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Dealing With the Past
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Nationalsozialismus digital: Die Verantwortung von Bibliotheken, Archiven und Museen sowie Forschungseinrichtungen und Medien im Umgang mit der NS-Zeit im Netz
Göttingen: V&R unipress; Vienna University Press (2021), 360 pp.
"[...] Im günstigen Falle bilden Bibliotheken, Archive, Museen, Forschungseinrichtungen und Medien mit digitalen Angeboten, geeignet kontextualisiert und erklärt, Anlaufpunkte der Orientierung und befördern den Diskurs über den Nationalsozialismus und die damit verbundenen abscheulichen Gräuelt
...
Das KZ als virtuelle Wirklichkeit: Digitale Raumbilder des Holocaust und die Grenzen ihrer Wahrheit
Geschichte und Gesellschaft, volume 47, issue 1 (2021), pp. 90-121
"Konzentrationslager als virtuelle Realität. Digitale Repräsentationen des Holocausts und ihre Grenzen der Wahrheit. Wenn es um den Holocaust geht, werden die "Grenzen der Darstellung" seit den seit den 1990er Jahren ausführlich diskutiert. Neuere digitale Technologien wie AR, VR und verschiedene
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Gukurahundi: Das Laute Schweigen
Zimbabwe im Fokus, issue 72 (2021), pp. 5-15
Deutschland postkolonial? Die Gegenwart der imperialen Vergangenheit
Berlin: Metropol Verlag, 2., aktual. und erw. Aufl. (2021), 610 pp.
"Der Umgang mit der Kolonialgeschichte, die hierzulande lange im Schatten der Aufarbeitung des Nationalsozialismus und des Holocaust stand, unterliegt gegenwärtig einem grundlegenden Wandel. Zwar zählt auch Deutschland faktisch zu den postkolonialen Gesellschaften Europas, doch ist diese Tatsache
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Endlich genug von Hitler oder bitte noch mehr? Verlage als vergangenheitspolitische Akteur
In: Aufarbeitung des Nationalsozialismus: Ein Kompendium
Bonn: Bundeszentrale für politische Bildung (bpb) (2021), pp. 489-505
Big Perpetrator Cambodian cinema, the documentary duel and moral resentment
Screen, volume 62, issue 1 (2021), pp. 37-58
"Perpetrator cinema is a new global phenomenon, an unprecedented 21st-century boom in films that deal with genocidal or other mass-killing events by focusing on the perpetrator figure as their main protagonist or interviewee. In many respects it sheds light on the 21st-century emergence of the new p
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Dealing with the Past: Perspectives from Latin America, South Africa and Germany
Baden-Baden: Nomos (2021), 218 pp.
"During recent decades, the question of how societies deal with the past has received increasing attention from political actors, civil society and academia. Yet, dealing with the past continues to be a very controversial issue that causes polemic debates. This book contributes to a cross-regional a
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Languages of Trauma: History, Memory, and Media
Toronto; Buffalo; London: University of Toronto Press (2021), xiv, 408 pp.
"This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral and written narratives, literature, comic strips, photography, theatre, and cinematic images. The central argument is that traumatic memories are
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Kino und Katharsis? Bilder vom Nationalsozialismus im deutschen Film
In: Aufarbeitung des Nationalsozialismus: Ein Kompendium
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2021), pp. 534-556
Holocaust & Peace: Lessons from the Past for the Future. A Practical Guide for Educators
Sarajevo: Post-Conflict Research Center; Forum Ziviler Friedensdienst; Educator's Institute for Human Rights (EIHR) (2021), 205 pp.
"The present teaching manual “Holocaust & Peace – Lessons from the Past for the Future,” with its four modules and eleven associated lesson plans, is meant to be a supportive and practical, didactical guide for educators in general, and teachers in particular, who work with primary school, hig
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Aufarbeitung des Nationalsozialismus: Ein Kompendium
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2021), 718 pp.
Beyond MAUS: The Legacy of Holocaust Comics
Wien: Böhlau Verlag (2021), 420 pp.
"Beyond MAUS. The Legacy of Holocaust Comics collects 16 contributions that shed new light on the representation of the Holocaust. While MAUS by Art Spiegelman has changed the perspectives, other comics and series of drawings, some produced while the Holocaust happened, are often not recognised by a
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Die Shoah im Comic seit 2000: Erinnern zeichnen
Berlin; Boston: de Gruyter (2021), 366 pp.
"Wie erinnern künftige Generationen an die Shoah, wenn die letzten Zeitzeugen gestorben sind? Die Comics der vergangenen Jahre geben Hinweise darauf: Während die Kinder noch versuchen, Anschluss an die nicht mehr selbst erlebte, aber gleichwohl als einschneidend erfahrene Vergangenheit ihrer Elter
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Transnational Memories and the Practices of Global Justice in the Ayotzinapa Case
"In this chapter, I analyze transnational memory following the four elements outlined in the introduction—actors, structures, practices, and outcomes—in the case of the disappearances of forty-three students from Ayotzinapa, Mexico, in 2014. First, I discuss why the issue of agency and the outco
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Practitioner‘s Toolkit: Dealing with the Past
Cologne: Academy for Conflict Transformation (2020), 23 pp.
"Societies attempting to ignore atrocities committed in the conflict setting generally find themselves confronted by their persistence. Whether manifesting as unresolved grievance, as social dysfunctionality or an easy reversion to violence, or as a simple reiteration of old animosities, the eventua
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Intermediality in the Visualization of Peace: Contradicting Narratives About Peace and Violence in Timor-Leste
Peace & Change, volume 45, issue 1 (2020), pp. 78-100
"The documentary dalan ba dame was produced by the East Timorese Commission for Reception, Truth and Reconciliation (Comissao de Acolhimento, Verdade e Reconciliaao de Timor-Leste, CAVR) and covers the twenty-four years of Indonesian occupation of Timor-Leste, during which nearly one quarter of the
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Perpetrator Cinema: Confronting Genocide in Cambodian Documentary
New York: Columbia University Press (2020), xxii, 285 pp.
"Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting
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A cat-and-Maus game: The politics of truth and reconciliation in post-conflict comics
Review of International Studies, volume 45, issue 4 (2019), pp. 588-606
"Several scholars have raised concerns that the institutional mechanisms through which transitional justice is commonly promoted in post-conflict societies can alienate affected populations. Practitioners have looked to bridge this gap by developing ‘outreach’ programmes, in some instances commi
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Documenting atrocities around the world: Why engage with the perpetrators?
International Journal of Cultural Studies, volume 22, issue 6 (2019), pp. 804-822
"Following a century filled with violations of human rights, a significant number of documentary films have appeared since the first decade of the current century that report these events. Traditionally this process is carried out from the victims’ point of view. However, a new tendency has emerge
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