"This reckoning of the academic work that has been published on Nigerian and Ghanaian video films does not include theses and dissertations, of which many have been written. I have included as many books on the subject as possible whatever their character, but in order to make the project manageable
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, when dealing with articles I have had to try to maintain various distinctions: between academic and other kinds of writing, between academic publication and web postings of lectures and conference proceedings, and between articles that have the films as a primary focus and those that merely mention them. I thank the friends and colleagues who have corrected some of my omissions, especially Carmen McCain, Sam Kafewo, Osakue Omoera and Matthias Krings, and beg forgiveness for the rest." (Abstract)
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"This publication updates a 2005 review of communication in Poverty Reduction Strategies (PRS). It includes four country case studies (Ghana, Tanzania, Moldova, and Nepal) and a regional analysis of Latin America and the Caribbean. It explores how the use of strategic communication has expanded beyo
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nd the PRS and is now being integrated into national development planning and implementation. Many of these strategies are shifting their focus from a “dissemination and publicity strategy” to a“communication program” that emphasizes information intervention beyond the traditional campaign, workshop or seminars. Compared with the 2005 review, the main difference is the institutionalization of communication, moving beyond the one-time experience for the first set of PRSs to broader, deeper sustained communication in support of poverty reduction and national development strategies. A second major difference is expanding beyond communication and participation in PRS formulation to PRS implementation, monitoring, and evaluation." (Executive summary)
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"There is abundant evidence of underrepresentation of women as subjects of coverage, but until now there were no reliable, comprehensive data on which to make a clear determination about where women currently fit into the news-making operation or in the decision-making or ownership structure of thei
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r companies. The IWMF Global Report on the Status of Women in the News Media seeks to fill this gap by presenting for the first time sound data on gender positions in news organizations around the world [...] The findings presented in this report, conducted over a two-year period, offer the most complete picture to date of women’s status globally in news media ownership, publishing, governance, reporting, editing, photojournalism, broadcast production and other media jobs. More than 150 researchers interviewed executives at more than 500 companies in 59 nations using a 12-page questionnaire." (Introduction)
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"The African Farm Radio Research Initiative (AFRRI) was a 42-month action research project implemented by Farm Radio International (FRI) in partnership with World University Service of Canada (WUSC), and with the support of the Bill & Melinda Gates Foundation. An estimated 40 million farmers in five
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different countries were served by the AFRRI partnership with 25 radio stations. Farmers engaged in the design and development of farm radio programming were almost 50 per cent more likely to take up agricultural practices deemed to improve their food security than passive listeners. Those in what AFRRI deemed "active listening communities" (ALCs) were 10 times more likely to adopt the practice than those farmers who had no access to the farm radio programs. Farmers demonstrated increased knowledge of agriculture innovations as a result of listening to AFRRI radio programs, with up to 96% of some radio listeners scoring at least 60% on a follow-up knowledge quiz about the promoted farm practices [.] Farmers participate in selecting the focus – or topic – of the radio campaign, choose the time of broadcast, and are intimately engaged in the ongoing development of the farm radio programming over a set number of weeks; including as central agents of the knowledge-sharing process. Lively and entertaining formats are designed to attract listeners. [.] This report presents and discusses the key findings from an in-depth evaluation of 15 round-two Participatory Radio Campaigns (PRCs) – three PRCs in each of the five countries involved in AFRRI. AFRRI examined a mix of radio stations – community, associative, commercial, and state. Tools used for this evaluation included 4,500 household surveys (300 per radio station) in 90 communities, farm visits and field measurements, key informant interviews, and collection of secondary data (from other sources, such as national agricultural extension services)." (Executive summary, page 5)
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"Farmers require varying marketing information, depending on their location, local market conditions, crops, production activities, and cultural practices. Radio has the capacity to reach a large audience, and can provide an integrated approach to market information, incorporating all these elements
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in its programming. Radio can help farmers link to new markets and buyers, strengthen their ability to negotiate prices and help them adapt crops to meet demand. Private sponsorship that emerged in response to the popularity of MIS radio programs suggests a sustainable funding model is possible. A survey of approximately 1000 household representatives living in listening communities showed that an average of 64.8% of respondents were aware of the MIS radio programs, and 84% of those who listened found the MIS radio programs to be 'very useful." (Executive summary, page 5)
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"Low cost, modern information and communication technologies (ICTs), including mobile phones, multifunction MP3 recorders, and interactive voice response (IVR) can dramatically increase the capacity of rural radio to help farmers improve food security in Sub-Saharan Africa. Weekly SMS alerts sent to
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the phones of listeners 30 minutes prior to a broadcast can boost radio campaign listenership by up to 20%. Two-thirds of partner broadcasters identified the internet as the most important ICT tool in the production of farm radio programs. Farmers who participated in the design and implementation of radio programming with the help of ICTs were four times more likely than those in passive listening communities to adopt agricultural improvements promoted on the radio. 61% of extension agents surveyed said the reach and impact of their extension work was substantially improved because they could be heard on radio programs through call-out programs." (Executive summary, page 5)
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"This article deals with entertainment in the neo-liberal age. The key aim is to describe the emerging brokering practices of certain entrepreneurs within the entertainment industry in Ghana, and to explore the effects of these practices. On the one hand these entrepreneurs receive sponsorship from
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major transnational corporations, in order to produce reality TV shows and major entertainment events. The shows are meant to appeal to the target market of the corporate sponsors, and in this way these entrepreneurs fill the role of a power broker. On the other hand, the entrepreneurs also fill the role of a culture broker as they try to tune into a larger market by producing entertainment that is aimed to be popular not only in Ghana, but to a larger market across Africa. In this article I refer to this shift in style of entertainment as a shift towards an Afro-Cosmopolitan style of entertainment. The strategic epicentre for the fieldwork of this study is one of Ghana’s major production houses, Charterhouse Productions." (Abstract)
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"The report presents key findings of the research in six countries: Ethiopia, Ghana, Kenya, Tanzania, Uganda and Zimbabwe. Findings were that most people believe public libraries have the potential to contribute to community development in important areas such as health, employment and agriculture.
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However, libraries are small and under-resourced, and most people associate them with traditional book lending and reference services, rather than innovation and technology." (https://www.eifl.net)
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"This article takes a critical look at Ghana’s rapidly evolving broadcasting scene and in particular at the expansion and popularity of religious broadcasting. Sketching the developments of the Ghanaian media landscape, it analyses the changing politics of representing religion in this field. The
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much-celebrated processes of media deregulation and democratization, and the new opportunities for ownership, production, and participation they entail, have led to a dominance of Pentecostalism in the public sphere. While this development has been analysed from the perspective of churches and pastors, this article explores the intertwinement of commercial media and Pentecostalism from the perspective of a number of private media owners and producers in Accra. Whether these media entrepreneurs are themselves Pentecostal or not, they all have to deal with, and commercially exploit, the power and attraction of Pentecostalism. Their experience that commercial success is hardly possible without Pentecostalism makes clear that the influence of Pentecostalism in the Ghanaian public sphere reaches way beyond media-active pastors and born-again media practitioners, and invites us to rethink the relationship between media, business and religion." (Abstract)
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"This study assesses the impact of the African Charter on Broadcasting, a blueprint for broadcasting reform in Africa, approved in 2001 at a conference of media practitioners and freedom of expression advocates held in Windhoek, Namibia. The geographical focus of this study is five countries in West
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Africa - Ghana, Mali, Niger, Nigeria and Senegal. The purpose of the study is to contribute to the strengthening of pluralistic media and the democratization of communication in countries in transition in West Africa. Its observations and recommendations are also of relevance to those engaged more widely in media reform advocacy and democracy promotion as well as scholars of broadcasting law and policy." (Introduction, page 13)
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"Radio has been called ‘Africa’s medium’. Its wide accessibility is a result of a number of factors, including the liberalisation policies of the ‘third wave’ of democracy and its ability to transcend the barriers of cost, geographical boundaries, the colonial linguistic heritage and low l
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iteracy levels. This sets it apart from other media platforms in facilitating political debate, shaping identities and assisting listeners as they negotiate the challenges of everyday life on the continent. Radio in Africa breaks new ground by bringing together essays on the multiple roles of radio in the lives of listeners in Anglophone, Lusophone and Francophone Africa. Some essays turn to the history of radio and its part in the culture and politics of countries such as Angola and South Africa. Others – such as the essay on Mali, gender and religion – show how radio throws up new tensions yet endorses social innovation and the making of new publics. A number of essays look to radio’s current role in creating listening communities that radically shift the nature of the public sphere. Essays on the genre of the talk show in Ghana, Kenya and South Africa point to radio’s role in creating a robust public sphere. Radio’s central role in the emergence of informed publics in fragile national spaces is covered in essays on the Democratic Republic of Congo and Somalia. The book also highlights radio’s links to the new media, its role in resistance to oppressive regimes such as Zimbabwe, and points in several cases – for example in the essay on Uganda – to the importance of African languages in building modern communities that embrace both local and global knowledge." (Publisher description)
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"Journalism training can make an important contribution to the quality of journalism and the ability of journalism to fulfill its basic missions. This study focused on the impact on business and economics reporting, an area where few journalists have adequate training, and where on-the-job training
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is unlikely to suffice. But even in this technical area, journalism training can have general benefits. It can enhance a sense of professionalism, and at least an awareness of professional ethics. It can expose reporters to ideas, concepts, and people that they otherwise would not have access to. Such contacts can be particularly important in ensuring adequate coverage of complex topics. It can help them build contacts more broadly in the journalism community and promote networking which could lead to doing stories together. If properly reinforced by editors and colleagues upon returning to their publication/media outlet it can lead to more sophisticated coverage which touches on subjects they might not have written on before. But such training will have only a piecemeal effect. Most of the problems facing African journalism cannot be addressed by journalism training alone. Journalists may know that they should not receive money from sources, but with limited pay, they may see no alternative. The quality of journalism rests, of course, on the quality of the labor force that they have access to, and that means there needs to be more investment in secondary education. But more than an educated and trained labor force is required: for African media to improve rapidly, more funding—entailing new business models—and a better legal climate are necessary." (Conclusion, page 108-109)
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"Kritischer Journalismus kann in Gemeinschaftsmedien die zivile Gesellschaft stärken. Voraussetzung dafür wären jedoch ausreichende finanzielle Ressourcen und ein unbestechliches journalistisches Rollenverständnis. Ein Erfahrungsbericht aus der lokalen Radiostation Arise FM in Ghana." (Einleitun
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g)
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"Community radio is well recognized as a powerful vehicle for advocacy and social change in Africa, but its use in the field of climate change has remained very limited, and then largely for top-down transmission of information to communities. This article discusses lessons learned to date from the
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Climate Airwaves, an initiative aimed at developing new approaches for supporting community radio broadcasters to investigate, communicate, and engage in broader debates on the impacts of climate change on vulnerable communities in Ghana. It also discusses in depth the central role that action research aimed at effecting social change plays in this particular initiative, and in climate justice initiatives more broadly. Lessons learned to date have highlighted the challenges of addressing complexity and uncertainty appropriately, the importance of framing climate change in the context of rights and responsibilities, the role of sustainable partnership models, and how this work can contribute to broadcasters‘ and communities‘ longer-term visions of change." (Abstract)
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"This issue of Australian Religion Studies Review examines the intersection of religion and celebrity, both major discourses in the modern world. The six articles examine the imbrication of celebrity with: three traditional religions, Christianity, Islam and Buddhism; the new religion of Candomblé;
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and contemporary spiritual trends such as spiritual tourism, secular equivalents of religion like the Olympic Games, and the veneration of sports stars by fans. The study of the impact of celebrity on religion is still in its infancy, and the contributions to this special issue of Australian Religion Studies Review demonstrate both the rich results that such studies can yield, and the range and diversity of subjects that would repay future research." (Page 227)
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"L'Afrique dans son ensemble : 28 chapitres présentant le continent par rapport au reste du monde. Tous les aspects de la géographie physique : relief, hydrographie, climat, végétation, et aussi l'histoire, les religions, les langues. L'Afrique par régions. Les cartes de localisation avec visua
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lisation géopolitique aisée, toponymie française et toponymie des Nations unies, indexation. L'Afrique pays par pays. Par ordre alphabétique les cinquante-quatre Etats du continent et les territoires dépendants (La Réunion, Mayotte, Ceuta et Melilla, etc...) - Nombreuses cartes illustrant : relief, hydrographie, agriculture, pêche et élevage, commerce, industries et ressources du sous-sol." (Description de la maison d'édition)
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"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
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texts and contexts that inform a national cinema here. The thesis takes as a point of departure the broader political, cultural and aesthetic nuances of filmmaking in Africa and then focuses on the specific case of Ghana. The literature available on cinema in Africa suggest heterogeneous and complex practices which implicate serious political and cultural discourses, but also offer the mundane entertainment value often associated with popular cultural products. Cinema in Ghana begins by questioning African cinema, and opens up complex discourses of identity, ownership, cultural mediation, industrial and economic practices and the influence of globalisation on the iconography of African films. To understand African cinema is to interrogate issues of ideology, narrative, aesthetics, the economics of ownership and the role or social value of the cinematic product. This thesis is an attempt to identify a national cinema in Ghana as a microcosm of cinema in Africa." (Abstract, page 4)
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"Popular Media, Democracy and Development in Africa examines the role that popular media could play to encourage political debate, provide information for development, or critique the very definitions of 'democracy' and 'development'. Drawing on diverse case studies from various regions of the Afric
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an continent, essays employ a range of theoretical and methodological approaches to ask critical questions about the potential of popular media to contribute to democratic culture, provide sites of resistance, or, conversely, act as agents for the spread of Americanized entertainment culture to the detriment of local traditions. A wide variety of media formats and platforms are discussed, ranging from radio and television to the Internet, mobile phones, street posters, film and music." (Publisher description)
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