"The book brings together a range of community peacebuilding experiences that apply open and distance learning. The emphasis on community requires distance educators to change focus. The book addresses how to help a community articulate its own purposes for learning and then support it in achieving
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them. The role of radio, video and audio recordings to carry stories to larger audiences is explored. By raising expectations and challenging assumptions, use of these media can be catalysts that accelerate other processes of change." (Publisher description)
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"In den vergangenen Jahren hat Ghana einen großen Sprung gemacht, was die Achtung der Pressefreiheit und der Menschenrechte betrifft. Aber eine grundlegende qualitative Verbesserung der Medienlandschaft würde beinhalten, dass sich die Journalisten ihrer verantwortungsvollen Rolle in einer Demokrat
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ie bewusst sind und sich nicht nur an den Vorgaben der beiden großen Parteien orientieren." (Einleitung)
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"Outside the West, religion is an ever more prominent force in social and political movements of both reform and retrenchment. Across these contexts, no issue in religion is of as much concern as fundamentalism - or rather the fundamentalisms within various traditions - which are seen to be fomentin
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g religious, social, ethnic, and political tension and conflict. The contributions to this volume represent the first effort to look at ‘fundamentalisms’ and the ‘media’ together and address the resulting relations and interactions from critical perspectives of history, technology, geography, and practice." (Publisher description)
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"This book is about the many ways in which mobile phones are being appropriated by Africans and how they are transforming and are being transformed by society in Africa. A case study from Karthoum (Sudan) shows, how mobile phones are reshaping relationships in a Muslim society, where they enable wom
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en to organize their lives more independently. In Cameroon, the mobile allows traditional healers to assist sick people who are originally from their area but are now far away, sometimes even in Europe or the USA. Another study from Burkina Faso highlights the growing importance of text messaging - as contrary to the overstated orality both of African societies and of the mobile phone. The nine chapters in this volume all show aspects of an emerging mobile culture, be it the linkage between the rural and the urban in Burkina Faso, the youth in Ghana or traders in Tanzania. In all of these, the authors observe a reshaping of social and economic hierarchies in society. Based on the illustrative case studies and its multi-dimensional approach this book is highly recommended reading." (CAMECO Update 3-2009)
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"This book examines the incorporation of newly accessible mass media into practices of religious mediation in a variety of settings including the Pentecostal Church and Islamic movements, as well as the use of religious forms and image in the sphere of radio and cinema." (Publisher description)
"This report is intended to serve as a guide for organizations considering establishing journalist-training programs in Nigeria, Ghana and Uganda. The report provides an overview of the challenges and opportunities in the journalism profession in these three countries. Generalizations across countri
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es are difficult. Thus, we encourage anyone making use of this report for program planning to consider the findings on each country as a distinct entity." (Executive summary)
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"This article explains the change in radio programming in Accra, Ghana, in terms of the concepts of hybridization, hegemony, and the public sphere. It argues that private radio has transformed communication among linguistically and ethnically diverse groups of people. It discusses how local language
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use, especially Akan, on radio has assumed national significance, by examining the dynamics of the use of local language by private radio to reach a linguistically diverse audience. And it makes the claim that this approach to radio programming has improved and expanded the democratic function of the electronic voice medium." (Page 161)
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"In this article I primarily focus upon locally produced television serials (also called maboke, théâtre populaire, or télédramatiques), which constitute one important genre that help to spread what some describe as the Pentecostalist ideology. The main theme of Kinshasa’s post-millennial tele
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dramas is the spiritual battle (Li. litumba ya molimo). They show how the Devil and his accomplices (demons and witches) operate in the material world and thus combat the Christian God. Witches, fools and pastors are the main protagonists of the teleserials. The programmes often conclude with confessions and deliverances. Such rituals are connected with understandings of evil and culturally accepted means of restoration and purification. The moral progression of the serials’ protagonists reflects a didactic purpose, showing the audience how to become a good Christian and how to hold strong in the spiritual battle (Pype 2008). Special effects are deliberately deployed to make manifest the hidden workings of occult practitioners and the miraculous effects of prayers, deliverance rituals and Christian expertise. With regard to the serials’ format, the insertion of Christian songs at the beginning and ending of the episodes, the dropping of Biblical verses into scenes and display of Bible verses in the corners of the screen during the broadcasts indicate the Christian character of Kinshasa’s teleserials. All these characteristics relate both to the instructive goal of the serials and to the intentions of the dramatic artists to create a mood among the audience to watch the programs as divine lessons. As most of Kinshasa’s evangelising artists state, they aim at bringing a spiritual awareness to the audience. They also hope to transmit spiritual knowledge via the interplay of the fictitious narrative, the power of the Word (activated through the multiple Bible verses that are pronounced) and the image (special effects such as visualisations of the occult). The main questions addressed here are how, why and when Kinshasa’s television serials have acquired this Pentecostalist character. I approach Kinshasa’s teleserials not at all as quasi-timeless symbolic documents but as cultural products that carry a history embedded in the significant political and cultural processes Kinois have witnessed." (Page 133)
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"This study reviews and analyses what has already been documented on the links between radio-based communication strategies and rural development outcomes, particularly with regards to smallholder farming and food security outcomes. The report explores best radio practices, including issues related
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to optimal formats, schedules, production qualities, and station management, based on 17 case studies from India, the Philippines, Tanzania, Mali, Malawi, Mozambique, Ghana, and South Africa. The key findings include: testimonials and jingles facilitate the best recall and comprehension of messages (Philippines); radio forums strengthen rural decision-making structures (Tanzania); radio programmes created by communities attract high listenership (Malawi); and farm radio is more effective when linked with new information and communication technologies (Ghana). The research also identified some knowledge gaps: the lack of evaluation as an integrated element in radio campaign planning; the need to conduct regular audience surveys; the limited use of non-participatory effectiveness studies and the limited scope of evaluations focusing on the impact of just one or two programmes." (CAMECO Update 5-2008)
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"This study claims to be one of the first attempts to explore the field of radio economics in rural Africa. Based on in-depth questionnaires filled in by 15 radio stations in Uganda, Tanzania, Malawi, Ghana and Mali, it found that the costs vary widely according to the type of ownership, i.e. public
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, commercial or community radio. The average start-up costs fluctuate between $50,000 and 100,000. The annual operating costs range between $20,000 to $540,000 for public broadcasters, $2,500 to $930,000 for commercial stations and $2,500 to $286,000 for community stations. The costs of programming are largely dependant on the level of interactivity of the programme format, the accessibility of additional resources to produce specialised programmes, and the type of station producing the programme. The study found that community stations tended to invest more resources in interactive programming with community involvement and less on in-studio formats. The sale of airtime is important revenue for most stations. There is no shortage of investment for starting up radio stations (in particular community radios), but the common challenge remains the sustainability beyond the initial investment." (CAMECO Update 1-2009)
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"The essays in this volume reflect a wide-range of issues and concerns related to children’s media culture in Africa. For example, several address the role of entertainment television in Addis Abba, Ghana, South Africa, Kenya, and Zambia and in the lives of Muslim children. Other essays introduce
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us to children-centered media from Ghana, South Africa, and Zimbabwe, and the innovative programs of PLAN-International. In addition to entertainment media and children-centered media, media education and digital media literacy are also discussed." (Publisher description)
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