"In Europe, Germany and France are ahead in digitally embracing trade books, notably !ction, yet are clearly behind the US and UK. But countries as diverse as Austria, Italy, Poland, Slovenia, Spain, and Sweden have recently seen the implementation of an ebook distribution infrastructure, and at lea
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st the largest publishing groups are broadly releasing their new titles as ebooks, aside from print. With retail prices on average significantly higher, as in the English language, and VAT discriminating against ebooks in favor of print, the initial momentum of growth still confronts an environment that is di"cult for early adopters. Yet as Amazon, Apple, Sony, and Kobo have started to roll out localized versions of their online selling platforms and devices, with Google expected to follow soon, significant momentum is building up, and future projections see a double digit market share for ebooks for 2015 in most European markets. In China and Brazil, distinct local factors set those developments clearly apart. In China, mobile is the preferred platform, while “online literature,” often as a serialized stream of content, provides a channel for the dissemination of bookish content well apart from the traditional format of the “book.” In Brazil, educational content may become the main driver for digital." (Executive summary)
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"Is it conceivable that there may be an autonomous evolution of digital publications in developing countries, entirely independent of the richest nations? What support policies could be implemented to promote the growth of this new industry and accompany traditional actors in the process of adapting
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to the changes involved? The digital experiences undertaken in the South suggest that new technologies represent a great opportunity for developing countries - particularly in terms of diffusion -, but on the condition that local entrepreneurs seek out original models adapted to the concrete needs of their communities." (Back cover)
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"One of the cultural and media areas in which the issue of participation – with all its ambiguity – has recently emerged to full significance is the area of literature and publishing. Following the music, film and television industries, the publishing industry is in fact facing a vast renewal du
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e to digitalization processes (assuming digitalization as a complex negotiation between social and technological forces). New textual formats and devices (such as e-books), new forms of distribution (e.g. online retailing), new marketing strategies (e.g. in the social media), new models of business (e.g. the print on demand) are becoming increasingly popular. At the same time digitalization has enabled the creation of a whole new participatory, grassroots publishing market, while grassroots storytelling and social media (e.g. Twitter, Facebook), used as a collaborative writing environment, bring out participatory forms of online writing that continue the tradition started almost fifteen years ago by the so-called “hypertextual fiction” and the avant-gardes before that. In this context, by addressing the theoretical debate and recent social discourses on the e-book, this article suggests a recognition of the diversity of the forms of participation that are ascribed to the new publishing scenario." (Abstract)
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Publishing for Profit is all about the business side of publishing. It focuses on managerial organization (e.g. defining market niches, budgeting, cash flow) and functional organization strategies and techniques (e.g. editorial process management, sales, subsidiary rights, fulfilment). A special cha
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pter is dedicated to returns, and the expanded fourth edition covers electronic publishing and marketing quite substantially. Clearly written, and with a lot o practical examples, this is an excellent source for the managerial aspects of book publishing.
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"The proceedings of a conference held at the Africa Institute of South Africa in 2009, this is a major new collection of essays on the state of scholarly publishing in Africa, with a strong emphasis on the situation in South Africa. The conference was convened, and the papers published, in an attemp
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t to influence “policymakers and other relevant stakeholders in developing an enabling environment for scholarly publishing to thrive.” Containing a total of 26 papers – all of them, usefully, preceded by abstracts – content is arranged under seven sections: (i) The State of Research Publishing in Africa, (ii) The State of Scholarly Publishing in Africa, (iii) The Challenges of Book Distribution, (iv) The Impact of Information and Communication Technologies on Scholarly Publishing, (v) Alternative Publishing Models, (vi) The Politics of Peer Review in Scholarly Publishing, and (vii) Scholarly Publishing and Intellectual Property Development in Africa. While the majority of the contributors are from South Africa, other contributors include Kenyan veteran publisher Henry Chakava, James Currey of James Currey Publishers, Mary Jay, Chief Executive of the Oxford-based African Books Collective, and a number of academics from the West African region. The book is particularly strong in overviews of scholarly publishing in South Africa, covering both book and journal publishing. It offers some interesting discussions and fresh insights about alternative publishing and distribution models, with articles reporting about new initiatives and strategy approaches, and also including papers on the politics and practise of the peer review process, and on South African intellectual property rights. One or two papers, by academics from other regions of Africa, unfortunately are weak and poorly informed about the current state of scholarly publishing in Africa, for example citing literature that goes back to books and articles published in the 1970s and 1980s. However, the book can be seen as a useful companion to ‘African Scholarly Publishing Essays’, edited by Alois Mlambo, and published by African Books Collective in 2006." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2581)
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This guide is constructed partly as a "how to" guide, partly as a survey of markets and models, focusing especially on e-books and e-content. It also includes sections on audiobooks and digital printing.