"The Handbook of International Crisis Communication Research articulates a broader understanding of crisis communication, discussing the theoretical, methodological, and practical implications of domestic and transnational crises, featuring the work of global scholars from a range of sub-disciplines
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and related fields. It provides the first integrative international perspective on crisis communication; articulates a broader understanding of crisis communication, which includes work from scholars in journalism, public relations, audience research, psychology, political science, sociology, economics, anthropology, and international communication; explores the topic from cross-national and cross-cultural crisis communication approaches; includes research and scholars from countries around the world and representing all regions; discusses a broad range of crisis types, such as war, terrorism, natural disasters, pandemia, and organizational crises." (Publisher description)
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"Conventional wisdom views globalization as a process that heralds the diminishing role or even 'death' of the state and the rise of transnational media and transnational consumption. Global Media and National Policies questions those assumptions and shows not only that the nation-state never left b
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ut that it is still a force to be reckoned with. With contributions that look at global developments and developments in specific parts of the world, it demonstrates how nation-states have adapted to globalization and how they still retain key policy instruments to achieve many of their policy objectives. This book argues that the phenomenon of media globalization has been overstated, and that national governments remain key players in shaping the media environment, with media corporations responding to the legal and policy frameworks they deal with at a national level." (Publisher description)
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"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t
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han exports from developed countries. Among developed country regions, Europe is the largest exporter of creative goods. In 2012, the top 5 creative goods exporters included Germany, France, Switzerland, the Netherlands and Belgium. Exports of creative goods from developed economies grew during the period 2003 to 2012, with export earnings rising from $134 billion to $197 billion. Among developing countries, China is the largest exporter of creative goods. In 2012, the top 5 exporters were China, Hong Kong, China, India, Turkey and South Korea. Exports of creative goods from developing economies grew during the period 2003 to 2012, with export earnings rising from $87 billion to $272 billion. Developing countries are playing an increasingly important role in international trade in creative industries." (Executive summary)
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"Im Folgenden gebe ich zunächst einen kurzen historischen Überblick über die bedeutsamen Genres und Momente der angolanischen Fotografiegeschichte, bevor ich mich ausgewählten Beispielen der rezenten künstlerischen Fotografie intensiver widme. Beides ist wichtig, um zu verstehen, wie in Angola
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bis heute ein kolonialer Blick konstruiert und späterhin dekolonisiert wurde. Hier sind zwei historische Momente bedeutsam: die Zeit nach der Unabhängigkeit von Portugal nach 1975 und die ersten zehn Jahre nach dem Ende des Bürgerkriegs im Jahr 2002." (Seite 15)
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"This collection offers fresh perspectives on the aesthetics, politics and histories of applied theatre. With contributions from leading scholars in the field, the book illuminates theatre in a diverse range of global contexts and regions. Divided into three sections - histories and cultural memorie
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s; place, community and environment; and poetics and participation - the chapters interweave cutting-edge theoretical insights with examples of innovative creative practice that traverse different places, spaces and times." (Publisher description)
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"Partizipative Medienarbeit führt nicht automatisch zu einem demokratieorientierten Programm. In Abhängigkeit von den Rahmenbedingungen ist dieses manchmal nur schwer zu realisieren. Comrnunity Radios sollte daher nicht per se eine demokratiefördemde Wirkung zugesprochen werden. Vielmehr sollte e
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ine realistische Einschätzung in Abhängigkeit von den beeinflussenden Faktoren vorgenommen werden, die sich von Land zu Land und vielleicht auch innerhalb eines Landes unterschiedlich darstellen können. Der Fokus sollte dabei zunächst auf der Arbeit in den Stationen liegen, denn ein demokratieorientiertes Programm erscheint nur glaubhaft, wenn die damit verbundenen Ansprüche auch innerhalb der Stationen bewusst sind und gelebt werden." (Seite 338)
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"This article examines the role of participation in development through community radio. Ordinary people participate in community radio through programme production, financing, management and the daily operations of the station. This enables them to define the development problems faced by their com
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munities, and to find solutions to those problems – they therefore participate in development through community radio. As such, the term ‘participation’ is presented as an empowering factor for ordinary people and as a potential solution to the many development problems faced by the community. Using Nkhotakota community radio station in Malawi as a case study, the article employs Sherry Arnstein’s ladder of participation to evaluate various forms of participation in the media and in development. The article finds that ordinary people’s participation in the media is low or reduced. The argument is made that while some development goals require the full involvement of the people (e.g., access to media technology, participation in programme production, management and daily operations of the station), others do not require full-blown engagement for development to be realised. Therefore, community radio can encourage development even when members of the community do not participate fully in the activities of the radio through other means such as promoting development initiatives started by non-governmental organisations (NGOs)." (Abstract)
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"This article constitutes an examination on how citizen journalism has challenged Robert Mugabe’s authoritarian regime on issues pertaining to national heroes and usages of the Heroes’ Acre as central national identity markers. Under Mugabe’s ZANU-PF, Zimbabwe has seen the public being limited
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from directly participating in salient national debates. ZANU-PF’s control of the official public sphere has also constrained alternative views from ventilating the government-controlled communicative spaces. The party’s narrative on heroes, the Heroes’ Acre and national identity has gained a taken-for-granted status in the public media. This has obtained against the backdrop of what has become known as the Zimbabwe crisis, characterised by a declining economy, a constricted political space, a breakdown in the rule of law, and the subsequent flight of a number of Zimbabweans into the diaspora. The accompanying wave of technological advancements and the mushrooming of mostly diaspora-based online media have opened up new vistas of communication, enabling a hitherto ‘silenced’ community of ordinary people to participate in national conversations. The conclusion reached here, is that citizen journalism has not only enhanced the culture of conversation among people (as espoused under democratic conditions) but has also covered up the democratic deficit experienced in the public sphere, mediated by traditional media, parliament and pavement radio." (Abstract)
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"The survey shows that the vast majority of South African nonprofit organisations are seeing positive benefits through using social media. This is despite the fact that more than 80% of NPOs do not allocate a budget for social media, close to 50% said that staff lacked the expertise to manage social
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media, and almost one-third said they have no communications plan to guide their social media work. NPOs reported that they primarily use social media to promote events, communicate with clients and stakeholders, curate news, build communities, and improve their marketing and branding. Facebook and Twitter remain the social networks of choice for NPOs, followed by YouTube, LinkedIn and Google+. However, few LinkedIn and Google+ accounts were found to be active." (Executive summary)
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"Since the end of genocide in 1987 Zimbabwe has remained a zone of ‘conflicts’, and the enduring debates surrounding this genocide, especially in public-owned but state-Controlled media, call for critical attention. Three years after independence, in 1980, Zimbabwe was plunged into a genocide na
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med ‘Gukurahundi’ (meaning the rain that washes the chaff away after harvest) that lasted until 1987. This article argues that there has been a clash of ‘interests’ playing out in the mediation of this yet-to-be-officially addressed genocide. Through evidence from public-owned media, the media that carry the official voice of the ruling party, I argue that public media have seen genocide from conflicting and complex angles, making it difficult to reach a consensus suitable for national building based on genocide truths, meanings and effects to Zimbabweans. I specifically use the Unity Accord-associated holiday, the Unity Day, and its associated debates to pursue two arguments. First, public media have played an ambiguous role in appreciating the conflictual and multipronged nature of the genocide within ZANU-PF. Second, public media have largely been supportive of, and even complicit in, official silences on genocide debates and memory. The article uses public sphere and narrative analysis as frameworks for understanding the operations of public media journalism in the mediation of genocide nearly 30 years after its occurrence." (Abstract)
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"Media concentration has been an issue around the world. To some observers the power of large corporations has never been higher. To others, the Internet has brought openness and diversity. What perspective is correct? The answer has significant implications for politics, business, culture, regulati
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on, and innovation. It addresses a highly contentious subject of public debate in many countries around the world. In this discussion, one side fears the emergence of media empires that can sway public opinion and endanger democracy. The other side believes the Internet has opened media to unprecedented diversity and worries about excessive regulation by government. Strong opinions and policy advocates abound on each side, yet a lack of quantitative research across time, media industries, and countries undermines these positions. This book moves beyond the rhetoric of free media and free markets to provide a dispassionate and data-driven analysis of global media ownership trends and their drivers. The book covers thirteen media industries, including television, newspapers, book publishing, film, search engines, ISPs, wireless telecommunication, and others across a 10- to 25-year period in thirty countries. After examining these countries, this book offers comparisons and analysis across industries, regions, companies, and development levels. It calculates overall national concentration trends beyond specific media industries, the market share of individual companies in the overall national media sector, and the size and trends of transnational companies in overall global media." (Publisher description)
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"This book probes the vitality, potentiality and ability of new communication and technological changes to drive online-based civil action across Africa. In a continent booming with mobile innovation and a plethora of social networking sites, the Internet is considered a powerful platform used by pr
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o-democracy activists to negotiate and sometimes push for reform-based political and social changes in Africa. The book discusses and theorizes digital activism within social and geo-political realms, analysing cases such as the #FeesMustFall and #BringBackOurGirls campaigns in South Africa and Nigeria respectively to question the extent to which they have changed the dynamics of digital activism in sub-Saharan Africa. Comparative case study reflections in eight African countries identify and critique digital concepts questioning what impact they have had on the civil society. Cases also explore the African LGBT community as a social movement while discussing opportunities and challenges faced by online activists fighting for LGBT equality. Finally, gender-based activists using digital tools to gain attention and facilitate social changes are also appraised." (Publisher description)
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"The role of journalism in contemporary society is highly debated and highly contested all over the world, even more so in the context of young democracies. We note that in societies where journalism faces constant threats of tighter government control and where even the most innocuous piece of repo
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rting might be criticised, undercover journalism treads a particularly thin but necessary line between the institutionally censored and the ethical-legal. Where journalists are subjected to rebukes, harassment, and worse, by government and public officials, we argue that we need not only re-affirm the role of journalism but even more so investigative journalism, and undercover journalism in particular. As such, we make a call for, as well as investigate the possibility for a reaffirmation of undercover journalism as a practice that describes an essential role that journalism can and should play in society. Taking South Africa as a case study, we investigate the view that at least some journalists, in various ways, do acknowledge that deception and ‘trickery’ are often crucial to uncovering hidden truths as well as new meanings that advance the cause of deepening democracy." (Abstract)
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"An academic revolution in higher education during the past half century has been marked by transformations unprecedented in scope and diversity. Simultaneously, the significant changes in the ‘mediascape’ of southern and eastern Africa over the past two decades have replaced total state control
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with a degree of liberalization, while the digital revolution has changed the access to, and the content of, media programming. The article argues that the production of postgraduate scholars, particularly at the doctoral level, is a useful indicator of the way in which capacity building in higher education – specifically, higher education for media and journalism studies – is being undertaken. This desk research article synthesizes the trends in media and academia under six headings: 1. structure and regulation; 2. end users – audiences, readers and viewers and students; 3. content delivery – programmes and curricula; 4. human resources; 5. digital technology and new media; and 6. financial sustainability." (Abstract)
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