"This Handbook presents a transnational and interdisciplinary study of refugee narratives, broadly defined. Interrogating who can be considered a refugee and what constitutes a narrative, the thirty-eight chapters included in this collection encompass a range of forcibly displaced subjects, a mix of
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geographical and historical contexts, and a variety of storytelling modalities. Analyzing novels, poetry, memoirs, comics, films, photography, music, social media, data, graffiti, letters, reports, eco-design, video games, archival remnants, and ethnography, the individual chapters counter dominant representations of refugees as voiceless victims. Addressing key characteristics and thematics of refugee narratives, this Handbook examines how refugee cultural productions are shaped by and in turn shape socio-political landscapes." (Publisher description)
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"This report sets out a new methodology for assessing cyber power, and then applies it to 15 states: Four members of the Five Eyes intelligence alliance – the United States, the United Kingdom, Canada and Australia; Three cyber-capable allies of the Five Eyes states – France, Israel and Japan; F
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our countries viewed by the Five Eyes and their allies as cyber threats – China, Russia, Iran and North Korea; Four states at earlier stages in their cyber-power development – India, Indonesia, Malaysia and Vietnam. The methodology is broad and principally qualitative, assessing each state’s capabilities in seven different categories. The cyber ecosystem of each state is analysed, including how it intersects with international security, economic competition and military affairs. On that basis the 15 states are divided into three tiers: Tier One is for states with world-leading strengths across all the categories in the methodology, Tier Two is for those with world-leading strengths in some of the categories, and Tier Three is for those with strengths or potential strengths in some of the categories but significant weaknesses in others. The conclusion is that only one state currently merits inclusion in Tier One. Seven are placed in Tier Two, and seven in Tier Three." (Back cover)
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"The popularization of radio, television, and the Internet radically transformed musical practice in the Asia Pacific. These technologies bequeathed media broadcasters with a profound authority over the ways we engage with musical culture. Broadcasters use this power to promote distinct cultural tra
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ditions, popularize new music, and engage diverse audiences. They also deploy mediated musics as a vehicle for disseminating ideologies, educating the masses, shaping national borders, and promoting political alliances. With original contributions by leading scholars in anthropology, ethnomusicology, sound studies, and media and cultural studies, the 12 essays this book investigate the processes of broadcasting musical culture in the Asia Pacific. We shift our gaze to the mechanisms of cultural industries in eastern Asia and the Pacific islands to understand how oft-invisible producers, musicians, and technologies facilitate, frame, reproduce, and magnify the reach of local culture." (Publisher description)
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"This book explores the media and conflict relationship in the age of social media through the lens of China. Inspired by the concepts of medialization of conflict and actor-network theory, this book centers on four main actors in wars and conflicts: social media platform, mainstream news organizati
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ons, online users and social media content. These four human and non-human actors associate, interact and negotiate with each other in the social media network. The central argument is that social media is playing an enabling role in contemporary wars and conflicts. Both professional media outlets and web users employ the functionalities of social media platforms to set, counter-set or expand the online public agenda. Social media platform embodies a web of technological and human complexities with different actors, factors, interests, and power relations. These four actors and the macro social-political context are influential in the medialization of conflict in the social media era." (Publisher description)
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"Drawing on a wide range of case studies addressing how people can be ‘othered’ in contemporary media, the chapters focus on analyses of hateful discourses about disability on Reddit, news coverage of disability and education, media access of individuals with disabilities, the logic of memes and
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brain tumour on Twitter, celebrity and Down Syndrome on Instagram, disability in TV drama, the metaphor of disability for the nation as well as an autoethnography of treatment of breast cancer. Providing a much-needed global perspective, Disability, Media, and Representations examines the relationship between self-representation and representations in either reinforcing or debunking myths around disability, and ways in which academic discourse can be differently articulated to study the relationship between media and disability." (Publisher description)
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"Drawing on relevant literature, analysis of North Korean media and information control techniques, and interviews with refugees and defectors, this report argues that a new US information strategy is needed to alleviate the social isolation of the North Korean people and improve their long-term wel
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fare." (About the report)
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"The information and media environment in North Korea continues to evolve quickly. This report demonstrates that the depth and diversity of information and media access channels have grown markedly since the release of A Quiet Opening in 2012. More North Koreans have greater access to a larger varie
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ty of media content and communication devices. However, it is equally clear the North Korean state is determined to regain control of how and what information its citizens access. Rather than attempting to recreate the information blockade and national sequestration of the Kim Il Sung era, the state’s recent technological innovations strongly suggest it is moving toward a new, but no less heavily controlled information environment. This is apparent when we examine current and emerging techniques for censorship, surveillance and integrity preservation across the network, device and human levels." (Conclusion)
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"Das Material für die nordkoreanische Literatur schöpft sich zum allergrößten Teil aus Kim Il Sungs bewaffnetem Revolutionskampf gegen Japan. Schriftsteller und Künstler lassen die Schauplätze der antijapanischen Revolution wiederauferstehen und deren Geist wiederaufleben [...] Dabei hat der I
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nhalt der Literatur - wie auch der Musik und der Kunst - stets Priorität. Die künstlerische Gestaltung ist sekundär. Abstraktion, Phantasie oder Imagination sind nicht möglich. Literatur wird nur dann geschätzt, wenn sie einen gesellschaftlichen Beitrag leistet und im Einklang mit der Parteipolitik steht." (Fazit, Seite 619)
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"Clandestine broadcasts are politically-motivated broadcasts produced by groups opposed to the government of the target country. Other target broadcasts can be produced by either governmental or non-governmental organisations and are targetted at zones of regional or local conflict." (Page 508)
"The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and Sout
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h Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea’s major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea." (Publisher description)
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"Losing Control: freedom of the press in Asia takes us right up to the end of this tumultuous century. It deals with the Chinese media cranking up its latest propaganda campaign, this time against the Falun Gong. It discusses how the Indonesian media lost its way in reporting the tragedy in East Tim
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or. And it comments on how the Cambodian media-or at least parts of it-surprisingly reported the allegations that the Prime Minister's wife had her husband's movie star girlfriend assassinated. The book adopts a country-by-country approach dealing with all the countries in Northeast and Southeast Asia. It does not attempt to sweep across to the sub-continent. It would not be possible to do justice to any discussion of freedom of the press in that region by sandwiching it in between the pages of a book about East Asia. The methodology is based on an underlying assumption: that journalists are best placed to provide the most up-to-date analysis of their own industry. Where possible, local journalists have contributed the country chapters. In some cases a more useful outcome could be achieved by employing foreign correspondents and commentators. Authors have written their chapters using journalistic research tools, such as first hand interviews, as well as more conventional academic methods." (Page 14)
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"Der Autor porträtiert 23 Länder aus sechs Weltregionen. Anschließend bildet er mittels des pragmatischen Differenz-Ansatzes sechs Modelle heraus: Das liberale Modell, das Public-Service-Modell, das Klientel-Modell, das Schock-Modell, das Patrioten-Modell und das Kommando-Modell. Dabei zeigt sich
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: In Ländern wie China, Syrien, dem Iran oder auch Weißrussland fungieren die Medien als Lautsprecher der Herrschenden. In den USA, Brasilien oder auch Deutschland und Frankreich sind sie eher Widersprecher. Doch auch dazwischen gibt es ein breites Feld von Ländern wie Russland, Libanon oder Italien, in denen eine Ambivalenz zwischen Lautsprechern und Widersprechern besteht, deren Kräfteverhältnis sich immer wieder verschieben kann." (Verlagsbeschreibung)
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"For more than half a century, North Korea’s leaders have relied on a domestic media monopoly to control what information North Koreans can access and how narratives around that information are presented. But the situation on the ground is changing, thanks in large part to North Koreans’ expandi
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ng access to unsanctioned foreign media and information sources. InterMedia’s A Quiet Opening: North Koreans in a Changing Media Environment documents this evolution based on research among recent North Korean defectors, refugees and travelers abroad. The project’s assessment of the current state of the media environment in North Korea suggests that substantial numbers of North Koreans are able to access various forms of foreign media. These include foreign TV and radio broadcasts, and particularly foreign DVDs brought into the country from China by cross-border traders and smugglers. Other vectors for information from abroad include smuggled mobile phones capable of receiving foreign signals, and the exchange of illicit foreign content on otherwise legal MP3/MP4 players and USB drives." (www.audiencescapes.org, June 18, 2012)
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