"Through the narratives and movements of survivors of the war in Lanka these interconnected essays develop the concept of 'survival media' as embodied and expressive forms of mobility across borders." (Publisher description)
"This book approaches the memory sharing of groups, communities and societies as inevitable struggles over the interpretation of, and authority over, particular stories. Coming to terms with the past in memory work, alone or with others, is always unsteady ground and the activation of memory will al
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ways relay imaginations of futures we want to shape and inhabit. The contributors all explore in different ways how citizens can actualize a public and how citizens and groups struggle with their pasts and presents - and other group's understandings - in their work for futures they dream of, or envision. This implies an engagement with the notion of social justice, which in turn entails trial and revision of ideas and procedures of how to share the world. But to share also requires some kind of common ground and distributed power. The anthology thus engages with a range of cases that bring views and voices back in public, demanding justice, recognition, sometimes literally triggering new trials. Some of the memory work is done strategically, in the context of communication for development and social change interventions where NGOs, community-based organizations, governments or UN agencies pursue not just voice and views, but also very material demands for social justice and social change." (Publisher description)
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"El manual que aquí se presenta tiene como propósito arrojar luces y facilitar herramientas, a partir de la experiencia práctica de periodistas y comunicadores, sobre los desafíos de los medios de comunicación en el posconflicto, basándose en una encuesta realizada a nivel nacional con distint
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os profesionales de la comunicación. En particular, el manual se centra en el reportaje y el periodismo de datos como modos de reconstruir y narrar historias de paz. Además de ser una guía didáctica para la labor periodística, consideramos que este manual constituye un hito en el camino de promover la (re)construcción plural y responsable de la memoria histórica, y de un ejercicio clave para el posconflicto: el reconocimiento y la confrontación con el pasado, como punto de partida para la reconciliación del país." (Presentación, página 6)
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"This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese A
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mericans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and thedesaparecidosin Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord's notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now "spectacle" can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin's plea to "explode the continuum of history" and bring our attention to now-time." (Publisher description)
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"This manual is the result of Frequencies of the Past, a conflict sensitive journalism project by forumZFD. From 2011 to 2013, journalists from different media, ethnic backgrounds and from various regions of Kosovo have joined the project to explore the opportunities to cover sensitive issues relate
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d to Dealing with the Past in Kosovo." (Publisher website)
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"Coming to terms with a country’s political past is closely linked to the mass media, as they are the key to changing public opinion. It is only with their support that a general acceptance of democratic structures, not to mention a new perception of history, can be achieved. In South East Europe,
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this can be seen not only in the way the media deal with the Communist era, but also in their handling of the Yugoslav Wars of the 1990s. There is a need to improve both good quality reporting and critical self-reflection on the part of the media." (Pages 60-61)
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"Modern rich digital media (such as interactive systems with audio and video as well as text) have not been robustly deployed as a tool in the processes of peace-building, healing and reconciliation in nations emerging from civil conflict. This article studies the use of rich digital media in Liberi
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a, a country that has only recently emerged from a protracted and intense civil war. The authors demonstrate that, when rich digital media are used to target processes of truth and reconciliation, they enhance Liberians’ feeling of self-efficacy – their self-assessed sense of personal competence to deal effectively with stressful situations. This increased self-efficacy was not present in a control group. The authors argue that self-efficacy is a critical component for forgiveness and truth-telling which, in turn, is a fundamental process in reconciliation and healing. These results are based on a survey of over 100 Liberians in Monrovia, the capital city. Participants interacted with a rich digital media system, took pre- and post-interaction self-efficacy inventories, and responded to additional questions. The findings suggest that rich digital media focused on truth and reconciliation can contribute to post-Conflict healing." (Abstract)
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"Silence lies between forgetting and remembering. This book explores the ways in which different societies have constructed silences to enable men and women to survive and make sense of the catastrophic consequences of armed conflict. Using a range of disciplinary approaches, it examines the silence
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s that have followed violence in twentieth-century Europe, the Middle East and Africa. These essays show that silence is a powerful language of remembrance and commemoration and a cultural practice with its own rules. This broad-ranging book discloses the universality of silence in the ways we think about war through examples ranging from the Spanish Civil War and the Israeli-Palestinian conflict to the Armenian Genocide and South Africa's Truth and Reconciliation Commission. Bringing together scholarship on varied practices in different cultures, this book breaks new ground in the vast literature on memory, and opens up new avenues of reflection and research on the lingering aftermath of war." (Publisher description)
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"The essays collected in this book follow a contemporary critical trend in the field of trauma studies that reflects comparatively on artistic and media representations of traumatic histories and experiences from countries around the world. Focusing on a diversity of art and media forms—including
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memorials, literature, visual and installation art, music, video, film, and journalism—they both apply dominant theories of trauma and explore the former’s limitations while bearing in mind other possible methodologies." (Publisher description)
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"El presente trabajo nace de un acuerdo entre el DED y el IEP para realizar dos estudios sobre la implementación de las recomendaciones emitidas en el Informe Final de la Comisión de la Verdad y Reconciliación . Este segundo trabajo trata sobre los medios de prensa y el Informe Final de la CVR; h
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a estado guiado por los siguientes propósitos: En primer lugar, analizar los mensajes aparecidos en los medios a raíz de la CVR, intentando captar tendencias y ejes de reflexión. En este sentido, la intención ha sido conocer a los actores de la comunicación y la naturaleza de sus planteamientos. A continuación, precisar las dificultades políticas y metodológicas que, a juicio de los periodistas, han limitado la implementación de las recomendaciones de la CVR. Para ello, el trabajo se pregunta por el estado actual de las reparaciones y las razones para su retraso, conversando en profundidad con distintos agentes del proceso de comunicación." (Introducción, página 9)
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"What happens to people and the societies in which they live after genocide? How are the devastating events remembered on the individual and collective levels, and how do these memories intersect and diverge as the rulers of postgenocidal states attempt to produce a monolithic "truth" about the past
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? In this important volume, leading anthropologists consider such questions about the relationship of genocide, truth, memory, and representation in the Balkans, East Timor, Germany, Guatemala, Indonesia, Nigeria, Rwanda, Sudan, and other locales. Specialists on the societies about which they write, these anthropologists draw on ethnographic research to provide on-the-ground analyses of communities in the wake of mass brutality. They investigate how mass violence is described or remembered, and how those representations are altered by the attempts of others, from NGOs to governments, to assert "the truth" about outbreaks of violence. One contributor questions the neutrality of an international group monitoring violence in Sudan and the assumption that such groups are, at worst, benign. Another examines the consequences of how events, victims, and perpetrators are portrayed by the Rwandan government during the annual commemoration of that country's genocide in 1994. Still another explores the silence around the deaths of between eighty and one hundred thousand people on Bali during Indonesia's state-sponsored anticommunist violence of 1965-1966, a genocidal period that until recently was rarely referenced in tourist guidebooks, anthropological studies on Bali, or even among the Balinese themselves. Other contributors consider issues of political identity and legitimacy, coping, the media, and "ethnic cleansing." (Publisher description)
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"The role of historical memory and of cultural remembrance in societies dealing with dramatic transformations and, at times, traumatic pasts are numerous. In this conference, we will look at post-apartheid South Africa and reunified German society, how each country views itself, as well as the diffe
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rences and similarities in their approach to interrogating and confronting the past. The Afro-German dialogue looks at the politics of remembrance and current practices in the process of historical remembrance: How do we remember and how do we process these memories? What versions of the past exist and what versions are negotiated by society and the political arena? What role does the question concerning the future form or common vision of a society play in shaping today’s politics of remembrance? Representatives from the academic world, civil society, the media and culture will be discussing the potential for integration and reconciliation within the contemporary cultures of remembrance in South Africa and Germany." (Introduction)
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"A fascinating look at the role of the media in fostering nationalism, with a comparative approach that shows the interactions between American, Russian and German nationalism. Extreme nationalism is a subject of enormous contemporary significance today. Does patriotic pride inevitably develop into
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nationalistic aggression? Is this exacerbated by the global outreach of the media? And what is the relationship between mainstream politics and increasingly vocal far-right groups in Britain, the US, Germany and Russia? This book addresses these questions from a variety of angles, exploring topics ranging from the War on Terror to Holocaust denial, from the 'sanctity' of Rasputin to the 'martyrdom' of Rudolf Hess." (Publisher description)
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