"The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military o
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dds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination." (Publisher description)
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"As academia, development experts and policy-makers have continued to search for the right mix of technology, methodology, easy-to-use and understandable scientific elements and infrastructure that would suit the nation’s peculiar circumstances towards meeting her developmental needs. This situati
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on, no doubt, calls for adaptation of social media’s unique opportunities and adjustment of its weaknesses to aptly blend with the forces of innovation and ability of cultural and behavioural changes. Concerted efforts are required of the Nigerian government and its agencies in awakening the consciousness of the citizenry to integrate social media culture into the mainstream of Nigerian culture so as to produce positive changes that are evidences of sustainability." (Abstract)
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"Bamako adults are avid news users; 92.5% say they receive news from television, radio, the Internet or newspapers at least once a week; 78.4% report they receive news from these sources at least once a day. Mobile phone, radio, and television ownership is widespread in Bamako. Nine in 10 Bamako adu
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lts say they have a mobile phone in their household, 86.6% report owning a radio, and 83.8% say they have a working television. Bamako adults are most interested in the topics of religion (93.1%), health and healthcare (89.8%), and education (89.0%). Bambara is the preferred radio broadcast language. It is also the most commonly understood language (99.3%), and the language the majority of those adults (99.4%) report they would understand in a newscast." (Page 1)
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"The Internet will generate economic growth and social transformation in six sectors in particular: financial services, education, health, retail, agriculture, and government. In financial services, for example, M.Pesa's mobile money solutions have brought millions of Kenyans onto the financial grid
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for the first time. Remote diagnostics are expanding medical services to rural areas that have few healthcare professionals. Students are beginning to learn with new digital education tools, and e-government initiatives are connecting citizens with services. This report examines the progress and potential of the Internet in 14 economies that together make up 90 percent of Africa's GDP. In addition to measuring the size of their current Internet economies, it evaluates the strength of five fundamental pillars of Internet readiness: national ICT strategy, infrastructure, business environment, access to financial capital, and the development of ICTrelated human capital. By combining these factors, it is possible to map each country's progress on its digital journey. Kenya and Senegal, for instance, are not Africa's largest economies, but they have nevertheless emerged as the continent's leaders in terms of the relative economic contribution of the Internet." (Executive summary)
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"This book provides an in-depth comparative analysis of inequality and the stratification of the digital sphere. Grounded in classical sociological theories of inequality, as well as empirical evidence, this book defines “the digital divide” as the unequal access and utility of internet communic
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ations technologies and explores how it has the potential to replicate existing social inequalities, as well as create new forms of stratification. The Digital Divide examines how various demographic and socio-economic factors including income, education, age and gender, as well as infrastructure, products and services affect how the internet is used and accessed. Comprised of six parts, the first section examines theories of the digital divide, and then looks in turn at: highly developed nations and regions (including the USA, the EU and Japan); emerging large powers (Brazil, Russia, India, China); Eastern European countries (Estonia, Romania, Serbia); Arab and Middle Eastern nations (Egypt, Iran, Israel); under-studied areas (East and Central Asia, Latin America, and sub-Saharan Africa)." (Publisher description)
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"Mottonyms are both inscriptions, based on people’s experiences, on Ghanaian commercial vehicles and ‘names’ by which drivers of such vehicles are called. Prior research on mottonyms implicitly affirms how these inscriptions are embedded in human interpersonal relationships and on careful refl
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ection, in personal social experience. Guided by a phenomenological perspective, I explore, through interviews with vehicle owners, the specific life experiences that spurred them to coin these mottonyms. Overall, I analyze two major themes about drivers’ incentives for their inscriptions: innuendo mottonyms and philosophical mottonyms. Through this research, I respond to recent calls for a phenomenological approach to investigate media uses in everyday life (Moores 2009). This approach provides a grounded understanding into “embodied sets of activities that humans perform with varying degrees of regularity, competence and flair” (Postill 2010: 1). Thus, it helps us understand how cultural forms are not just “mental, meaningful circulation of ideas” (Zito 2008: 71) but concrete mediated practices. Furthermore, the paper responds to scholars’ advocacy for a broader understanding of ‘media’ that transcend narrowly defined traditional mass media formats (Downing 1996), and novel ways of examining such formats (Moores, 2009; Meyer, 2009)." (Abstract)
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"The current UIS Questionnaire on Media Statistics provides information for three UNESCO frameworks, namely the Media and Information Literacy Framework, the Media Development Indicators Framework and the Framework for Cultural Statistics. The questionnaire collects data for reporting global progres
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s on Action Lines C2, C3, C8 and C9 of the World Summit on Information Society (WSIS) in UNESCO’s fields of competencies. In particular, Action Line C9 recommends appropriate policies to foster and sustain media and information development. This document provides country profiles for each of the countries that participated in the two pilot surveys conducted in 2011 and 2012." (Background, page 3)
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"Freedom House has conducted a comprehensive study of internet freedom in 60 countries around the world. This report is the fourth in a series and focuses on developments that occurred between May 2012 and April 2013. The previous edition, covering 47 countries, was published in September 2012. 'Fre
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edom on the Net 2013' assesses a greater variety of political systems than its predecessors, while tracing improvements and declines in the countries examined in the previous editions. Over 70 researchers, nearly all based in the countries they analyzed, contributed to the project examining laws and practices relevant to the internet, testing the accessibility of select websites, and interviewing a wide range of sources. Of the 60 countries assessed, 34 have experienced a negative trajectory since May 2012." (Page 2)
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"GISWatch 2013 shows that gains in women’s rights made online are not always certain or stable. While access to the internet for women has increased their participation in the social, economic and governance spheres, there is another side to these opportunities: online harassment, cyberstalking, a
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nd violence against women online all of which are on the increase globally." (www.giswatch.org, July 6, 2014)
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"Out of the twelve countries surveyed, only four have specific access to information laws. These countries are: Nigeria, South Africa, Uganda, Zimbabwe. However, a significant indication of the shifting tide on the continent is that six of the countries surveyed have some form of specific access to
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information in a Bill or parliamentary process. These countries are: Democratic Republic of Congo, Kenya, Malawi, Senegal, Tanzania, Zambia." (Page 5)
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"This article attempts to highlight a new perspective on African audiences’ engagement with global media and point to new postulates in audience research. It briefly reviews key reception theories, ranging from the effects tradition to active audience paradigm and encoding-decoding model. It then
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offers a case study on Northern Nigerians’ interactions with international media, particularly the BBC World Service, to unveil the patterns and consequences of such interactions. The mainly Muslim Northern Nigerians were found to be high consumers of western media products, especially the BBC’s, but with high level of selectivity. Although they regard BBC as the most credible broadcaster that aids their understanding of international affairs and influences their everyday lives, they still see it as a western ideological instrument that portrays the West positively and depicts the Islamic world and Africa negatively. The findings reveal patterns and particularities of postcolonial audiences’ consumption of transnational media that suggest new theoretical postulates in reception research. They indicate the audiences’ tendency to exhibit a phenomenon of ‘selective believability’ in their interactions with international media. They also highlight the mediating roles of religion, culture, ideology and other extra-communication factors in such interactions, and identify the dynamics of credibility and believability. Credibility appears to be a necessary but not sufficient condition for believability in audiences’ consumption of dissonant messages." (Abstract)
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"African Video Movies and Global Desires is the first full-length scholarly study of Ghana's commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstan
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ces of dire shortage and scarcity, African video movies narrate the desires and anxieties created by Africa's incorporation into the global cultural economy. Drawing on archival and ethnographic research conducted in Ghana over a ten-year period, as well as close readings of a number of individual movies, this book brings the insights of historical context as well as literary and film analysis to bear on a range of movies and the industry as a whole. Garritano makes a significant contribution to the examination of gender norms and the ideologies these movies produce. African Video Movies and Global Desires is a historically and theoretically informed cultural history of an African visual genre that will only continue to grow in size and influence." (Publisher description)
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"This book is about the workings of networks of the mobile in Africa, a continent usually associated with the ‘global shadows’ of the world. How do changes in the possibilities for communication, with the recent hype of mobile technology, influence the social and economic dynamics in Africa’s
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mobile margins? To what extent is the freedom associated with new Information and Communication Technologies reality or disillusion for people dwelling in the margins? Are ordinary Africans increasingly Side@Ways? How social are these emergent Side@Ways? Contributions to answering these and related questions are harvested from ethnographic insights by team members of the WOTRO funded ‘Mobile Africa revisited’ research programme hosted by the African Studies Centre, Leiden, The Netherlands." (Publisher description)
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"In Ghana, older women may be marginalized, abused, and even killed as witches. Media accounts imply this is common practice, mainly through stories of “witches camps” to which the accused may flee. Anthropological literature on aging and on witchcraft, however, suggests that this focus exaggera
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tes and misinterprets the problem. This article presents a literature review and exploratory data on elder advocacy and rights intervention on behalf of accused witches in Ghana to help answer the question of how witchcraft accusations become an older woman’s problem in the context of aging and elder advocacy work. The ineffectiveness of rights based and formal intervention through sponsored education programs and development projects is contrasted with the benefit of informal conflict resolution by family and staff of advocacy organizations. Data are based on ethnographic research in Ghana on a rights based program addressing witchcraft accusations by a national elder advocacy organization and on rights based intervention in three witches camps." (Abstract)
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"The articles contained in this special issue build on the conversations initiated at the Cairo Symposium and try to make sense of the shifts and transformations in media and gender relations in Africa. Some bring new perspectives to bear on how traditional media (newspapers, magazines, radio and te
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levision) continue to be implicated in questions of gender, while others address new questions raised by new media forms and formats. Four articles (three in French and one in English) tackle the impact of ICTs and social media from different theoretical perspectives, locations and experiences (see Palmieri, Kane, Rouamba and Mbure). Three other articles examine the representational practices of newspapers and magazines in political and social discourses relating to gender (see Anate, Ossome and Eshiet). The contribution by Chiweshe and Bhatasara reflects on popular culture, specifically the construction of gender in music, while that of Yeboah and Thompson examine on the outstanding qualities that enable three women to rise to decision-making positions in the public relations, advertising and broadcast industries in Ghana." (Introduction, page 2-3)
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