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The politics of serial television fiction: Structural developments, narrative themes, and the nonlinear turn
Bielefeld: transcript Verlag (2025), 431 pp.
"Fictional TV politics played a pivotal role in the popular imaginaries of the 2010s across cultures. Examining this curious phenomenon, Sebastian Naumann provides a wide-ranging analysis of the rapidly evolving landscape of contemporary polit-series. Proposing a novel structural model of serial tel
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Sin and Divine Punishment: The Korean Series JIOK (HELLBOUND, KR 2021–), New Religious Movements, and a World Full of Guilt
Journal for Religion, Film and Media (JRFM), volume 9, issue 2 (2023), pp. 87-99
"The TV series Jiok (Yon Sang-ho, 2021-), internationally known as Hellbound, is a recent and highly successful series that has been available on the streaming platform Netflix since November 2021. It is usually described as a "dark mystery thriller" or "dark fantasy film", which points to the gener
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Watching Competencies: Malay Women, Turkish Serial Dramas and Islamic Modernity
International Journal of Media & Cultural Politics, volume 19, issue 1 (2023), pp. 101-120
"This article discusses the emergence of Turkish serial dramas as a site for contestation over the impact of Islamic modernity on Malay women in contemporary Malaysia. Despite its popularity among Malay women, Turkish serial drama has been criticized for misleading and confusing the audience about I
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Television Dramas and the Global Village: Storytelling Through Race and Gender
Lanham et al.: Lexington Books (2022), ix, 320 pp.
"This book discusses the role of television drama series on a global scale, analyzing these dramas across the Americas, Europe, Asia, Australia, and Africa. Contributors consider the role of television dramas as economically valuable cultural products and with their depictions of gender roles, sexua
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Binging Family: Die Konzeption von Familie in der Video-on-Demand-Serie
Wiesbaden: Springer VS (2021), ix, 268 pp.
"In diesem Open-Access-Buch zeigt Jakob Kelsch, wie sich in der US-amerikanischen TV-Serie der 1950er und 1960er Jahre der Mythos der patriarchal-strukturierten Kernfamilie als Ideal des familiären Zusammenlebens herausbildete. Trotz Phasen der Dekonstruktion und der zunehmenden Repräsentation pro
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A Massacre Foretold: National Excommunication and Al-Gama’a
Middle East Critique, volume 28, issue 2 (2019), pp. 197-217
"Al-Gama’a [The Society], a 28-part television biopic of Muslim Brotherhood founder Hasan al-Banna, was broadcast in the fall of 2010, just before the January 25, 2011 Revolution. The writer of the series, Wahid Hamid, was an important screenwriter for both television and the cinema and a figure k
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Von Game of Thrones bis House of Cards: Politische Perspektiven in Fernsehserien
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2018), vi, 236 pp.
Final Evaluation: Gender Sensitive Public Communication Project
Search for Common Ground (2018), 68 pp.
"The Gender Sensitive Public Communications Project was implemented by Search for Common Ground in Lebanon, together with its local partner Abaad, with an aim to promote women’s participation in politics through the production of gender sensitive television drama and short films. Specifically, the
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Décoder les séries télévisées
Louvain-La-Neuve: De Boeck, 2e éd. (2017), 282 pp.
Hallyu: Der Boom der südkoreanischen Populärkultur in Asien
"Tatsächlich erfreuen sich koreanische Fernsehserien und Filme sowie die koreanische Popmusik (K-pop) im Ausland, insbesondere in Ost- und Südostasien, ganz unerwartet großer Beliebtheit. In Südkorea selbst ist man stolz darauf, es - zumindest in der eigenen Wahrnehmung - endlich geschafft zu ha
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Making Real-Time Drama: The Political Economy of Cultural Production in Syria’s Uprising
Center for Advanced Research in Global Communication (CARGC) (2014), 26 pp.
"In CARGC Paper 2, Della Ratta explored how one 2013 Syrian television serial, Wilada min al-Khasira [Birth from the Waist] responded in real time to unfolding events of the Syrian revolution. She argued that the serial offers a living site for scholarly reflection on how cultural production and the
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Mythology and Society Continuum: A Study of an Indian Television Serial
Religion and Social Communication, volume 12, issue 1 (2014), pp. 19-34
"The study is based on the analysis of legends of 'Devon Ke Dev Mahadev', a mythological drama series that is shown on Indian television channel "Life OK" [...] The story revolves around Lord Shiva or Mahadev - the Lord of Lords as one of the three most powerful mythical characters. The serial is a
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Escribiendo series de televisión
Buenos Aires: Ediciones Manantial (2014), 213 pp.
Bestiario de la televisión colombiana: Episodios insólitos en 60 años de historia
Bogotá: Aguliar (2014), 221 pp.
Nation as Neighborhood: How Bab Al-Hara Dramatized Syrian Identity
Media, Culture & Society, volume 35, issue 5 (2013), pp. 586-601
"This article discusses a popular Syrian television drama series, Bab al-Hara (The Neighborhood Gate), which ran for five seasons (2006-10). It is part of a genre of television series called the "Damascene milieu," which nostalgically dramatizes life in imagined Damascene neighborhoods in the late 1
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The Post-Soviet Russian Media: Conflicting Signals
New York, NY: Routledge (2011), xv, 245 pp.
Bleiben Sie dran! Dramaturgie von TV-Serien
Konstanz: UVK (2010), 256 pp.
Historical Routes Towards Religious Television Fiction in Post-Mobutu Kinshasa
Studies in World Christianity, volume 15, issue 2 (2009), pp. 131-148
"In this article I primarily focus upon locally produced television serials (also called maboke, théâtre populaire, or télédramatiques), which constitute one important genre that help to spread what some describe as the Pentecostalist ideology. The main theme of Kinshasa’s post-millennial tele
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‘We Need to Open Up the Country’: Development and the Christian Key Scenario in the Social Space of Kinshasa’s Teleserials
Journal of African Media Studies, volume 1, issue 1 (2009), pp. 101-116
"This article discusses discourses on development in the social space of Kinshasa’s post-Mobutu teleserials. The producers (dramatic artists and born-again Christian leaders; some are both) contend that their work will transform society, counter the social and political crisis and improve the nati
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TV-Serien: Schreiben fürs Fernsehen
Frankfurt am Main: Zweitausendeins (2008), 240 pp.
"Serien zählen zum Spannendsten, was das Fernsehen zu bieten hat. Lost (läuft in 120 Ländern), 24, CSI, Desperate Housewives oder Grey‘s Anatomy werden mit derselben Sorgfalt geschrieben und so bildgewaltig inszeniert wie Kinoproduktionen. Einige laufen jahrelang, lassen Hundertmillionen von Me
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