefore constitutes an instrument of transitional justice, defined as “a set of practices, mechanisms, and concerns that arise following a period of conflict, civil strife, or repression and that are aimed directly at confronting and dealing with past violations of human rights and humanitarian law.”1 As the same institution produced both media, the report about the human rights violations and the documentary, one should expect them to communicate the same message. However, this is not the case. The report emphasizes the need to prosecute individual members of the Indonesian military for the human rights violations committed as a precondition for sustainable peace. The documentary tells the story that peace already prevails and keeping it is a matter of reconciliation among the East Timorese population. Consequently, the case of the CAVR and its documentary is interesting for research on visuality, which analyzes the dynamics and effects of visuals in social and political processes." (Introduction)
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"In this chapter, I analyze transnational memory following the four elements outlined in the introduction—actors, structures, practices, and outcomes—in the case of the disappearances of forty-three students from Ayotzinapa, Mexico, in 2014. First, I discuss why the issue of agency and the outco
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mes of transnational memory represents a “hard” aspect for theorization. Then, drawing on the work of Kurasawa (2007), I propose to approach transnational memory as a crucial component of the project of global justice. Kurasawa stresses the importance of conceiving of human rights not as ontological attributes that we enjoy as members of humankind but as a set of practices, “capacities that groups and persons produce, activate and must exercise by pursuing ethico-political labor.” After sketching the sociopolitical context of the Mexican “War on Drugs,” I analyze the transnational memory work in this case in three different initiatives: the work of the Interdisciplinary Group of Independent Experts (GIEI for its Spanish initials), the Forensic Architecture online platform “The Ayotzinapa Case: A Cartography of Violence,” and the initiative Ayotzinapa: Visual Action. Read together, these actions cover a spectrum of actors—intergovernmental organizations, research centers, activists, and artists, as well as different dimensions: legal, forensic, aesthetic. Finally, I discuss the potential of “structurally transformative agency” (Hays 1994: 64) to disrupt the structure of impunity that has prevailed in Mexico." (Page 48)
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"By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony
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, and the ideological uses of documentary and fiction. She argues that recurrent concepts—such as trauma, mourning, memory, and subalternity—miss how testimonial films have changed over time, shifting from subaltern narratives to official, hegemonic, and iconic accounts. Her work highlights the urgent need to continue to study these types of narratives, particularly at a time when military dictatorships have become entrenched in Latin America and memory narratives proliferate worldwide. Although Argentina is Garibotto's focus, her theory can be adapted to other contexts in which narratives about recent political conflicts have shifted from alternative versions of history to official, hegemonic accounts—such as in Spanish, Chilean, Uruguayan, Brazilian, South African, and Holocaust testimonies. Garibotto's study of testimonial cinema moves us to pursue a broader ideological analysis of the links between film and historical representation." (Publisher description)
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