"This book argues that indigenous modes of communication - for example the oral tradition, drama, indigenous entertainment forms, cultural modes and local language radio - are essential to the societies within which they exist and which create them; and that coupled with newer, or modern forms of co
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mmunication technology such as the internet and digitised information, endogenous modes of communication are paramount to the processes of human development in Africa." (Publisher description)
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"In this article I examine the elective affinity between Pentecostalism and the vibrant video-film industry that has flourished in the wake of Ghana’s adoption of a democratic constitution. I argue that, as a result of the liberalization and commercialization of the media, a new public sphere has
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emerged that can no longer be fully controlled by the state but that is increasingly indebted to Pentecostalism. Pentecostalism and video-films come together and articulate alternative, Christian imaginations of modernity. Seeking to grasp the blurring of boundaries between religion and entertainment, I examine the pentecostalite cultural style on which these alternative visions thrive. My main concern is to investigate the specific mode through which Pentecostal expressive forms go public, thereby transforming the public sphere." (Abstract)
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"In this essay I have tried to show how, by taking as point of departure an understanding of religion as a practice of mediation, Pentecostalism has increasingly ‘taken place’, so to speak, in the public sphere as a result of Ghana’s turn to democracy and the liberalization and commercializati
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on of the media. Relatively undisturbed by the state, but all the more indebted to the emerging image-economy, Pentecostalism has spread in space, disseminating signs and adopting formats not entirely of its own making, and been taken up by popular culture. In the entanglement of religion and entertainment new horizons of social experience emerged, thriving on fantasy and vision and popularizing a certain pentecostally oriented mood. This movement of spatial extension, as I tried to show, is at times criticized from within, as pastors and believers fear to loose control. Yet, the fact that, on the level of experience, distraction and devotion are kept apart cannot be summoned in defense of an ontological difference between cinema and church, entertainment and religion. At the same time it would be too easy to simply write off the public appearance of Pentecostal-derived images as mere entertainment, as if the format of entertainment would completely absorb the religious and, in a sense, put an end to religion. The point is that in Ghana, Pentecostalism is alive and kicking exactly because it casts religion in a new (postmodern?) form, which is geared to mass spectatorship and part and parcel of Zerstreuung. Zerstreuung is meant here in the sense of ‘the dispersed, centrifugal structure of mass phenomena’ (Weber 1996: 94) which, as Benjamin showed, is condensed in the technology of film as it blows apart the prison of metropolitan space by ‘the dynamite of the tenth of a second’ and offers adventurous travelling among the ruins (1978:236), and puts together its imaged elements under new laws, which require new ways of reception that parallel the process of recording." (Conclusion)
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"The result of a workshop held during the Standing Conference of Eastern, Central and Southern Africa Librarians (SCESAL) held in Johannesburg in April 2002, this volume reviews current reader development activities by public libraries in different regions of Africa. It includes accounts and case st
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udies by contributors from Ghana, Kenya, Nigeria, South Africa, Tanzania, Uganda and Zambia, covering predominantly work with children, but with three papers devoted to adult reader development. An introduction provides a summary of the papers, and reviews factors such as availability and accessibility of relevant books, the importance of building partnerships with other interested sectors, aspects of training, monitoring and evaluation, and the need for the establishment of reader development policies." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2213)
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"This wide-ranging dissertation examines the policies and practices of six sub-Saharan Africa university presses in five African countries (in Ghana, Kenya, South Africa, Zambia and Zimbabwe), to investigate how far the presses have adopted, and/or have adapted, their policies to suit the environmen
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t and special needs of Africa. The study examines the extent to which current constraints impede their publishing activities and publishing strategies. The author finds that there is “a serious absence of competition and cooperation between the presses surveyed”, lack of aggressive fund raising strategies, together with weak or non-existent policies for commissioning and list building, and without a clearly defined subject focus. The author also examines the various strategies adopted by the presses to adapt to the rapidly changing scholarly communications environment. In his conclusions he recommends the setting-up of a continent-wide consortium of African university presses, with each press “to operate as a Trust in order to enjoy autonomy as a private company, but be registered as a non-profit organization.” The author calls for more active collaboration among African scholarly presses (including joint publishing ventures, sharing of resources and expertise, reciprocal distribution, etc.); much stronger emphasis on the use of new technology, particularly print-on-demand; makes some suggestions regarding possible sources of funding for the presses, and recommends further research into the effect of ICTs on university press publishing in Africa." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2281)
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"In these two volumes, readers will find comparative, in-depth essays on the press systems of 232 countries and/or territories. World Press Encyclopedia (WPE) is unique and valuable to users because, in addition to essays on each country’s press system, WPE also contains custommade graphs and stat
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istical tables, as well as regional maps, useful appendices, and an extensive index. This comprehensive, authoritative source of information allows for easy comparison between essays with a standard format or set of “rubrics” used whenever possible (see section titled “Essay Components”). Each essay also features basic data information—such as official country name, literacy rate, language(s), and number of daily newspapers—clearly marked with headings at the beginning of each entry. Additionally, WPE’s contributors include scholars, professionals, and educators from across the United States and around the world; each essay has a byline. Although this is the second edition, WPE has been completely reconceptualized and 100 percent revised from the first edition, which was published in 1982." (Introduction)
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"In many parts of Africa, charismatic-Pentecostal churches are increasingly and effectively making use of mass media and entering the public sphere. This article presents a case study of a popular charismatic church in Ghana and its media ministry. Building on the notion of charisma as intrinsically
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linking religion and media, the aim is to examine the dynamics between the supposedly fluid nature of charisma and the creation of religious subjects through a fixed format. The process of making, broadcasting and watching Living Word shows how the format of televisualisation of religious practice creates charisma, informs ways of perception, and produces new kinds of religious subjectivity and spiritual experience. Through the mass mediation of religion a new religious format emerges, which, although originating from the charismatic-Pentecostal churches, spreads far beyond and is widely appropriated as a style of worship and of being religious." (Abstract)
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