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Nationalsozialismus digital: Die Verantwortung von Bibliotheken, Archiven und Museen sowie Forschungseinrichtungen und Medien im Umgang mit der NS-Zeit im Netz
Göttingen: V&R unipress; Vienna University Press (2021), 360 pp.
"[...] Im günstigen Falle bilden Bibliotheken, Archive, Museen, Forschungseinrichtungen und Medien mit digitalen Angeboten, geeignet kontextualisiert und erklärt, Anlaufpunkte der Orientierung und befördern den Diskurs über den Nationalsozialismus und die damit verbundenen abscheulichen Gräuelt
...
Holocaust & Peace: Lessons from the Past for the Future. A Practical Guide for Educators
Sarajevo: Post-Conflict Research Center; Forum Ziviler Friedensdienst; Educator's Institute for Human Rights (EIHR) (2021), 205 pp.
"The present teaching manual “Holocaust & Peace – Lessons from the Past for the Future,” with its four modules and eleven associated lesson plans, is meant to be a supportive and practical, didactical guide for educators in general, and teachers in particular, who work with primary school, hig
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Practitioner‘s Toolkit: Dealing with the Past
Cologne: Academy for Conflict Transformation (2020), 23 pp.
"Societies attempting to ignore atrocities committed in the conflict setting generally find themselves confronted by their persistence. Whether manifesting as unresolved grievance, as social dysfunctionality or an easy reversion to violence, or as a simple reiteration of old animosities, the eventua
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Intermediality in the Visualization of Peace: Contradicting Narratives About Peace and Violence in Timor-Leste
Peace & Change, volume 45, issue 1 (2020), pp. 78-100
"The documentary dalan ba dame was produced by the East Timorese Commission for Reception, Truth and Reconciliation (Comissao de Acolhimento, Verdade e Reconciliaao de Timor-Leste, CAVR) and covers the twenty-four years of Indonesian occupation of Timor-Leste, during which nearly one quarter of the
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Transnational Memories and the Practices of Global Justice in the Ayotzinapa Case
"In this chapter, I analyze transnational memory following the four elements outlined in the introduction—actors, structures, practices, and outcomes—in the case of the disappearances of forty-three students from Ayotzinapa, Mexico, in 2014. First, I discuss why the issue of agency and the outco
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Perpetrator Cinema: Confronting Genocide in Cambodian Documentary
New York: Columbia University Press (2020), xxii, 285 pp.
"Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting
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Memories of Gukurahundi Massacre and the Challenge of Reconciliation
Studia Historiae Ecclesiasticae, volume 45, issue 1 (2019), 14 pp.
"When Zimbabwe attained her independence from colonial powers in 1980, prospects of a peaceful nation were high, especially following the pledge made by the Prime Minister Elect in his victory speech. Isaiah 2:4b was quoted as a metaphor of peace, but things did not turn out as expected in the follo
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Media Freedom and Responsibility
Balkan Perspectives, issue 13 (2019), 24 pp.
"In the western Balkans, where post-war societies are still trying to rebuild their lives, and tensions lie just below the surface, media messages influenced by the politics of the day are destabilizing. For some, this is poorly disguised propaganda, a kind of political “spin”, “spun” by man
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Documenting atrocities around the world: Why engage with the perpetrators?
International Journal of Cultural Studies, volume 22, issue 6 (2019), pp. 804-822
"Following a century filled with violations of human rights, a significant number of documentary films have appeared since the first decade of the current century that report these events. Traditionally this process is carried out from the victims’ point of view. However, a new tendency has emerge
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Rethinking Testimonial Cinema in Postdictatorship Argentina: Beyond Memory Fatigue
Bloomington: Indiana University Press (2019), 272 pp.
"By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony
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A cat-and-Maus game: The politics of truth and reconciliation in post-conflict comics
Review of International Studies, volume 45, issue 4 (2019), pp. 588-606
"Several scholars have raised concerns that the institutional mechanisms through which transitional justice is commonly promoted in post-conflict societies can alienate affected populations. Practitioners have looked to bridge this gap by developing ‘outreach’ programmes, in some instances commi
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Nosotros, Colombia ... Comunicación, paz y (pos)conflicto
Chía: Universidad de La Sabana; Editorial EAFIT (2019), 279 pp.
"La paz parece haber sido esquiva en la historia de Colombia. Los vaivenes en los procesos de negociación, las promesas incumplidas y la polarización política han hecho de Colombia una nación en un estado de continua crisis y que, a pesar de sí misma —retomando la vieja frase de Bushnell— h
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Performing Trauma in Central Africa: Shadows of Empire
Bloomington: Indiana University Press (2018), xviii, 348 pp.
"What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of
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The Perpetrator’s mise-en-scène: Language, Body, and Memory in the Cambodian Genocide
Journal of Perpetrator Research, volume 2, issue 1 (2018), pp. 65-94
"Rithy Panh’s film 'S-21. The Khmer Rouge Killing Machine' (2003) was the result of a three-year shooting period in the Khmer Rouge centre of torture where perpetrators and victims exchanged experiences and re-enacted scenes from the past under the gaze of the filmmaker’s camera. Yet, a crucial
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Das Kongo Tribunal
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2018), 302 pp.
"Seit mehr als 20 Jahren herrscht Bürgerkrieg im Kongo. Über drei Millionen Menschen haben bereits ihr Leben verloren. Der Kampf um Rohstoffe wie Coltan, Zinn und Kupfer, an denen der Ostkongo reich ist, spitzt sich weiter zu. 2015 inszenierte der Schweizer Regisseur und Theaterautor Milo Rau das
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