"Die Herausgeber Stephan Moebius und Dirk Quadflieg bieten in Zusammenarbeit mit den Autorinnen und Autoren einen systematischen und – in seiner angelegten Breite – erstmaligen Überblick über aktuelle kultursoziologische und -wissenschaftliche Theorien. Die gegenwärtig wichtigsten Kulturtheor
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ien werden nach dem Kriterium ihrer interdisziplinären Relevanz für die zeitgenössischen Diskurse in der Soziologie, den Kulturwissenschaften, der Philosophie sowie den Sprach- und Literaturwissenschaften einheitlich und verständlich vorgestellt." (Verlagsbeschreibung)
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"En la selección de términos para incluir en este proyecto, privilegiamos aquellos que tienen una presencia importante en el campo de estudios culturales latinoamericanos y que funcionan como referentes en más de una disciplina. Quedaron afuera una docena de términos que aun si eran importantes
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no parecían cruzar fronteras disciplinarias con tanta plasticidad, o no entraban con frecuencia en los debates del campo. Algunos son conceptos básicos de los estudios culturales contemporáneos (“cultura”, “industria cultural”, “género”, “modernidad”, “poscolonialismo”); otros son términos de resonancia especial para los estudios culturales latinoamericanos (“hibridez”, “latinoamericanismo”, “heterogeneidad”). En general, las definiciones incluyen un resumen de los significados y usos del término en los estudios culturales, una discusión de sus acepciones particulares en los estudios culturales latinoamericanos y, finalmente, una lista básica de lectura sobre el tema. También incluimos una bibliografía general, la cual puede servir como referencia general para el campo." (Presentación, página 10)
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"The purpose of this book, explained further in Chapter One, is to place before the media scholar, the historicity and continuity in structures of colonialism, postcolonialism, and media globalization around the world. Obviously these are not clearly demarcated processes and colonized countries have
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been implicated centrally in such processes as much as their colonial masters who have been the focus of a majority of theory and research in international communication. In its linkage of case studies to interdisciplinary theory, the book draws the reader into various strains of critical dialogue in the field – a dialogue that has predominantly, and unfortunately, been the prerogative of graduate studies. The scope of case studies included then, is necessarily broad. Theoretical interpretations that connect case studies could merit individual books themselves, and are provided in this book inasmuch as they advance the narrative and contextualize the examples. Through this strategy, the book presents to the reader crucial theoretical issues in the fi eld and demonstrates how they are grounded (or not) in reality. The book also attempts to recharge international media research with the political energy that informed its origins, particularly in Latin America and South Asia. It identifies the signifi cant moments in political and academic history that have fashioned international media studies, and through extensive examples, lays bare areas that require further research. Such a task is undertaken recognizing the theoretically and empirically rich writing that has gone before, and piecing together such writing to offer a comparative and ethical analysis of the fi eld. The postcolonial framework informs this project for its direct and stunningly clear focus on the historicity of international interactions and its activist component that awards the student some direction for social justice." (Preface, page x-xi)
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"Media on the Move provides a critical analysis of the dynamics of the international flow of images and ideas. This comes at a time when the political, economic and technological contexts within which media organisations operate are becoming increasingly global. The surge in transnational traffic in
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media products has primarily benefited the major corporations such as Disney, AOL, Time Warner and News Corporation. However, as this book argues, new networks have emerged which buck this trend: Brazilian TV is watched in China, Indian films have a huge following in the Arab world and Al Jazeera has become a household name in the West. Combining a theoretical perspective on contra-flow of media with grounded case studies into one up-to-date and accessible volume, Media on the Move provides a much-needed guide to the globalization of media, going beyond the standard Anglo-American view of this evolving phenomenon." (Publisher description)
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"Within media and cultural studies, the study of media texts is dominated by an exclusive focus on representation. This book adds long overdue attention to social interaction. The book is divided into two sections. The first outlines key theoretical issues and concepts, including informalisation, ge
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nre hybridisation, positioning, dialogism and discourse. The second is a sustained interrogation of social interaction in and around media. Re-examining issues of representation and interaction, it critically assesses work on the para-social and broadcast sociability, then explores distinct sites of interaction: production communities, audience communities and 'interactivity' with audiences." (Publisher description)
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