"With Britain's first two national commercial radio stations - Virgin 1215 and Classic FM - already on the air, the 90s are set to bring unprecedented expansion to the national, regional and local radio station network - and yet more controversy over the role of the BBC. In this new edition of Under
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standing Radio, Andrew Crisell re-addresses the characteristics of this fascinating and paradoxical medium. He explores how radio processes such genres as news, drama and comedy in highly distinctive ways, and how the listener's use of the medium has important implications for audience studies. In addition, Andrew Crisell's revised historical account of radio brings the reader right up to date, and includes a brand new chapter on talk-and-music radio - the format adopted by so many of the new stations - in which he explains why the sound medium, even more than television, has played such a crucial role in the development of modern popular culture. This new edition of Understanding Radio will be essential reading both to students of the media, and to those with a practical involvement in programme production." (Publisher description)
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"There are very few books on copyright in Africa, and this one provides a good general overview of the principles of copyright in all its dimensions. It includes sections on duration of copyright, copyright protection, rights of authors (and those in the performing arts), and procedures for copyrigh
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t registration. The author – a barrister, who was formerly the Acting Copyright Administrator in Ghana – draws on a number of case histories and examines individual cases of copyright infringement. There is also a description of the work of the Copyright Society of Ghana (COGSA), now CopyGhana." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1746)
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"Realizing the immense power of the electronic media, FES started to initiate and support the development of national broadcasting systems and regional exchange networks some 20 years ago. In cooperation with Eurovision, the mother of all television exchange systems, FES helped to establish Asiavisi
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on, Arabvision and Afrovision, thus linking the continents via a global network. In 1987, the Caribbean Broadcasting Union (CBU) also asked for assistance. As usual, the Lost Paradise between North and South America had not been high on the agenda. And there was not much hope that these tiny rocks in the Caribbean Sea, scattered over an area the size of Western Europe from the North Cape to Gibraltar, could ever be linked via regional television and included in the global exchange. Still we tried, and we succeeded. This is the story of a very special effort in development aid: "Television in Paradise". (Prologue)
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