"This article shows how results were merged from a study conducted in four countries-Australia, the Philippines, South Africa and Mexico-in which differently versioned television news stories about conflict were played to audiences, and their responses gathered through a mix of methods, to yield bot
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h quantitative and qualitative results. These versions were coded according to the Peace Journalism model, a set of distinctions in the representation of conflict, originally conceived by Johan Galtung. A Peace Journalism bulletin and a War Journalism bulletin were produced in each country. Viewer responses-both emotional and cognitive-showed significant differences, depending on which version they watched. This article compares selected stories in each country, which had the strongest measured effects in the original study, and identifies common thematic elements. The most significant of these is that, in the Peace Journalism version of each of the selected stories bar one, viewers were provided with the personal narrative of a carefully chosen individual protagonist, which prompted both their empathy and, through that, their cognitive engagement with counter-hegemonic arguments in favour of non-violent conflict responses." (Abstract)
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"This article presents and discusses the results of an experiment, which gathered audience responses to television news coded as war journalism and peace journalism respectively, in two countries, Australia and the Philippines. From the peace journalism model, evaluative criteria were first derived
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as a set of headings for content analysis of existing television news as broadcast in each country. The test material was then coded to fall within the upper and lower peace journalism quintiles of the ‘idiom and range’ of local television journalism in each case. Distinctions under the headings were particularized for individual stories by critical discourse analysis, to disclose potential sources of influence transmitted into audience frames. Data about emotional responses, gathered from self-reporting questionnaires, were combined with a textual artefact, with participants completing a ‘thought-listing protocol’ as they watched. Focus groups also viewed the material and provided more in-depth narrative responses. Watching peace journalism left people less angry and fearful, and more hopeful and empathic. Peace journalism viewers were also less inclined to apportion ‘blame’ to one ‘side’, and more likely to think about cooperative solutions to the problems presented." (Abstract)
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"Media and Terrorism brings together leading scholars to explore how the world's media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is a perfect student text and is an
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essential handbook on the dynamics of war and the media in a global context." (Publisher description)
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"Peace Journalism, War and Conflict Resolution draws together the work of over twenty leading international writers, journalists, theorists and campaigners in the field of peace journalism. Mainstream media tend to promote the interests of the military and governments in their coverage of warfare. T
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his major new text aims to provide a definitive, up-to-date, critical, engaging and accessible overview exploring the role of the media in conflict resolution. Sections focus in detail on theory, international practice, and critiques of mainstream media performance from a peace perspective; countries discussed include the U.S., U.K., Germany, Cyprus, Sweden, Canada, India, Pakistan, Papua New Guinea and the Philippines. Chapters examine a wide variety of issues including mainstream newspapers, indigenous media, blogs and radical alternative websites." (Publisher description)
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"This book explores the journalism coming out of the Afghan war from the frontline and from the greater comfort of the library. It is an unusual hybrid: the testimony of some of the best frontline correspondents of our era, much of it placed in appropriate historical contexts, alongside detailed aca
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demic analysis – and much more. It ranges from the poppy fields of Helmand province to New York via the Iraq War and the modern rebirth of “embedding”. It mixes action, reflection and analysis and focuses on some of under-reported groups such as women and the humanitarian effort in Afghanistan.
It has its origin in a conference in Coventry in March 2010 put on as part of the university’s Coventry Conversations series (with financial support from the Pro Vice-Chancellor and the Dean of Business) in conjunction with the BBC College of Journalism and journalism.co.uk (the website forum for digitally active journalists). All of that conference can be seen and heard on bbc.co.uk/journalism and Coventry.ac.uk/itunesu. Many of the contributors to this book took part in that conference though some extra pieces have been specially commissioned. The war in Afghanistan will soon be coming up to its tenth anniversary.
Operation Enduring Freedom started on 7 October 2001 as a response to the 9/11 al-Qaeda attacks on the Twin Towers in New York. Freedom in Afghanistan has far from endured in that decade. There are today 100,000-plus US troops, 10,000-plus British troops and 17,000 from ISAF allies – including Germany, France, Italy, Poland and Canada.
US intelligence admit that there are now fewer than 100 al-Qaeda (the reason for invading in the first place) fighters left in the country and that the Taliban could fight on for ever. British Prime Minister David Cameron told the House of Commons on 14 June 2010 after his return from his first official visit to Afghanistan that it was only the presence of the ISAF troops that kept al-Qaeda from returning to Afghanistan in numbers. The West is fighting a phantom and desperately searching for an exit strategy. The trouble is they will leave behind an Afghan government scarred by illegitimacy, corruption and more. The Killing Fields will continue for a while yet. Journalism has escaped comparatively lightly – just nine Western journalists killed in Afghanistan since 2001.
Like all big stories, this war has attracted the cream of British journalistic talent especially the broadcast reporters. TV awards have been won on the field of battle by the new Brahmins – the war corrs parachuted in and out of Helmand. The idea for the conference and for the book took hold when I judged the Royal Television Society News Programme of the Year Awards for 2009. All entries featured front line action from their stars. Many of them have contributed to this book." (Pages 3-4)
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