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Assessment of Media Development in Malawi: Based on UNESCO's Media Development Indicators

Francis Chikunkhuzeni, Peter Mhagama, Jacob Jimu, Paul Kingstone Mphepo et al.

Paris: UNESCO (2022), 157 pp.

"Malawi has seen an exponential growth of its media, both in quality and quantity. For example, there were only two broadcasting stations at the start of the 1990s, while Malawi has increased this over the years to 57 radio stations and 14 television broadcasters. Although the plurality of Malawi’ ... more

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Trust and Communication: Foundations of Interconnectivity

Anil Jacob Kunnel

Berlin; Bern; Wien: Peter Lang (2021), 212 pp.

"In today’s global and digitalized world, the investigation of relational trust as part of social connections has remained a popular and interdisciplinary academic topic. This book explores the idea of trust as a basic type of information processing that might be as old as human existence but has ... more

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Media and Freedom of Expression

International Reports (Konrad-Adenauer-Stiftung), volume 37, issue 3 (2021), pp. 2-99

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Media Stereotypes: From Ageism to Xenophobia

Andrew C. Billings, Scott Parrott (eds.)

New York: Peter Lang (2020), viii, 296 pp.

"When we think about the "pictures in our heads" that media create and perpetuate, what images are we truly referencing? Issues of media stereotypes and representation (both past and present) are crucial to advancing media literacy. 'Media Stereotypes: From Ageism to Xenophobia' becomes one-stop sho ... more

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Indian Sound Cultures, Indian Sound Citizenship

Laura Brueck, Jacob Smith, Neil Verma (eds.)

Ann Arbor: University of Michigan Press (2020), vi, 330 pp.

"Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. "Scapes, Sites, and Circulations" considers the spatial and circu ... more

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Transnationalizing Radio Research: New Approaches to an Old Medium

Golo Föllmer, Alexander Badenoch (eds.)

Bielefeld: transcript (2018), 313 pp.

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Representing Multiculturalism in Comics and Graphic Novels

Carolene Ayaka, Ian Hague (eds.)

New York, London: Routledge (2015), xiii, 269 pp.

"This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don't conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Ro ... more

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Blasphemie – Vorwürfe und Missbrauch: Die pakistanischen Blasphemiegesetze und ihre Folgen

Peter Jacob

Aachen: Missio (2012), 64 pp.

"Der Autor untersucht in dieser Studie die spezielle Dynamik der Theokratisierung von Staat und Recht – mit besonderem Schwerpunkt auf den in Pakistan geltenden Blasphemiegesetzen. Welchen Einfluss hatten die Blasphemiegesetze, die mir der staatlichen und politischen Bevorzugung einer einzigen Rel ... more

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Das Afrika-Lexikon: Ein Kontinent in 1000 Stichwörtern

Jacob Emmanuel Mabe (ed.)

Wuppertal; Weimar: Peter Hammer Verlag;Metzler (2001), 720 pp.

Umfassendes Nachschlagewerk mit über 1000 Stichwörtern zu Geographie, Geschichte, Politik, Wirtschaft, Ländern, Gesellschaften, und Kulturen, Sprachen und Literaturen, Kunst und Musik, Religionen und Philosophie. Der Herausgeber stammt aus Kamerun, hat in München studiert und unterrichtet an der ... more

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Stories We Tell Our People: Asian Cinema, Cultures, Values and More

Jacob Srampickal, Leela Joseph (eds.)

New Delhi: OCIC Asia (2000), 167 pp.

"This collection, sponsored by the Asian office of the International Catholic Organization for Cinema (OCIC), provides an overview for the study of cinema in Asia. It consists of articles, more or less arranged in concentric circles, addressing cinema in general, Asian cinema, and the cinema of part ... icular countries. Authors include film critics, scholars, and film makers. The first and most general section asks how the cinema teaches values, examining the process of the construction of meaning. Jacob Srampickal, one of the volume's editors, sees the cinema as a mirror of social values while Peter Malone, the international president of OCIC and a film critic from Australia, examines the hopes and failures of cinema in teaching family values. He highlights in particular questions of patriarchy, commitment, cohabitation, separation and divorce, single parenting, careerism, rebellion, peer pressure, and sexual abuse as they appear in films. Virgilio Fantuzzi, a Rome-based film educator, provides a theoretical piece on transcendence in film and introduces a number of film makers known for their transcendental style. Jose Palakeel, the dean of studies at Ruhalaya in Central India, argues that audiovisual expression is particularly apt for the construction of meanings and values. Rooting his analysis in Jungian psychology, he notes that the individual constructs meaning and values through association of images, feelings, relationships, and intuitions. The section also includes Pope John Paul II's World Communication Day message of 1995, the centenary of the cinema. Because of its general character, this first section proves less helpful than the others in the book. Several of the writers correctly remark that their topics need more space for development. They do, however, raise key issues, particularly regarding the mechanisms through which cinema influences culture and society. The second section, on Asian cinema, returns to these themes. Gaston Roberge, the founder of Chitrabani in Calcutta, specifically investigates the film as a cultural object and tries to identify how people interact with it in the context of Asian cultures and values. Aruna Vasudev, the editor of Cinemaya, an Asian cinema magazine, argues that even in the face of Hollywood blockbusters an Asian cinema has emerged with an emphasis on "the continuity of certain traditions--the family, the community, honour, emotionalism" (p. 52). He illustrates these themes and concerns with examples of film from Taiwan, the Philippines, Korea, Japan, India, and Iran. The Sri Lankan film critic Tissa Abeyasekara raises a challenge to this view, acknowledging that, while there is cinema in Asia, it may not have developed a specifically Asian aesthetic or idiom. Noting cultural differences across Asia, he admits that Asian cinema does share at least two common elements--a lack of support for the medium and a lack of integration with the rich traditions of the plastic arts across the region. The book's third section, consisting of examples and studies from the various countries of Asia, proves the richest by far, particularly for a reader less familiar with Asian cinema. Satish Bahadur, a retired member of the Film and Television Institute of India, contributes a study of the cultural and historical factors that have shaped cinema in India, discussing themes, directors, styles, and audiences. For example, Indian life has made cinema an urban phenomenon, but one rooted in the culture of the village, with city dwellers still clinging to village values. This juxtaposition also helps to explain the side-by-side existence of the Bollywood film and the socially conscious film. Roberge adds another essay here that explores some specific films and their relationship to the Indian family. Rounding out the examination of India is Manjunath Pendakur, a professor of international communication at Northwestern University (USA). His essay on Indian documentary film traces the rise of an independent film industry, competing with official government documentary production. The cinema of other Asian countries receives briefer treatment. Tadao Sato, a Japanese film critic, penetratingly explores Japanese cinema by asking whether there is something "typically Japanese." His historical overview explains the rise of certain themes and approaches to acting and film making while relating these to the history of Japan in the twentieth century. Lawrence Saldanha, a film educator in Pakistan, surveys a young Pakistani industry, noting its mixed fortunes in the face of shifting government regulation. Nicasio Cruz, a film critic, traces the rise in Filipino cinema of the action spectacle and the teen heart-throb movie. Both connect to the immense popularity (and political success) of movie stars in Filipino culture. James Reuter, a film educator on the staff of the Catholic Church communication office, asks whether there is place for God in the midst of such spectacle and vulgar romance films. Finally, William Biernatzki, the editor of Communication Research Trends, and Taewon Suh, a university lecturer, provide an overview of cinema in the Republic of Korea. They look both at the state of the industry (affected by government quotas, censorship, and the threat of piracy) and at the development of a Korean aesthetic. The editors close the volume with reprinted "testimonies" from two great Indian directors: Satyajit Ray ("Why Do I Make Films?") and Shyam Benegal ("Values Are of Primary Importance to Me")." (https://www.thefreelibrary.com) more