"Das Handbuch bietet einen umfassenden Überblick über die Gegenstände und Theorien der Rezeptionsforschung. In den 37 Beiträgen wird ein systematischer Zugang zum State of the Art der jeweiligen Thematik aus einer kommunikationswissenschaftlichen Perspektive gelegt. Die umfassend aktualisierte u
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nd erweiterte 2. Auflage befasst sich in vier Teilen: (1) mit grundlegenden Konzepten der Medienrezeption, (2) mit Fragen der Zuwendung und Selektion, (3) mit spezifischen Phänomenen und Erlebnisweisen und (4) mit den wichtigsten Kontexten der Medienrezeption. Moderne Medienwirkungstheorien kommen ohne die Betrachtung von Rezeptionsprozessen nicht mehr aus. Im Handbuch werden daher die Prozesse vor und während der Mediennutzung im Detail betrachtet." (Verlagsbeschreibung)
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"A crucial element of TikTok consumption is the act of sharing TikTok videos with others, such as friends. In this article, I draw on ethnographic fieldwork with young adult TikTok users based in the United Kingdom to investigate this practice. I show how people use TikTok’s “For You” page as
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a resource to facilitate social relationships at a distance and in settings of physical copresence. I highlight how TikTok clips are shared in a phatic manner to activate social relationships, for example, by communicating messages such as “thinking about you” or relating to others by referencing TikTok memes in conversations. Attending to sharing practices, I argue, provides a fruitful way to understand how selfidentities and interpersonal relationships are articulated in social media environments increasingly organized around the logic of personalization." (Abstract)
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"Web series are, in some ways, tailored for capturing everyday life in a pandemic. As shortform episodic content distributed via online platforms, the creators of Web series commonly work with tight budgets, recruiting crew and cast from their own networks, and making use of the home as an inexpensi
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ve location, methods well suited to the conditions of creative work in lockdown. This essay examines 3 of the many Web series that sought to chronicle everyday life during a pandemic: Cancelled, a Spanish-Australian Web series drama; If I Were There With You, an experimental Brazilian Web series; and the German comedy Web series Drinnen—Im Internet sind alle gleich (Inside: Everyone is equal on the Internet). The essay explores the ways in which international Web series made during lockdown interrogate and expand our understanding of the role of digital culture in everyday life for a post–COVID-19 future." (Abstract)
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"Social media misinformation is widely recognized as a significant and growing global problem. Yet, little is known about how misinformation spreads across broader media ecosystems, particularly in areas with varying internet access and connectivity. Drawing on research in northern Ghana, we seek to
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address this gap. We argue that ‘pavement media’—the everyday communication of current affairs through discussions in marketplaces, places of worship, bars, and the like and through a range of non-conversational and visual practices such as songs, sermons, and graffiti—is a key link in a broader media ecosystem. Vibrant pavement and traditional media allow for information from social media to quickly cross into offline spaces, creating a distinction not of the connected and disconnected but of first-hand and indirect social media users. This paper sets out how social, traditional, and pavement media form a complex and deeply gendered and socio-economically stratified media ecosystem and investigates its implications for how citizens differentially encounter, process, and respond to misinformation. Based on the findings, we argue that efforts intended to combat the spread of misinformation need to move beyond the Western-centred conception of what constitutes media and take different local modalities of media access and fact-checking into account." (Abstract)
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"In dem Artikel wird das Konzept der mediatisierten Lebensführung entfaltet, das sich speziell dazu eignet, um den Wandel des Medienhandelns im Zuge von Alltagsumbrüchen wie Trennungen, Elternschaft oder Wohnungswechsel zu analysieren. Eine zentrale Besonderheit des Konzepts ist, dass es den Allta
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g in die Strukturdimensionen zeitlich, räumlich, inhaltlich, sozial, sinnbezogen, materiell, emotional und körperlich aufspannt. So können Veränderungen in der Alltagsstruktur zielgenau und systematisch mit einem Wandel des Medienhandels in Beziehung gesetzt werden. Die empirische Reichweite des Konzepts wird anhand der Befunde einer qualitativen Panelstudie veranschaulicht. Es wird gezeigt, inwiefern alltagsspezifische Antriebfaktoren, wie veränderte Zeitressourcen (zeitlich), neue Tätigkeitsfelder (inhaltlich), Veränderungen in der Arbeitsteilung (sozial) oder emotionale Krisen (emotional), Dynamik im Medienrepertoire anstoßen und welche Faktoren für die Rezipierenden relevant sind, wenn sie ihre mediatisierte Lebensführung innerhalb der neuen Lebenssituation neu aushandeln." (Zusammenfassung)
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"Sharing our story with others is not always easy. In fact, getting to grips with our own story can be a challenging and uncomfortable process. Getting to know someone’s story can feel intimidating and awkward – where do we start, what do we ask? We believe that there’s a simple way to help us
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share in each other’s stories. It’s a framework called Ask. Listen. Tell. By asking, listening and telling our stories, we can embark on a process of deepening our relationships. When our relationships display understanding, acceptance, empathy, respect and love, they become a powerful treasure, for us and our wider communities." (Page 4)
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"This volume explores how, over the past decade, social media platforms have deeply penetrated the fabric of everyday life. The author considers South Africans’ use of wearable tech and use of online health and sports tracking systems via mobile phones within the broader context of the digital dat
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a economy. The author also focuses on the dating app Tinder, to show how people negotiate and redefine intimacy through the practice of online dating via strategic performances in pursuit of love, sex and intimacy. The book concludes with the use of Facebook and Twitter for social activism (e.g. Fees Must Fall), as well as networked community building as in the case of the #imstaying movement." (Publisher description)
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"Digital Anthropology 2nd Edition explores how human and digital can be defined in relation to one another within issues as diverse as social media use, virtual worlds, hacking, quantified self, blockchain, digital environmentalism and digital representation. The book challenges the moral universal
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of the digital by exploring emergent anxieties about the global spread of new technological forms as well as highlighting the productive contribution of the digital to new concepts and practices. In this fully revised edition, Digital Anthropology reveals how the intense scrutiny of ethnography can overturn assumptions about the impact of digital culture and reveal its profound consequences for everyday life around the world. Combining the clarity of case studies with an engaging style that conveys a passion for new frontiers of enquiry within anthropological study, this will be essential reading for students and scholars interested in theory of anthropology, media and information studies, communication studies and sociology. With a brand new introduction from editors Haidy Geismar and Hannah Knox, as well as the original introduction by Heather Horst and Daniel Miller, in conjunction with new chapters on hacking, and digitizing environments, amongst others, and fully revised chapters throughout, this will bring the field-defining overview of digital anthropology fully up to date." (Publisher description)
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"Bewegte Bilder und medial vermittelte Töne prägen unsere modernen Alltagskulturen in nahezu unvorstellbarer Weise. War es früher die Angelegenheit von wenigen Fachleuten, solche Angebote zu produzieren und zu distribuieren, kann sie seit der digitalen Revolution praktisch jede/r selbst erstellen
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und in Umlauf bringen. Für die Nachfolgewissenschaften der Volkskunde eröffnet sich mit diesen 'Audiovisionen des Alltags' ein attraktiver Quellenfundus, der zu historischen und gegenwartsbezogenen Forschungen einlädt.
Dieser Band versammelt die Beiträge einer Tagung der dgv-Kommission für Film und audiovisuelle Anthropologie, auf der Fragen zum Quellenwert und der medialen Weiternutzung entsprechender Zeugnisse eingehend diskutiert wurden." (Verlagsbeschreibung)
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"How is society being reshaped by the continued diffusion and increasing centrality of the Internet in everyday life and work? Society and the Internet provides key readings for students, scholars, and anyone with a serious interest in understanding the interactions of the Internet and society. Spaw
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ned from a series of lectures at the University of Oxford, this multidisciplinary set of theoretically and empirically anchored chapters address the big questions about perhaps the most significant technological transformation of the 21st century. The authors employ a diversity of data, methods, and approaches to address these questions in creative ways. Internet research needs to keep learning from the past, ground itself in a diversity of disciplinary perspectives, and continue to look to the future. In doing so, Internet Studies can address core questions about equality, voice, knowledge, participation, and power; and provide a better understanding of what the ever-changing configurations of technology and society mean not only for everyday life, but also for major developments in the politics, economic, and cultural development of societies across the world. Understanding the role of the Internet in society is critical to addressing the major issues of policy and practice, from the nature of democracy and freedom of expression to how we learn, work and play in everyday life." (Publisher description)
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"Sind wir Deutschen typisch deutsch oder doch ganz anders, als die Welt und als wir selber denken? 25 Deutschlandkorrespondenten aus aller Welt berichten von ihren Alltagserfahrungen – von A wie Ämter bis Z wie Zuverlässigkeit. Sie erzählen, was aus ihrer Sicht das Typische an uns Deutschen ist
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: zum Beispiel die Pünktlichkeit. Doch warum muss Akiko Yamashita aus Japan dann bei Verabredungen ein ums andere Mal auf Deutsche warten? Aber der Fleiß, der ist doch typisch deutsch! Das dachte Kapka Todorova aus Bulgarien auch, deswegen wundert sie sich noch immer, wie voll die deutschen Cafés auch tagsüber sind. Das Bier, das ist doch nun wirklich typisch deutsch. Ja, das bestätigen die Korrespondenten von Taiwan über Russland bis in die USA. Auch das Brot. Der Sonntag. Und die Ämter. Ein bisschen verrückt spielen wir Deutschen wohl bei der Mülltrennung. Ein ganzes Buch könnte man mit den Regeln dafür füllen, meint Evelyn Peternel aus Österreich. Xuejun Feng aus China hat im deutschen Studentenwohnheim wiederholte Lehrvorführungen des Hausmeisters dazu erhalten. Ach so, die Deutschen sind ja Weltmeister. Im Fußball. Im Export. Im Jammern. Aber vor allem im Frühstücken! Diese Eigenart findet Thibaut Madelin als Franzose im Alltag sehr hinderlich." (Verlagsbeschreibung)
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"Auf die theoretischen Grundlagen qualitativer Medienforschung folgen in einem zweiten Teil die wichtigsten Fragen zum Forschungsdesign. Kern des Buches sind dabei die verschiedenen Erhebungsmethoden, wie Inhaltsanalyse, Interview, Gruppendiskussion, Beobachtung, Experiment oder szenisches Spiel. We
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itere Teile setzen sich mit der Aufzeichnung und Auswertung qualitativer Daten auseinander. In der völlig überarbeiteten und erweiterten Neuauflage wird auf aktuelle Entwicklungen eingegangen: So werden Methoden wie mobile Online-Befragungen und Analysen von Websites in ihrer forschungspraktischen Relevanz erläutert." (Verlagsbeschreibung)
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"This book provides a variety of cases and theoretical insights that touch upon communication across media in everyday life. The cases favour user perspectives and are focused on coordinating mundane activities on smartphones, the role played by apps when exercising, the use of self-organised Facebo
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ok groups for civic participation, the role various cross-media communication patterns play in the everyday practices of bereaved parents, the framing and use of digitized cultural heritage, and the political everyday life appropriations of users on social media. While the cases are empirically grounded, the theoretical insights provide different frameworks for understanding cross-mediated communication patterns and space of agency in everyday contexts." (Back cover)
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"Mottonyms are both inscriptions, based on people’s experiences, on Ghanaian commercial vehicles and ‘names’ by which drivers of such vehicles are called. Prior research on mottonyms implicitly affirms how these inscriptions are embedded in human interpersonal relationships and on careful refl
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ection, in personal social experience. Guided by a phenomenological perspective, I explore, through interviews with vehicle owners, the specific life experiences that spurred them to coin these mottonyms. Overall, I analyze two major themes about drivers’ incentives for their inscriptions: innuendo mottonyms and philosophical mottonyms. Through this research, I respond to recent calls for a phenomenological approach to investigate media uses in everyday life (Moores 2009). This approach provides a grounded understanding into “embodied sets of activities that humans perform with varying degrees of regularity, competence and flair” (Postill 2010: 1). Thus, it helps us understand how cultural forms are not just “mental, meaningful circulation of ideas” (Zito 2008: 71) but concrete mediated practices. Furthermore, the paper responds to scholars’ advocacy for a broader understanding of ‘media’ that transcend narrowly defined traditional mass media formats (Downing 1996), and novel ways of examining such formats (Moores, 2009; Meyer, 2009)." (Abstract)
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