"This study examines the framing of media and information literacy issues in media projects financed by the Latvian Media Support Fund and discusses the professional quality of media and information literacy (MIL) related content with project beneficiaries and media experts. The study uses the ideol
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ogical model of literacy, linking it with the meta-journalistic approach to explore changes in MIL-related journalistic professional epistemology. Employing the three datasets (journalists and editors’ survey, framing analysis of MIL-focused media content, and qualitative semi-structured interviews), the research concludes that MIL representation in the commercial media is mostly superficial, and the audience is not offered the range of MIL competencies appropriate for the contemporary understanding of the notion. MIL content in the media is represented using educational, warning, and formal MIL framing." (Abstract)
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"This paper will outline the technologies and mechanisms of Putin's information machine, how it operates during the war and the obstacles to anti-war propaganda among Russians. At the very end, we will offer some recommendations for confronting Putin's information machine at war, both of a general n
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ature and relating to specific groups of Russian society." (Page 3)
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"This Media Landscape Guide was produced in January 2022. It provides a snapshot of the media at this time in Belarus. It provides an analysis of the recent shocks to the media landscape and an overview of the different types of media and information sources available for Belarusians: digital media
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platforms, social media and messaging platforms, television, radio, and print. It covers the main and most popular media outlets." (Introduction, page 4)
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"This paper is the summary of the results of a research project lasting over six months, covering domestic and foreign hidden malign influence activities pursued through the so-called "grey zone" media in three countries - the Czech Republic, Serbia and Hungary -, during a period of heightened inter
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national tensions related to Russia's invasion of Ukraine in February 2022. Political Capital has assessed in numerous studies how the Kremlin or the Hungarian hybrid political regime has used their extensive media empire to conduct active measures or political smear-campaigns in service of political or geopolitical goals. In this study, we set out to understand the inner workings of clandestine disinformation campaigns carried out by mostly anonymous media actors to conduct or influence political campaigns, specifically in the run-up to the Czech, Serbian and Hungarian elections, and destabilise the region in general after the outbreak of the war." (Page 2)
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"Existing literature recognizes growing threats to press freedom around the world and documents changes in the tools used to stifle the independent press. However, few studies investigate how independent media respond to state pressure in an autocracy, documenting the impact of tactics that stop sho
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rt of shuttering alternatives to state media. Do independent outlets re-orient coverage to favor regime interests? Or does repression encourage more negative coverage of the regime instead? To shed light on these questions, we investigate how the abrupt removal of independent outlet TV Rain from Russian television providers influenced its coverage. We find that shortly after providers dropped TV Rain, the tone of its political coverage became more positive and its similarity with state-controlled Channel 1 increased. However, these effects were shortlived. Additional evidence suggests that subscription revenue contributed to the station’s resilience. These findings add to our understanding of media manipulation and authoritarian endurance." (Abstract)
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"Recently several European countries shifted to illiberalism and made attempts to dominate the media and political narratives. The question we raise is how media populism in Hungary contributes to the buttressing of the regime by discrediting protests. We offer a four-level media analysis. First, we
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ask whether the pro-government media is characterized by so-called selection bias. Second, we focus on framing bias relying on ideas presented by the protest paradigm. Third, we highlight the tone of disdain that characterizes numerous pro-governmental utterances. Finally, we point out the significance of iconic frames. Contrary to our expectations, we found no selection bias, but there was a clear framing bias in progovernmental media, which was made harsher by the derogatory tone of pro-governmental media and the dog-whistling produced by iconic frames. By identifying how media populism operates, our aim is to offer a way to grasp democratic backsliding by concentrating on the media." (Abstract)
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"Structured along two broad themes and providing empirical examples for how socio-technical changes and political responses interact, the first part of the book looks at the current use of cyberspace in conflictual settings, while the second focuses on political responses by state and non-state acto
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rs in an environment defined by uncertainties. Within this, it highlights four key debates that encapsulate the complexities and paradoxes of cyber security politics from a Western perspective – how much political influence states can achieve via cyber operations and what context factors condition the (limited) strategic utility of such operations; the role of emerging digital technologies and how the dynamics of the tech innovation process reinforce the fragmentation of the governance space; how states attempt to uphold stability in cyberspace and, more generally, in their strategic relations; and how the shared responsibility of state, economy, and society for cyber security continues to be re-negotiated in an increasingly trans-sectoral and transnational governance space." (Publisher description)
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"The findings described in this memo strongly suggest that "softer" strategies of media cooptation are more effective than harsher, more coercive approaches to media control. In Russia, where the Kremlin has-until very recently-used a combination of commercial pressure and political influence to pus
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h media owners and editors towards cooperation, the result has been a media system in which even those Russians who prefer independent media have broad exposure to the Kremlin's messaging. Moreover, as the Vedomosti case demonstrates, softer repressions against uncooperative media outlets seem to afford the Kremlin an opportunity to capture the attention of a large portion of those outlets' audiences. By contrast, the heavier hand wielded by authorities in Minsk has helped create a highly polarized media system, in which oppositional media-despite massive repression- capture more audience attention than state-linked media, and consumers of independent media have very little exposure to state messaging. Attempts to stifle independent media outright only suffice to put oppositional audiences even further out of the reach of the state." (Conclusions, page 8)
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"This paper examines the practices, performance, and perceptions of the messaging platform Telegram as an actor in the 2020 Belarus protests, using publicly available data from Telegram’s public statements, protest-related Telegram groups, and media coverage. Developing a novel conceptualization o
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f platform actorness, we critically assess Telegram’s role in the protests and examine whether Telegram is seen as playing an active role in Belarusian contentious politics. We find that Telegram’s performance and practices drive citizens to form affective connections to the platform and to perceive Telegram as an ally in their struggle against repressions and digital censorship. Meanwhile, the Belarusian state uses Telegram’s aversion to censorship and content moderation to intervene in contentious politics by co-opting grassroots approaches and mimicking manipulative efforts of other authoritarian regimes. Our conceptual framework is applicable to post-Soviet authoritarian contexts, but can also serve as a useful heuristic for analyzing platform actorness in other regime types." (Abstract)
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"Combating illegal parking and drinking in public is the raison d’être of Russia’s best-known law-and-order youth initiatives, StopKham and Lev Protiv. These initiatives enforce and promote neotraditional morals amongst young people by challenging alleged offenders on camera and uploading the e
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ntertaining, humorous and often violent video clips to YouTube. I argue that their practices encapsulate flexible authoritarianism, in which the regime incentivises citizens to take initiative while expanding repressive measures against dissenters. Not only do these enterprises reflect the regime’s goals back at itself, they also popularise a new ideal of heroic masculinity that fuses patriotism with entrepreneurialism." (Abstract)
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"Die überwiegende Mehrheit der Beiträge in russischen staatlichen Medien über Impfkampagnen im Westen haben eine negative Konnotation. Die Übertreibung der negativen Folgen einer Impfung mit Präparaten von BionTech/Pfizer und Moderna sowie die Überzeichnung der angeblich massenhaften Unzufried
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enheit sind dabei die wichtigsten Narrative der russischen regierungsfreundlichen Medien. Die russische Medienpolitik hinsichtlich der Berichterstattung über westliche Impfstoffe entspricht der allgemeinen staatlichen Linie des Kreml, Russlands herausragende Stellung in der Welt und die Unzulänglichkeiten des Westens hervorzuheben." (Schlussfolgerungen, Seite 4)
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"The movement that mobilized to oppose Alyaksandr Lukashenka in August 2020 was notable for its ability to bridge divisions of social class, geography, age, and identity. Almost uniquely among post-Soviet revolutionary movements, the Belarusians who rose up were not divided from those who did not al
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ong clearly discernible sociodemographic, ethnic, linguistic, or regional lines. They were, however, separated by one very stark barrier: the one separating the country’s two distinct media systems, one controlled by the state, and one independent. Drawing on an original survey conducted in September 2020, just as the protest movement was reaching its peak, this article finds that respondents’ choice of news media was the strongest and most consistent predictor of their political opinions. Media, then, appear to have served not merely as aggregators of and conduits for social processes generated elsewhere, but as the producers of social and political force in their own right." (Abstract)
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"This study explores how news channels from the Global South challenge western narratives by co-producing TV programmes. It focuses on Telesur (Venezuela) and its collaborations with RT (Russia), Al-Mayadeen (Lebanon) and CCTV/CGTN (China). By combining quantitative and qualitative methods, this pap
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er examines the structure of these collaborations, the discursive construction of alternative narratives and their contribution to countering hegemonic discourses. The findings show that the efforts to construct counterhegemonic narratives are most evident in the co-productions with RT and Al-Mayadeen. Although the co-production with CGTN focusses on culture, it is nonetheless possible to identify the broadcasters’ distinct ideological agendas." (Abstract)
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"In the light of recent emergencies in Europe and around the globe—including COVID-19 and the war in Ukraine—the spotlight has shifted towards the scarcity of Risk Communication and Community Engagement (RCCE) research applied to health emergencies. RCCE nurtures the sense of empowerment among c
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ommunities since it ensures that individuals and communities are part of the solution creation, thus they take informed decisions to protect their health and in turn, contribute to emergency control. Therefore, RCCE can play an important role as core public health intervention across health emergency preparedness and response. However, its tremendous impact, is still underestimated and not widely common. This viewpoint showcases the RCCE measures applied to the Ukrainian emergency to ensure that Ukrainian refugees access health services in host countries, based on their needs and concerns." (Abstract)
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"For more than 30 years, investigative journalism has been playing a role in Russian society much bigger than it has ever had in traditional emocracies. Gorbachev’s reforms started with Glasnost (‘Openness’), when many journalists became household names. The problem was that there were no stan
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dards for that new Russian journalism. This hit Russian journalists badly in the 1990s, when the pro fession of investigative journalism became very dangerous. This was exploited by the Kremlin in the 2000s: Putin, the new president did not tolerate any criticism of his actions, and a new narrative was romoted – that independent investigati ve journalism could not exist, and those journalists were just paid by outside actors to attack the Russian state. In 2008, the country got a new president, Dmitry Medvedev. His push for digitalization of government services led to an unexpected development - new methods of digital investiga tions emerged, along with new teams and renewed interest among the general public. But when Putin returned to the Kremlin in 2012, the tide turned against journalists. Matters worsened year by year, and 2021 saw the harshest repressions against investigative journa lists to days – they were pushed out of profession and out of the country by any means necessary, the most effective tool being the wide and unscrupulous usage of the Foreign Agent Law." (FNS)
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"Während in Russland immer mehr unabhängige Medien der staatlichen Kontrolle unterworfen und als „ausländische Agenten“ gebrandmarkt werden, nutzen die russischen Staatsmedien die Meinungs- und Pressefreiheit in Deutschland, um ungehindert Desinformation zu verbreiten. Nach acht Jahren Berich
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terstattung von RT DE und Sputnik/SNA ist ein kritischer Punkt erreicht, auf den die Verantwortlichen für Medien reagieren sollten. Während der Corona-Krise ist mehr als deutlich geworden, dass RT und SNA eine politische Agenda verfolgen, die darin besteht, das „System“ und damit die Demokratie in Deutschland anzugreifen und die autoritäre Herrschaft in Russland als bessere Alternative zu propagieren. Schon im März 2020 warnte das Innenministerium, dass RT Deutsch „die öffentliche Sicherheit und Ordnung“ durch „gezielten Falschmeldungen“ bedrohe [...] Die russischen Staatsmedien – insbesondere in Russland – schaffen ein Feindbild „Westen“, mit dem sie die Menschen nicht nur in Russland, sondern auch in den westlichen Staaten verunsichern oder zum Widerstand mobilisieren. Das Schüren von Ängsten vor einem Krieg und die überzogene Darstellung vom dekadenten, gottlosen Westen sind dabei zwei zentrale Narrative. Dieses Feindbild wird seit Frühjahr 2021 vor allem mit den Grünen in Verbindung gebracht, die angeblich kriegerische Absichten gegenüber Russland verfolgen und dem Klimaschutz als „neuer Religion“ frönen. Die Berichterstattung zu den Bundestagswahlen hat gezeigt, dass das erste Ziel war, eine Grüne im Kanzleramt zu verhindern. Gegen Annalena Baerbock wurden unbelegte Vorwürfe wie nationalsozialistisches Gedankengut erhoben, um sie zu diskreditieren." (Fazit, Seite 24)
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"In the late 2010s, the Internet overtook television as the most popular media format in Russia. It was also the time when Russian-speaking YouTube went political: well-known bloggers started producing political content, opposition politicians became the most popular YouTubers, and finally mainstrea
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m journalists migrated to the platform, a move precipitated by Covid-19 isolation when the demand for Russian-speaking content on YouTube skyrocketed. Therefore, it came as no surprise that when the war started it was YouTube that became the main battlefield for independent Russian journalists, including those who had moved out of the country. However, YouTube was also used by Russian propaganda for years with great effect. For that reason, the Russian government was hesitant to block YouTube, unlike other global platforms that Kremlin censors blocked immediately after the war started. That provided time for Russian users to adapt and install censorship circumvention tools. The other platform that was not immediately blocked was Telegram, and Russian journalists didn’t miss that opportunity to talk to their audience either." (Summary, page 4)
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"Der Journalist und Verleger Sergej Parkhomenko ist ein international gefeierter Menschenrechtsverteidiger, Oppositionsaktivist und unter den russischen Medienschaffenden einer der wichtigsten Partner für das Internationale Journalisten- und Mediendialogprogramm (IJMD) der Friedrich-Naumann-Stiftun
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g für die Freiheit . Als entschiedener Gegner der russischen Invasion in der Ukraine setzt er von Europa aus seine Arbeit gegen den russischen Eroberungskrieg und wider die Putin-Diktatur fort. Im Impulspapier berichtet Parkhomenko über den Überlebenskampf des unabhängigen Journalismus unter den totalitären Repressionsmaßnahmen in Russland." (https://shop.freiheit.org)
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"On April 3, 2022, Hungary’s ruling Fidesz party won a fourth term in national elections, cementing its dominance with a two-thirds majority that will allow it to continue traveling what critics of the party and many others would describe as the path of centralizing power and rolling back democrat
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ic safeguards. International observers characterized the elections as free but raised serious concerns about their fairness. These included blurring the lines between the government and the ruling party in campaigning, which amplified the advantage of the ruling coalition, the absence of a level playing field, and lack of balance in campaign coverage in the press, on television, and on billboards. Fidesz’s effective control over large sections of the media, undermining the independence of the judiciary and public institutions, and curbing of civil society has received considerable attention from international media and international observers. However, its misuse of people’s personal data, which helped the party reach voters in new, opaque ways, has received relatively little scrutiny. This report examines how data-driven campaigning in Hungary’s 2022 elections exacerbated an already uneven playing field and undermined the right to privacy. It also documents new forms of misuse of personal data collected by the government and used for political campaigning by Fidesz in the 2022 elections." (Summary)
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