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40.doc: Una historia del documental argentino en 40 pelÃculas
Buenos Aires: Margen Izquierdo (2016), 307 pp.
Clásicos del cine mexicano: 31 pelÃculas emblemáticas desde la época de oro hasta el presente
Madrid; Frankfurt am Main: Iberoamericana;Vervuert (2016), 656 pp.
"El objetivo que se ha perseguido con esta antologÃa es el de presentar el desarrollo histórico del cine mexicano durante 80 años, asà como también el de dar a conocer la riqueza de los temas y géneros que caracteriza la producción cinematográfi ca de México, desde sus principios hasta las
...
Small Cinemas in Global Markets: Genres, Identities, Narratives
Lanham: Lexington Books (2015), xxiv, 294 pp.
"Small Cinemas in Global Markets addresses aspects such as identity, revisiting the past, internationalized genres, new forms of experimental cinema, markets and production, as well as technological developments of alternative small screens that open new perspectives into small cinema possibilities.
...
Os cinemas de Cabo Verde: A visão de um estrangeiro
In: Cinema em português: VII jornadas
Frederico Lopes; Paulo Cunha; Manuela Penafria (eds.)
Covilhã: Livros LabCom (2015), pp. 59-68
"Talvez este seja o momento de voltarmos os nossos olhos para a cinematografia em Cabo Verde, paÃs que conta com apenas duas salas de cinema, pois, mesmo olhando de longe, eu venho observando desde o Brasil, há algumas tantas ações que demonstram um esforço para implantação e consolidação d
...
O nascimento do cinema moçambicano
In: Cinema em português: VII jornadas
Frederico Lopes; Paulo Cunha; Manuela Penafria (eds.)
Covilhã: Livros LabCom (2015), pp. 69-85
"A produção cinematográfica em Moçambique depende de um sistema de produção muito frágil ancorado em apoios externos. A deficiente rede de distribuição e de difusão, e a escassez de salas, não permitem que o cinema moçambicano tenha grande visibilidade. Fora dos circuitos dos festivais,
...
Von "De Voortrekkers" bis "Tsotsi"
Afrika Süd, issue 1 (2015), pp. 35-37
"In Südafrika gibt es seit 120 Jahren Kino und Filmproduktionen. Die südafrikanische Filmindustrie zählt zur ältesten weltweit. Bereits 1895 zog das erste Kinetoscope in Johannesburg Zuschauer an. Jahrzehntelang von der Ideologie des burischen Nationalismus dominiert, muss sich die heutige Films
...
Historia del cine infantil en la Argentina
Buenos Aires: Asociación de Productores de Cine para la Infancia (APCI) (2015), 266 pp.
China's iGeneration: Cinema and Moving Image Culture for the Twenty-First Century
New York et al.: Bloomsbury Academic (2014), xvi, 349 pp.
"Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur cultu
...
Contemporary Korean Cinema: Identity, Culture and Politics
Manchester: Manchester University Press, paperback ed. (2014), ix, 244 pp.
"The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and Sout
...
Lo más bonito y sus mejores años: Cine boliviano de los últimos 50 años (1964–2014)
Ciencia y Cultura (La Paz), volume 18, issue 32 (2014), pp. 153-182
"Este artÃculo tiene el objetivo de articular una lectura que, sentando un estado de la cuestión del cine boliviano de los últimos 50 años, aborde el análisis de la tradición a partir de la herramienta de la comparación entre obras. A partir del trazado de un mapa de hitos, configurado desde
...
New Tunisian Cinema: Allegories of Resistance
New York: Columbia University Press (2014), xxii, 380 pp.
"This book focuses on eight films by some of the nation's best-known directors, including Man of Ashes (1986), Bezness (1992), and Making Of (2006) by Nouri Bouzid, Halfaouine (1990) by Férid Boughedir, The Silences of the Palace (1994) by Moufida Tlatli, Essaïda (1997) by Mohamed Zran, Bedwin Hac
...
¡Muestra! Kino aus Spanien und Lateinamerika in Deutschland
Marburg: Schüren (2014), 219 pp.
"Die Beiträge dieses Buches zeigen am Beispiel des ¡muestra! IberoAmerikanischen Filmfests in Passau, welche filmischen Schätze der Kulturraum zu bieten hat und wie diese im deutschsprachigen Raum rezipiert werden. Gleichzeitig dokumentieren sie die zwar junge, aber sehr erfolgreiche Festivalgesc
...
Clouds of Unknowing: Buddhism and Bhutanese Cinema
In: Storytelling in World Cinemas. Vol. 2: Contexts
Lina Khatib (ed.)
London; New York: Wallflower Press (2013), pp. 157-171
"In this chapter, we have looked at how Buddhism and orality have been translated into film in Bhutan. We have argued, that cinema operates as a secondary oral medium, through the various rituals of production, distribution and consumption and, most significantly, at the level of story construction.
...
Routledge Handbook of Indian Cinemas
London; New York: Routledge (2013), xv, 470 pp.
"After years of marginalization by academics in the Western world, Indian cinemas have moved from the periphery to the center of world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for thi
...
African Video Movies and Global Desires: A Ghanaian History
Athens, Ohio: Ohio University Press (2013), xii, 246 pp.
"African Video Movies and Global Desires is the first full-length scholarly study of Ghana's commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstan
...
Bollywood: A Guidebook to Popular Hindi Cinema
London; New York: Routledge, 2nd ed. (2013), x, 268 pp.
Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past
Leiden: KITLV Press (2012), 239 pp.
BibliografÃa y filmografÃa selecta: El cine peruano a partir de 1972
Berlin: Ibero-Amerikanisches Institut Preußischer Kulturbesitz (2012), 32 pp.
Señales contra el olvido: Cine chileno recobrado
Santiago de Chile: Editorial Cuarto Propio (2012), 207 pp.
Esta obra presenta la situación del cine chileno antes del golpe de estado y las relaciones que se establecieron con Alemania, con personas e instituciones que se interesaron en preservar y difundir este acervo fÃlmico chileno en tiempos del régimen militar. Posteriormente, estos materiales regre
...
Der Film als Seismograph der Gesellschaft: Themen und Tendenzen im aktuellen türkischen Kino
In: Länderbericht Türkei
Udo Steinbach (ed.)
Bonn: Bundeszentrale für politische Bildung (bpb) (2012), pp. 521-530
