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Language
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Countries / Regions
Authors & Publishers
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Methods applied
Journals
Output Type
Pop Culture Russia! Media, Arts, and Lifestyle
Santa Barbara, Calif.: ABC-CLIO (2005), xxxi, 399 pp.
"Pop Culture Russia! introduces readers to the fascinating, often surprising, post-Soviet cultural landscape. With chapters on media, the arts, recreation, religion, and consumerism, the book offers an insightful survey of Russian mass culture from the death of Stalin in 1953 to the present, explori
...
Cine argentino: Entre lo posible y lo deseable
Buenos Aires: Ediciones CICCUS, 2a ed. actualizada (2005), 375 pp.
Realität und Illusion: Der indische Film im Globalisierungsstrudel
Düsseldorf: DGB Bildungswerk (2004), 52 pp.
Indian Popular Cinema: A Narrative of Cultural Change
Stoke on Trent: Trentham Books, 2nd ed. (2004), xiv, 161 pp.
"This is a historical and cultural survey of Indian cinema written by a social scientist and a film historian. The reader is provided with the social, political, religious and cultural context of India over nine decades [...] it is low on theory and high on description." (European Journal of Communi
...
Plano secuencia: 20 películas argentinas para reafirmar la democracia
Buenos Aires: La Crujía; Signis Argentina (2004), 240 pp.
Enciclopédia do cinema brasileiro
São Paulo: Editora SENAC, 2a ed. (2004), 582, 80 pp.
Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua
Austin: University of Texas Press (2003), xvii, 323 pp.
"Following the Sandinista Revolution in 1979, young bohemian artists rushed to the newly formed Nicaraguan national film institute INCINE to contribute to "the recovery of national identity" through the creation of a national film project. Over the next eleven years, the filmmakers of INCINE produce
...
Traumfabrik Bollywood: Indisches Mainstream-Kino
Bad Honnef: Horlemann (2003), 214 pp.
Bilder aus dem Reich des Drachen: Chinesische Filmregisseure im Gespräch
Bad Honnef: Horlemann (2002), 237 pp.
Liberated Cinema: The Yugoslav Experience, 1945-2001
Bloomington: Indiana University Press, 2nd ed. (2002), xiv, 285 pp.
"Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated
...
Mirada al cine cubano
Brussels: OCIC (1999), 153 pp.
Encyclopedia of Indian Cinema
New Delhi: Oxford University Press; National Film Archive of India, 2nd ed. (1999), 658 pp.
"Most of the facts in this book are gleaned from available sources, representing the most reliable ones we could find for each of India’s cinemas (the sources are listed below). Many of these are what we earlier called, somewhat dismissively, ‘official’. Given the nature of the Indian film ind
...
Encyclopedia of Chinese Film
London: Routledge (1998), 504 pp.
"The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cul
...
Les cinémas de l'Inde
Paris: L'Harmattan (1998), 543 pp.
"Ce guide répertorie quelque 1200 films et 800 réalisateurs dans leur contexte régional, culturel et sociopolitique et les "usines à reves" de Bombay, Madras, Calcutta, Hayderabad, Bangalore, Trivandrum, de l'Orisaa ou de l'Assam himalayen. Une importante bibliographie et des index de réalisate
...
Brasiliens bewegende Bilder: Die Entwicklung der brasilianischen Film- und Fernsehwirtschaft unter besonderer Berücksichtigung staatlicher Interventionen
Frankfurt am Main et al.: Peter Lang (1998), 586 pp.
Allegories of Underdevelopment: Aesthetics and Politics in Modern Brazilian Cinema
Minneapolis; London: University of Minnesota Press (1997), viii, 285 pp.
"Focusing on a variety of filmmaker's use of narrative allegories for the “conservative modernization” Brazil and other nations underwent in the 1960s and 1970s, Ismail Xavier examines the way Cinema Novo transformed Brazil's cultural memory. Includes discussions of Black God, White Devil, Land
...
Geschichte des chinesischen Films
Stuttgart: Metzler (1997), 313 pp.
"Beschreibt und analysiert das chinesische Kino im späten Kaiserreich und in der Republik (1896-1949), die Filmproduktion der Volksrepublik China unter Mao Zedong (1942-1978), das chinesische Kino zur Zeit Deng Xiaopings (1978-1996), das Avantgardekino der 80er und 90er Jahre sowie das chinesische
...
VIII Festival de Cine de Viña del Mar, Chile 8 al 13 de Enero 1996
Viña del Mar: Festival de Cine (1996), 93 pp.
