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40.doc: Una historia del documental argentino en 40 pelÃculas
Buenos Aires: Margen Izquierdo (2016), 307 pp.
Historia del cine infantil en la Argentina
Buenos Aires: Asociación de Productores de Cine para la Infancia (APCI) (2015), 266 pp.
O nascimento do cinema moçambicano
"A produção cinematográfica em Moçambique depende de um sistema de produção muito frágil ancorado em apoios externos. A deficiente rede de distribuição e de difusão, e a escassez de salas, não permitem que o cinema moçambicano tenha grande visibilidade. Fora dos circuitos dos festivais,
...
Os cinemas de Cabo Verde: A visão de um estrangeiro
"Talvez este seja o momento de voltarmos os nossos olhos para a cinematografia em Cabo Verde, paÃs que conta com apenas duas salas de cinema, pois, mesmo olhando de longe, eu venho observando desde o Brasil, há algumas tantas ações que demonstram um esforço para implantação e consolidação d
...
Small Cinemas in Global Markets: Genres, Identities, Narratives
Lanham: Lexington Books (2015), xxiv, 294 pp.
"Small Cinemas in Global Markets addresses aspects such as identity, revisiting the past, internationalized genres, new forms of experimental cinema, markets and production, as well as technological developments of alternative small screens that open new perspectives into small cinema possibilities.
...
Von "De Voortrekkers" bis "Tsotsi"
Afrika Süd, issue 1 (2015), pp. 35-37
"In Südafrika gibt es seit 120 Jahren Kino und Filmproduktionen. Die südafrikanische Filmindustrie zählt zur ältesten weltweit. Bereits 1895 zog das erste Kinetoscope in Johannesburg Zuschauer an. Jahrzehntelang von der Ideologie des burischen Nationalismus dominiert, muss sich die heutige Films
...
¡Muestra! Kino aus Spanien und Lateinamerika in Deutschland
Marburg: Schüren (2014), 219 pp.
"Die Beiträge dieses Buches zeigen am Beispiel des ¡muestra! IberoAmerikanischen Filmfests in Passau, welche filmischen Schätze der Kulturraum zu bieten hat und wie diese im deutschsprachigen Raum rezipiert werden. Gleichzeitig dokumentieren sie die zwar junge, aber sehr erfolgreiche Festivalgesc
...
Contemporary Korean Cinema: Identity, Culture and Politics
Manchester: Manchester University Press, paperback ed. (2014), ix, 244 pp.
"The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and Sout
...
Lo más bonito y sus mejores años: Cine boliviano de los últimos 50 años (1964–2014)
Ciencia y Cultura (La Paz), volume 18, issue 32 (2014), pp. 153-182
"Este artÃculo tiene el objetivo de articular una lectura que, sentando un estado de la cuestión del cine boliviano de los últimos 50 años, aborde el análisis de la tradición a partir de la herramienta de la comparación entre obras. A partir del trazado de un mapa de hitos, configurado desde
...
Indiens Kino-Kulturen: Geschichte, Dramaturgie, Ästhetik
Marburg: Schüren (2014), 356 pp.
"Das Thema „Bollywood“ ist in aller Munde, aber Indiens Kino-kultur ist mehr als Bollywood. Dieses Buch verschafft einen Überblick über das facettenreiche Filmwerk Indiens. Die Beiträge befassen sich mit Männerbildern im indischen Kino, mit der Symbolik und Ästhetik von Naturphänomenen, mi
...
New Tunisian Cinema: Allegories of Resistance
New York: Columbia University Press (2014), xxii, 380 pp.
"This book focuses on eight films by some of the nation's best-known directors, including Man of Ashes (1986), Bezness (1992), and Making Of (2006) by Nouri Bouzid, Halfaouine (1990) by Férid Boughedir, The Silences of the Palace (1994) by Moufida Tlatli, Essaïda (1997) by Mohamed Zran, Bedwin Hac
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China's iGeneration: Cinema and Moving Image Culture for the Twenty-First Century
New York et al.: Bloomsbury Academic (2014), xvi, 349 pp.
"Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur cultu
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Routledge Handbook of Indian Cinemas
London; New York: Routledge (2013), xv, 470 pp.
"After years of marginalization by academics in the Western world, Indian cinemas have moved from the periphery to the center of world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for thi
...
Bollywood: A Guidebook to Popular Hindi Cinema
London; New York: Routledge, 2nd ed. (2013), x, 268 pp.
Clouds of Unknowing: Buddhism and Bhutanese Cinema
In: Storytelling in World Cinemas. Vol. 2: Contexts
London; New York: Wallflower Press (2013), pp. 157-171
"In this chapter, we have looked at how Buddhism and orality have been translated into film in Bhutan. We have argued, that cinema operates as a secondary oral medium, through the various rituals of production, distribution and consumption and, most significantly, at the level of story construction.
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African Video Movies and Global Desires: A Ghanaian History
Athens, Ohio: Ohio University Press (2013), xii, 246 pp.
"African Video Movies and Global Desires is the first full-length scholarly study of Ghana's commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstan
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Algerian National Cinema
Manchester: Manchester University Press (2012), viii, 198 pp.
"This book, via an analysis of cinema, provides a discussion on some misunderstandings and assumptions about Algeria, which remains to a large extent underrepresented or misrepresented in the UK media. It is about Algerian national cinema and illuminates the ways in which the official mythologising
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Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past
Leiden: KITLV Press (2012), 239 pp.
A Bibliography of Academic Work on Nigerian and Ghanaian Video Films
Journal of African Cinemas, volume 4, issue 1 (2012), pp. 99-133
"This reckoning of the academic work that has been published on Nigerian and Ghanaian video films does not include theses and dissertations, of which many have been written. I have included as many books on the subject as possible whatever their character, but in order to make the project manageable
...
