"Après environ quarante ans d'existence au Cameroun, la télévision est l'objet d'un ouvrage qui la présente en faisant émerger les interrogations qu'elle suscite sur ses représentations politique, juridique, économique, culturelle et esthétique. Elle a pris une importance substantielle dans
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les vies quotidiennes au point que les citoyens, les entreprises, les pouvoirs publics, les organisations sociales et politiques ainsi que les ménages en font un usage qui, depuis 1985, s'est considérablement accru. Avec la télévision, les perceptions du temps comme de l'espace ont changé, de même que les pratiques relationnelles, politiques, culturelles et territoriales. Il en résulte des enjeux inédits qui se traduisent par de nouveaux défis pour les autorités, à tous les niveaux institutionnels : régulation du paysage audiovisuel, réorganisation de l'économie du secteur, remodelage de la citoyenneté et mutation de la vie démocratique, adaptation technologique aux normes internationales et aux TIC, encadrement esthétique en vue de la préservation du patrimoine culturel, etc. Avec cet ouvrage à la fois pédagogique et réflexif, les auteurs, par une approche pluridisciplinaire, soulignent combien la télévision s'est imposée comme un acteur social majeur et comme un objet de recherche en sciences sociales." (Description de la maison d'édition)
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"Das Fernsehen ist ein politisches Medium. Es ist in seiner institutionellen Gestalt geprägt durch Entscheidungen im politischen System und durch verfassungsgerichtliche Rechtsprechung. Politische Akteure versuchen immer wieder, Einfluss zu nehmen und das Medium für eigene Zwecke zu nutzen. Gleich
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zeitig ist das Fernsehen auch auf der inhaltlichen Ebene durch und durch politisch - und das nicht nur in der dezidierten Politikberichterstattung. So prägen Nachrichten, Sondersendungen, Talk-Shows, aber auch satirische oder fiktionale TV-Formate den Blick der Rezipientinnen und Rezipienten auf Politik und Gesellschaft. Der Medienwissenschaftler Andreas Dörner zeigt, wie das Fernsehen politisch konstruiert ist und wie es zugleich selbst die politische Welt konstruiert, Identitätsangebote macht und Interpretationsfolien für das Weltgeschehen anbietet. Er analysiert auch den Wandel des Mediums im Zuge der allgegenwärtigen Digitalisierung. Das sogenannte lineare Fernsehen ist auf dem Rückzug, Mediennutzung individualisiert sich weiter und TV-Sender, Streamingdienste und Videoplattformen verschmelzen zu einem vielfältigen Bewegtbildmarkt. Aber auch mit geänderten Formen und Vertriebswegen nimmt das Medium weiterhin eine zentrale Stellung in der politischen Öffentlichkeit Deutschlands ein." (Verlagsbeschreibung)
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"In this article, we revisit some of the debates about changing journalistic labour that have first emerged when digital technologies became widely available in newsrooms. The terms multiskilling, deskilling, up-skilling and re-skilling have been applied in a variety of contexts and in a range of st
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udies, but explorations of journalistic labour have tended to focus on core (news) workers. The de-skilling debate that originated in Braverman’s work continues to be relevant but we need a more nuanced approach to journalistic labour. Our case study addresses skills and changing work conditions in a regional Czech public service television newsroom and takes into account the experience of core as well as peripheral news workers. We conclude that camera reporters—those at the periphery of journalistic work—have faced the most detrimental loss of professional autonomy. We argue that a holistic approach to the core and the periphery of a newsroom helps us overcome some of the shortcomings of the conceptual variety of understandings of the journalistic field and the journalistic profession as well as the divergent definitions of skills involved in journalistic labour. Our case study is also important because it centres on underresearched public service media." (Abstract)
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"The Russian war against Ukraine illustrates how the disinformation ecosystem works in Hungary, and it also reveals its devastating impact on democratic public discourse. Public service media play a prominent role in spreading disinformation. We were able to identify several false narratives in the
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period of the first year since the start of the war. In the first few months of the war, a key element of disinformation that was being spread in Hungary suggested that Ukraine had provoked the armed conflict. Later, the prevailing message was that only Hungary wanted peace, while the Western powers were interested in a continuation of the war. During autumn, the focus of the disinformation campaign increasingly shifted to the EU, disseminating an anti-EU message that was more concerned with the sanctions than the war. The pro-government media constantly told news consumers that the economic difficulties and the rise in energy prices had not been caused by the war launched by Russia but by the sanctions that the EU had imposed in response to the aggression. Public opinion research clearly shows the impact of these narratives on the perceptions of the Hungarian public. The polls readily capture how the Hungarian public's opinion has changed over time. This study is primarily based on a content analysis of the relevant shows of the M1 public television channel, but we have also relied on some insights from public opinion polls to inform our analysis." (Abstract)
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"En este libro de Televisión América Latina (TAL), aunque tendremos a las audiencias como mantra del imaginar y pensar, nos concentramos en el concepto y la producción de las televisoras públicas Latam. Por eso, enfatizamos en las mutaciones de sus formatos, narrativas, estéticas y modos de pro
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ducción e interpe lación. Aquí queremos pensar, imaginar, experimentar y ensayar sobre los modos de enunciar, narrar y contar la televisión, pero con un foco: lo público y lo latinoamericano." (Página 13)
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"Pensar la relevancia de la televisión hoy significa abordar los desafíos democráticos que ella enfrenta respecto a las coyunturas políticas, el contexto de convergencia mediática, el papel de los medios públicos y los procesos de innovación y ruptura en la ficción y en los géneros informat
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ivos. Todo esto en contextos complejos de polarización política, agudas crisis sociales y presiones a favor del replanteamiento del modelo neoliberal y de sus exclusiones e inequidades. En Los desafíos a las televisiones en América Latina dieciséis especialistas de distintos países del continente estudian el panorama actual y algunos procesos y experiencias en Argentina, Brasil, Chile, Colombia y México. Este libro busca estimular el debate y el desarrollo de estudios críticos sobre la televisión y el ecosistema mediático en su relación con las culturas políticas, las políticas públicas y la in-novación en temas, narrativas y formatos, asumiendo los retos como oportunidades de cambios de rumbo y creación de nuevos derroteros para la producción, circulación y recepción crítica del medio televisivo." (Cubierta del libro)
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"This book examines the professional activity of public television journalists in Poland operating in the still unstable system of a post-communist state, to demonstrate how the media can work in the public interest to strengthen democracy. Drawing on in-depth interviews with Telewizja Polska (TVP)
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journalists, the author shows how public television in Poland has become highly politicised and commercialised, and must defend against constant attacks on its autonomy. She draws parallels with the media systems in Hungary and the Czech Republic to analyse potential legal solutions and to highlight how Poland's journalists are subject to influences from the political class as well as from the market; a situation brought about by flawed legislation, the absence of a political culture, an inefficient internal regulating process, and lack of suitable training for the journalists themselves." (Publisher description)
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"This book places television in Africa in the digital context. It addresses the onslaught of multimedia platforms, digital migration and implication of this technology for society. The discussions in the chapters contained in this book encompass a wide range of issues such as digital disruption of t
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elevision news, internet television and video on demand platforms, adaptations, digital migration, business strategies and management approaches, PBS, consumption patterns, scheduling and programming, evangelical television, and many others." (Publisher description)
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"À l’heure où les fractures sociales s’aggravent dans le pays, cet ouvrage examine le lien entre la volonté politique de bâtir une nation, socle du vivre ensemble dans une société marquée par la pluralité des appartenances, et la définition du rôle social des médias – ici la premiè
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re chaîne de télévision publique. En s’appuyant sur une approche institutionnelle des moyens de communication, croisée avec une analyse socio-sémiotique, l’auteur écrit la socio-histoire de cette télévision en la situant comme un instrument d’État chargé d’étatiser la société et d’oeuvrer à l’avènement d’une nation. Puis il analyse, à travers les journaux télévisés diffusés en 2014, les référents nationaux, les modes de figuration des dirigeants de l’État, des acteurs politiques. L’auteur dresse enfin le profil des producteurs de contenus, s’interrogeant sur leurs perceptions en tant que médiateurs dans une nation en construction. Un livre qui vient à point nommé pour comprendre au Gabon cette relation stratégique et complexe entre médias et construction de la communauté nationale." (Dos de couverture)
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"India's State-run Media presents a new perspective on broadcasting by bringing together two neglected areas of research in media studies in India - the intertwined genealogies of sovereignty, public, religion, and nation in radio and television, and the spatiotemporal dynamics of broadcasting into
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a single analytic inquiry. It argues that the spatiotemporalities of broadcasting and the inter-relationships among the public, religion, and nation can be traced to an organizing concept that shaped India's late colonial and postcolonial histories - sovereignty. The book contends that studies of television have glossed over the meanings, experiences, and practices of the religious in televisual narratives and viewers' interpretations of television programs. Drawing on the philosophical writings of Paul Ricoeur and Michel Foucault, connecting their ideas with media, cultural, and religious studies, it examines cultural discourses, power relations, repertoire of meanings, social events, etc. in broadcasting in late colonial and postcolonial India." (Publisher description)
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"[The authors] delve into the fascinating world of television under communism, using it to test a new framework for comparative media analysis. To understand the societal consequences of mass communication, the authors argue that we need to move beyond the analysis of media systems, and instead focu
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s on the role of the media in shaping cultural ideals and narratives, everyday practices and routines. Drawing on a wealth of original data derived from archival sources, programme and schedule analysis, and oral history interviews, the authors show how communist authorities managed to harness the power of television to shape new habits and rituals, yet failed to inspire a deeper belief in communist ideals. This book and their analysis contains important implications for the understanding of mass communication in non-democratic settings, and provides tools for the analysis of media cultures globally." (Publisher description)
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"Plus d'un demi-siècle après sa création sous Félix Houphouët-Boigny, la RTI a-t-elle atteint l'objectif fixé au départ, renforcer la cohésion sociale, positionner le pays sur la scène internationale et promouvoir le développement ? A-t-elle été un organe de développement souhaité, où
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comme presque partout en Afrique, elle n'a été qu'un ordinaire instrument des pouvoirs politiques de Côte d'Ivoire ? La RTI par certaines émissions a joué un rôle dans l'histoire cinquantenaire et le développement du pays, mais en tant que monopole de l'Etat elle a souvent eu du mal à se soustraire de l'engrenage politique." (Description de la maison d'édition)
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"This article examines the Palestinians perceptions towards the role of Palestine TV and Al-Aqsa TV in providing a platform for open discussion and create an arena for different groups to communicate freely with each other. Focus groups with a range of participants, from university students and huma
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n rights activists, to journalists and non-governmental organization employees were deployed. The article argues that the two political factions are trying to manipulate the public and conceal information that affects their power. It provides an overview of comments, and views expressed by the participants during the focus group sessions in response to a set of questions. The key findings of the study were, in the view of many respondents, that the two television channels, Palestine TV and Al-Aqsa TV, were controlled by the two political parties – Fatah and Hamas, respectively and that this has compromised the media’s function to public participation." (Abstract)
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"A national television service, Botswana Television (Btv) was introduced in 2000 by the Botswana Government. However, Btv’s role in national development has received limited research attention. This study examines the role of television in national development in Botswana. In addition, the study e
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xplores the factors that influence the performance of television in a developing country context, with a view to suggest issues for consideration in media policy in Botswana to improve the performance of the Btv [...] The study illustrates that the role of television in national development in Botswana is mostly consistent with the role of the media advocated by the modernisation theory of development communication. The roles of Btv in this regard are education, information, entertainment and dissemination of government information. Most research participants in this study shared a common understanding that Btv should be a medium for diffusing development ideas initiated by the Botswana Government, for possible adoption by the public. Other roles of Btv relate to countering the dominance of neighbouring South Africa media content in Botswana, as well as contributing to Botswana’s economic diversification through advertising. The positive factors that validate the applicability of modernisation theory in the analysis of Btv include planning for the introduction of the service, improved transmission signal access, diverse programs that have been aimed at addressing developmental issues such as health, education and agriculture, and the use of the national language. Nonetheless, Btv audiences complained about limited cultural content on the channel. A political economy analysis of the factors influencing the performance of Btv revealed that the absence of a formal media policy framework has exacerbated the political and economic pressures facing Btv, such as state control and limited funding. This study therefore proposes that there is a need for the Botswana Government to introduce appropriate media policy with more emphasis on issues relating to its broadcasting model, objectives, funding, and programming with a view to strengthening and positioning Btv to realise its full potential in contributing to national development in Botswana." (Abstract, page 2-3)
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"Die vorliegende Inhaltsanalyse untersucht über drei Monate hinweg die Konfliktberichterstattung der Hauptnachrichtensendungen der vier reichweitenstärksten deutschen Fernsehsender (Das Erste, ZDF, RTL und Sat.1). Anhand von 444 Nachrichtenbeiträgen über internationale Konflikte und Kriege werde
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n öffentlich-rechtliche und private Nachrichtensendungen hinsichtlich der Häufigkeit der Berichterstattung und verschiedener journalistischer Qualitätskriterien miteinander verglichen. Die untersuchten Merkmale der journalistischen Qualitätsdimensionen Vielfalt, Relevanz und Professionalität werden von den Nachrichtensendungen beider Programmanbieter überwiegend erfüllt, die öffentlich-rechtlichen Sender schneiden aber insgesamt – vor allem mit Blick auf eine ausgewogene und kritische Berichterstattung – etwas besser ab." (Abstract)
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