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Native on the Net: Indigenous and Diasporic Peoples in the Virtual Age

Kyra Landzelius (ed.)

London; New York: Routledge (2006), xi, 338 pp.

"From the Taino Indians of the Caribbean, the U’wa of the Amazon rainforest, and the Tunomans and Assyrians of Iraq, to the Tingas and Zapatistas, Native on the Net is a lively and intriguing exploration of how new technologies have enabled these previously isolated peoples to reach new levels of ... more

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Auslandsmärkte als Chance: Die deutsche ITK-Wirtschaft

Berlin: Bundesverband Informationswirtschaft, Telekommunikation und neue Medien (BITKOM); Auswärtiges Amt (2006), 498 pp.

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Religious Remediations: Pentecostal Views in Ghanaian Video-Movies

Birgit Meyer

Postscripts, volume 1, issue 2-3 (2005), pp. 155-181

"This article addresses the interface of video-films and Pentecostal-Charismatic Christianity in Ghana. This interface, it is argued, needs to be examined from a position that transcends the confines of film studies and religious studies and leaves behind a secularist perspective on the relationship ... more

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Mediating Religion and Film in a Post-Secular World

Stephen Hughes, Birgit Meyer (eds.)

Postscripts, volume 1, issue 2-3 (2005), pp. 149-374

"This special issue seeks to explore the common ground shared by practices of filmmaking and religious institutions located within postcolonial settings and increasingly linked in global infrastructures. The articles presented here converge in combining theoretical reflections about the interface of ... film and religion with specific examples or historical and ethnographic cases. Written by authors with backgrounds in film studies, religious studies, and anthropology, the contributions to this multidisciplinary issue are based on two common, more or less explicit, points of departure. One concerns the realization that the actual entanglement of religion and film highlights the limitations of a modernist view proclaiming the retreat of religion from the public sphere as an inevitable consequence of the processes of modernization and secularization. In our perspective, the interface of film and religion can more fruitfully be addressed from a postsecularist perspective, which seeks to overcome the unproductive, teleological, and normative understanding that religion should be confined to the private sphere. As the contributions to this issue show, in contexts as diverse as India, Ghana, Nigeria, Brazil, and postsocialist Poland, the accessibility of modern mass media in conjunction with the politics of neo-liberalism actually facilitate the proliferation of religion in the public sphere. This implies not only that religions may assume a strong public presence, but also that religion and entertainment are increasingly difficult to distinguish from each other. For example, as Maria José de Abreu shows, the Catholic Charismatic priest, pop-singer, and film actor Marcello Rossi embodies this convergence. Not only has film become a prime medium of religious expression, films also often address a religious audience which in turn is seen to authorize audiovisual representations of the transcendent or divine as truthful and authentic. Ravi Vasudevan argues here how Hindu devotional films represented their own religious spectators as a kind of selfauthenticating redefinition of the social with the divine. Whether this authorization actually occurs, as the articles by Birgit Meyer on Ghanaian pentecostally-oriented video-films and by Matthias Krings on Hausa videos in Northern Nigeria show, is a matter of an intense politics and aesthetics of persuasion that may or may not be successful. While in our era of globalizing media the condition of the possibility for religion to assume a public role appears to depend on the successful accommodation of filmic media, the incorporation of such media also threatens to transform religious practice into a form of mass entertainment. The fear of being made subject to superficial visual regimes, as the articles by Mattijs van de Port and Marleen de Witte highlight, may lead religious practitioners to be highly suspicious about the formats and styles that go along with audiovisual mass media. In addition to this postsecular stance, the articles presented in this special issue also share a commitment to moving beyond the assumption of an ontological difference between religion as a domain of the transcendent, on the one hand, and film as a domain of neutral technology, on the other. In this regard, we prefer the notion of mediation as a more open-ended, non-determinist solution for exploring the multiple relationships between religion and film. For example, once religion is understood as a practice of mediation, media appear not as alien to the realm of religion, but as an inalienable element on which any attempt to access and render present the transcendental ultimately depends. By using “mediation” we hope to shift our emphasis away from religion and film as abstract substantialized essences towards a non-dualist emphasis on the relational and contingent practices in which film and religion overlap and engage each other. Brent Plate, in his contribution to this issue, coins the term “religious cinematics” to stress explicitly this point where religion and film merge through the embodied practices of the human senses." (Guest Editors’ Preface, pages 150-151) more

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Gender and ICTs for Development: A Global Sourcebook

Minke Valk, Sarah Cummings, Henk Van Dam (eds.)

Amsterdam; Oxford: Royal Tropical Institute (KIT); Oxfam (2005), 143 pp.

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Régulation des communications électroniques à l'heure de la convergence: Enjeux, état des lieux et perspectives en Afrique de l'Ouest et du Centre

Diana Senghor (ed.)

Dakar: Panos Afrique de l'Ouest (2005), 102 pp.

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Changing Public-Private Partnerships in the African Book Sector

Paul Brickhill, Chris Chirwa, Bengt Lindahl

Oxford: African Books Collective (2005), xiv, 264 pp.

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Speaking African on the Radio: Impact Assessment Survey of FM / Community Radios Using African Languages in Ghana, Mali and Senegal

Kwesi Kwaa Prah

Cape Town: Center for Advanced Studies of African Society (CASAS) (2005), 77 pp.

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Community Television for the Poor: A Scoping Study. Final Technical Report

S. Batchelor, N. Scott, G. Eastwick

Reading; London: Gamos; Department for International Development (DFID) (2005), 90 pp.

"The research was informed by desk research, two technical reviews and a stakeholder consultation in four countries – Honduras, South Africa, Tanzania and Ghana. It proved very timely as it contributed significantly to ongoing consultations in South Africa and Tanzania. In South Africa ICASA annou ... more

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Ghana Broadcasting Study: A Report for the Government of Ghana and the World Bank

Washington, DC: World Bank (2005), vi, 102 pp.

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With the Support of Multitudes: Using Strategic Communication to Fight Poverty Through PRSPs
Deep Insights

Key Guides

Masud Mozammel, Sina Odugbemi

Washington, DC; London: World Bank, Development Communication Division; Department for International Development (DFID) (2005), 144 pp.

"This publication has been produced in order to improve the chances of success of Poverty Reduction Strategies (PRSs) in two ways: 1. To show policymakers how strategic communication can help them to achieve some of their objectives in formulating and executing effective Poverty Reduction Strategies ... more

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Tuning In: An Inventory of Rural FM Radio in Ghana

Nikki Whaites

Guelph: University of Guelph, Master Thesis (2005), 151 pp.

"This study is an exploratory analysis of FM Radio in Sub-Sarahan Africa with Ghana as the single case study. It seeks to describe the current situation of rural radio in the country including levels of rural development programming and community participation. Analysis focuses on the three main sec ... more

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Indigenous Communication in Africa: Concept, Application and Prospects
Deep Insights

Kwasi Ansu-Kyeremeh (ed.)

Accra: Ghana Universities Press (2005), xvi, 282 pp.

"This book argues that indigenous modes of communication - for example the oral tradition, drama, indigenous entertainment forms, cultural modes and local language radio - are essential to the societies within which they exist and which create them; and that coupled with newer, or modern forms of co ... more

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The Press and Political Culture in Ghana

Jennifer Hasty

Bloomington: Indiana University Press (2005), 189 pp.

"Hasty decodes the styles and uncovers the strategies that characterize Ghana's major printed news media, focusing on the differences between news generated by the state and news that comes from private sources. Not only are the angles radically different, but so are ways of gathering the news, assi ... more

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"Praise the Lord": Popular Cinema and Pentecostalite Style in Ghana’s New Public Sphere

Birgit Meyer

American Ethnologist, volume 31, issue 1 (2004), pp. 92-110

"In this article I examine the elective affinity between Pentecostalism and the vibrant video-film industry that has flourished in the wake of Ghana’s adoption of a democratic constitution. I argue that, as a result of the liberalization and commercialization of the media, a new public sphere has ... more