"Botswana’s government as one of the celebrated postcolonial democracies in Southern Africa continues to have the state owning and controlling the media – in particular, broadcast media. The history of government-owned and controlled media in Botswana can be understood through colonial lenses â€
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“ it stands out as a product of historical entanglements with the influence of apartheid South Africa’s role, and the invention of Botswana Democratic Party (BDP) hegemony. These were further mitigated by other factors that include the sections of Information and Broadcasting’s own internal politics and growth, and, within the geopolitical prism, the Cold War period. This article focuses on the history of radio in Botswana showing its multiple origins and the conflicting visions as to the role and nature of broadcasting in the colony and postcolony. We posit that the aims of modernization, nationalism, national identity and public versus government ownership all had their place in the establishment of radio in the country. Further, we argue that the powerful presence of a coercive and quite overbearing neighbour, South Africa with its South African Broadcasting Corporation (SABC), and a paternalist British voice alongside an anxious postcolonial government, all shaped the eventual identity of Radio Botswana." (Abstract)
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"This book deals with the often-neglected link between indigenous languages, media and democracy in Africa. It recognizes that the media plays an amplifying role that is vital to modern-day expression, public participation and democracy but that without the agency to harness media potential, many Af
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ricans will be excluded from public discourse." (Publisher description)
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"This article will argue that the conversational approach used by Munghana Lonene FM (ML FM) of mixing music and talk in Tsonga encourages the creation of a sociological natal affiliation; a form of 'we' feeling that translates into notions of ownership and belonging and empowerment. By re-establish
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ing ML FM the post-apartheid leadership created a case for residual and incremental policy models. As a residual policy model, ML FM stands as the inherited radio broadcasting structure of the apartheid system, whereas social transformation processes and human agency including the formulation and implementation of new policies marks a point of departure as an incremental policy model. Local content usage in programming and music for the Tsonga as an ethnic group projects ML FM as the voice of the Tsonga people. Through different programmes, social meanings, symbols, world-views and life-worlds are created. As part of the radical transformation of SABC and as a decentralised public broadcaster ML FM can be seen as the conduit for the eschatologies of liberation and social transformation." (Abstract)
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"A closer analysis of the long and arduous journey traversed by African nationalism often shows ethnicity marching along as an invisible ‘matrimonial’ partner. It is on that note that this article seeks to present South Africa’s project of managing ethnic diversity using public radio broadcast
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ing as new form of cultural ‘holy matrimony’, with its consummation evinced through the implementation of policies that encourage ethnic diversity. The article acknowledges that the re-appropriation of meaning for ethnicity in South Africa now denotes the politically correct and constructed descriptor of ‘culture’, and is characterized by the continued conflation of ethnicity and race relations. Unlike in some parts of Africa, where ethnicity is criminalized as ‘tribalism’ – thus emphasizing its instrumentalized destructive element – in South Africa cultural diversity is seen as the panacea for a stable democratic arrangement. This article proposes to discuss cultural pluralism as a democratic imperative within the South African Broadcasting Corporation (SABC), which is a public service broadcaster (PSB). Two case studies of ethnic minority radio stations will be presented as empirical evidence: Munghana Lonene FM and Phalaphala FM." (Abstract)
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