"This article analyses the dangers and threats faced by Syrian journalists covering the conflict since the pro-democracy protests erupted in March 2011. While most Western research on the Syrian Revolution has focused on the working difficulties faced by correspondents, parachutists or foreign freel
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ancers, this article scrutinizes the working conditions for Syrian content providers. Syrian journalists’ testimonials of fear and their perception of danger and vulnerability provide a humanistic lens not only on the scope of what revolution and war mean to many who have lived it and been transformed by it, but also on the reality of informing in dangerous contexts. The study contemplates the practitioners’ working risks and perceptions of fear and threats, as well as their personal security measurements. The characterization of fear during the militarization of the rebellion as a semi-normalized way of life, suggested by Pearlman’s article, ‘Narratives of fear in Syria’ (2016), allows the authors to place their study in a conceptual frame. The implementation of a survey answered by 82 Syrian journalists was complemented by semi-structured interviews with a selected group of 12 participants. In a context in which 86.6 percent of the respondents had colleagues who had died while working, the findings illustrate that Syrian reporters and media activists perceive their work as extremely dangerous. In the perception of fear, the adoption of personal safety measures by practitioners does not always contribute to decreasing it; the trauma experience can act both as a paralysing and empowering working factor." (Abstract)
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"This article analyses the dangers and threats faced by Syrian journalists covering the conflict since the pro-democracy protests erupted in March 2011. While most Western research on the Syrian Revolution has focused on the working difficulties faced by correspondents, parachutists or foreign freel
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ancers, this article scrutinizes the working conditions for Syrian content providers. Syrian journalists' testimonials of fear and their perception of danger and vulnerability provide a humanistic lens not only on the scope of what revolution and war mean to many who have lived it and been transformed by it, but also on the reality of informing in dangerous contexts. The study contemplates the practitioners' working risks and perceptions of fear and threats, as well as their personal security measurements. The characterization of fear during the militarization of the rebellion as a semi-normalized way of life, suggested by Pearlman's article, 'Narratives of fear in Syria' (2016), allows the authors to place their study in a conceptual frame. The implementation of a survey answered by 82 Syrian journalists was complemented by semi-structured interviews with a selected group of 12 participants. In a context in which 86.6 percent of the respondents had colleagues who had died while working, the findings illustrate that Syrian reporters and media activists perceive their work as extremely dangerous. In the perception of fear, the adoption of personal safety measures by practitioners does not always contribute to decreasing it; the trauma experience can act both as a paralysing and empowering working factor." (Abstract)
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"The main objective of this research action is to highlight the process of adaptation, validation, and administration of the Indicator of social profitability in communication (Irscom, Indicador de rentabilidad social en comunicación) for the community and indigenous radio sector of Colombia, a cou
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ntry with over 700 community radio stations nationwide, and the first in Latin America/Abya Yala to legalize them. The Irscom, a registered trademark, was created by the LabComAndalucía group of the University of Malaga in 2012. Employing six categories and 33 variables, it reflects the working practice and dynamics of radio stations to achieve their objectives, awarding points subject to weightings and criteria linked to pertinence. A compendium of quantitative (questionnaire, weighting, and rankings) and qualitative methods (focus groups and semi-structured interviews) were applied in its development and administration. The sample for this pilot project (from the Ministry of Culture of Colombia, the Faculty of Communications of the University Minuto de Dios, Bogotá, and LabComAndalucía) consisted of 11 community radio stations, an indigenous community radio station declared to be of public interest, and four community radio networks within the country. The results confirmed that Irscom is an organic tool that, without substantial modifications to the original framework, and although designed for Spain, can be adapted to other international contexts so that different broadcasters may appreciate their strengths and weaknesses. It contributes to holistic reflection on the social profitability of these media within their broadcasting areas. In the short term, Irscom may be extended to other community radio stations in the country. In the medium term, this indicator can help the community and the indigenous sound sector to improve their social profitability and validate their activities with government and institutional agencies to defend their important work of social cohesion and the need for solid sources of financing. It can also contribute to better collective organization by joining interests, with the awarding of the Irscom seal of quality as an endorsement of its implementation and improvements." (Abstract)
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"La información que aquí se registra nos permite mirar en panorama y perspectiva el rol que desarrollan las emisoras comunitarias en el país, por ello este tipo de herramientas como el Indicador de Rentabilidad Social de la Comunicación (IRSCOM) nos ayuda a identificar las debilidades, fortaleza
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s y desafíos que tienen las radios comunitarias como medios de comunicación vinculado al sector cultural. El valor de estos instrumentos que brindan información técnica, está en la aplicabilidad que puedan tener en la implementación de una agenda de política pública cultural y proyectos para el fortalecimiento de la radio comunitaria del país, sin estandarizar el quehacer radiofónico en clave de transformación, reconocimiento y generación de entornos seguros." (Presentación)
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"Nos encontramos ante un hecho incuestionable: desde hace décadas el proceso de concentración mediática es la norma en los estados contemporáneos y el poder político se ve supeditado a las líneas editoriales de los oligopolios mediáticos que tratan de conducir y representar a la opinión púb
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lica desde la opinión publicada. Así, las corporaciones de medios se han convertido en armas de propaganda de un modelo que se resiste al cambio y son el sustento del imaginario imperante en torno a la felicidad proporcionada por el consumo. La ausencia de regulaciones efectivas y la concentración mediática rompe el equilibrio de poderes que define a los sistemas democráticos. Transparencia mediática, oligopolios y democracia ¿Quién nos cuenta el cuento? pretende desvelar esta situación mediante la aplicación del Indicador de Rentabilidad Social en Comunicación (IRSCOM®) desarrollado por Laboratorio de Comunicación y Cultura (COMAndalucía) de la Universidad de Málaga, una herramienta que busca hacer transparente el comportamiento de los medios y permitir la introducción de mejoras mediante el reflejo de sus fortalezas y debilidades, posibilitando asimismo la implementación de políticas públicas eficaces en pos de la transparencia mediática y la rentabilidad social de la Comunicación. La obra acomete en una primera parte el estudio de la situación del mercado de medios radifónicos y de televisión en España y, en una segunda parte, el diagnóstico de situación en buen número de países latinoamericanos y de la Europa mediterránea que permitan la aplicación de este indicador en sus respectivos países. «Relevar los déficits democráticos, resaltar sus fallos normativos y de control, es ya iniciar el camino para la fijación de unas alternativas democráticas en políticas públicas de comunicación." (Prólogo de Enrique Bustamante)
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