"Applied Theatre: Performing Health and Wellbeing is the first volume in the field to address the role that theatre, drama and performance have in relation to promoting, developing and sustaining health and wellbeing in diverse communities. Challenging concepts and understanding of health, wellbeing
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and illness, it offers insight into different approaches to major health issues through applied performance. With a strong emphasis on the artistry involved in performance-based health responses, situated within a history of the field of practice, the volume is divided into two sections: Part One examines some of the key questions around research and practice in applied performance in health and wellbeing, specifically addressing the different regional challenges that dominate the provision of health care and influence wellbeing: how the aging population of the global north creates pressure on lifetime healthcare provision, while the global south is dominated by a higher birth rate and a larger population under 15 years old. Part Two comprises case studies and interviews from international practitioners that reflect the diversity of practices across the world and in particular differences between work in the northern and southern hemispheres. These case studies include a sanitation project in a Hmong refugee camp in Thailand in the 1980s, and the sanitation and rural development projects initiated by the traveling theatre troupes of a number of University theatre departments in Africa – Makerere in Kampala, Uganda; Botswana; Lesotho and Dar es Salaam, Tanzania – which began in the 1960s. It considers the emergence of Theatre for Development's use as a health approach, considering the work of Laedza Batanani and the influences of Augusto Boal's Theatre of the Oppressed." (Publisher description)
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"The 59 chapters in this volume, written by leading researchers from around the world, provide scholars and students with an engaging and authoritative survey of current thinking in media and gender research. The Companion includes the following features: With each chapter addressing a distinct, con
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crete set of issues, the volume includes research from around the world to engage readers in a broad array of global and transnational issues and intersectional perspectives. Authors address a series of important questions that have consequences for current and future thinking in the field, including postfeminism, sexual violence, masculinity, media industries, queer identities, video games, digital policy, media activism, sexualization, docusoaps, teen drama, cosmetic surgery, media Islamophobia, sport, telenovelas, news audiences, pornography, and social and mobile media." (Back cover)
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"With its emphasis on the lives and interests of upper-middle-class women who live out the success of the African dream, 'Society' [a miniseries aired in 2007 on SABC television channel] has been compared to the HBO drama 'Sex and the City' (1998-2004), with its portrayal of conspicious consumption
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and highly sexualised representations (Brown 2009). Yet, as a show populated almost solely by black women, and incorporating the particularities of the South African context beyond its glamorous setting in Johannesburg, 'Society' offers a unique perspective on the feminine possibilities available to women in post-apartheid South Africa." (Page 280)
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"Any observer of the so-called Arab Spring, the massive wave of political revolt that has been sweeping the Arab region since 2011, could not help but notice the visible role that women have been playing in it. Hundreds of thousands of Arab women throughout the region, including in some of the most
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traditional, conservative countries, like Yemen and Bahrain, took to the streets, alongside men, calling for an end to dictatorship and repression and demanding dignity and freedom (Khamis 2011; Radsch 2011, 2012). In doing so, they were not confining themselves to stereotypical gender roles, such as nurturing or supporting men in their struggle for freedom. Rather, they were often in the front lines of resistance, risking their lives, exposed to the dangers of arrest or assault. The Arab Spring unveiled “numerous examples of courageous Arab women heroes risking not only their reputation but also their physical safety for the sake of reform” (Al-Malki et al. 2012: 81)." (Abstract)
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"Media on the Move provides a critical analysis of the dynamics of the international flow of images and ideas. This comes at a time when the political, economic and technological contexts within which media organisations operate are becoming increasingly global. The surge in transnational traffic in
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media products has primarily benefited the major corporations such as Disney, AOL, Time Warner and News Corporation. However, as this book argues, new networks have emerged which buck this trend: Brazilian TV is watched in China, Indian films have a huge following in the Arab world and Al Jazeera has become a household name in the West. Combining a theoretical perspective on contra-flow of media with grounded case studies into one up-to-date and accessible volume, Media on the Move provides a much-needed guide to the globalization of media, going beyond the standard Anglo-American view of this evolving phenomenon." (Publisher description)
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"Aiming to bring some of the network-cultural forms of collaboration into ICT debates dominated by standard policy and research procedure, the Incommunicado project does not offer a univocal master-narrative of what’s wrong with the world of ICT, or of how it should be. Members of the Incommunicad
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o network are pursueing multiple vectors of inquiry that are unlikely to converge in yet another civil society declaration or intergovernmental policy proposal but - at best - coordinate possible interventions across the imperial terrain of a global network economy, at least heighten our sense of the incommensurability of competing info-political visions. To stress the simultaneity of these efforts, and to take stock of where we think incommunicado ‘is’ at the time of this writing, the entries below are a first attempt to identify some of these vectors." (Instead of an introduction, page 3)
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