"Cet ouvrage scientifique, rigoureux et captivant explore ainsi les nombreuses facettes de la violence – telle qu’elle est médiatisée ou exprimée à travers des études sociologiques, des œuvres littéraires, musicales, historiques, culturelles et archivistiques, ou encore dans des TIC –,
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révélant les dynamiques complexes à l’origine de ces représentations. En adoptant une approche analytique minutieuse et poussée, cette étude examine comment la violence postcoloniale, sous ses diverses formes, influence les relations interpersonnelles contemporaines en Afrique et déclenche des conflits à plus ou moins grande échelle. En outre, les deux chercheurs ne dressent pas seulement un état des lieux de l’impact de la violence sur le continent, mais proposent des solutions concrètes pour limiter l’expression et la diffusion de cette violence, en transmettant un message de paix et de vivre-ensemble sur le continent." (Dos de couverture)
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"Perpetrators in Documentaries on Genocide is a wide-ranging comparative study that analyses how numerous genocides and their perpetrators have been presented in documentary film. Spanning seven 20th-century genocides across three continents and combining interviews with filmmakers, distant reading,
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content analysis, and historical research, this book tracks the multifaceted representational strategies of over 200 films. Addressing both the local and global contexts impacting their production, the book finds that the socio-political circumstances in the aftermath of genocide, but also the concept of genocide itself, enormously shape the representation of perpetrator groups and their victims. This book highlights and critiques dominant trends in documentary representation, proposing a broader and methodologically innovative approach to studying the depiction of atrocities that provides an encompassing framework for understanding genocide documentaries." (Publisher description)
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"1994 kam es in Ruanda zu einem Völkermord, bei dem radikale Angehörige der Bevölkerungsgruppe der Hutus innerhalb von drei Monaten Hundertausende Menschen aus der Tutsi-Minderheit wie auch viele gemäßigte Hutus umbrachten. Gut 30 Jahre später gilt Ruanda vor allem in Europa und den USA als Vo
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rbild für erfolgreiche Vergangenheitsaufarbeitung, politische Stabilität und wirtschaftlichen Aufstieg in der Region. Wie ist diese Entwicklung innerhalb von drei Jahrzehnten gelungen? Entspricht das Bild vom afrikanischen Vorzeigestaat tatsächlich der Realität? Der Völkerrechtler Gerd Hankel zeigt, dass die Lage komplexer und widersprüchlicher ist. Er schildert die bereits gewaltvolle Vorgeschichte und den Verlauf des Genozids, die anschließenden Bemühungen um juristische Aufarbeitung und einen politischen und wirtschaftlichen Neustart. Dabei wird deutlich, dass das offizielle Narrativ einer umfassenden, unabhängigen Aufklärung und Ahndung der Verbrechen sowie gesellschaftlicher Aussöhnung in deutlichem Widerspruch zur Wahrnehmung eines Großteils der ruandischen Bevölkerung steht. Der langjährige Präsident Paul Kagame setze auf massive staatliche Repression, um Deutungsautorität herzustellen und kritische Stimmen zum Schweigen zu bringen. Davor, dass Unrecht und Fortschritt in Ruanda parallel existierten, mahnt Hankel, sollte die internationale Gemeinschaft nicht die Augen verschließen." (Verlagsbeschreibung)
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"This book critically examines how the media assistance and broader "development" sectors have appropriated the catch-all concept of sustainability, originally rooted in economic and environmental fields, to suit their agendas. Analysing 289 project evaluations conducted globally between 1999 and 20
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19, it scrutinizes the tacit discourses underpinning what Pierre Bourdieu termed "the imperialism of the universal" in fostering media systems in the Global South. The book reveals how processes of self-legitimation operate within an increasingly competitive aid market, highlighting a shift from "post-missionary" approaches to business-driven models. Focusing on the often-overlooked African context, it explores nuanced coping capacity in Uganda and the Eastern DRC. Amid questioning of the populist wave as well as power-motivated new entrants, it challenges the recurring aid pattern, emphasizing the urgency of centering social impact and values in media assistance. It offers essential insights for scholars and practitioners navigating the evolving geopolitics of development and public diplomacy. Michel Leroy has been active in media action for over 25 years, both as an implementer and as a consultant. A member of an international research programme on media action, he holds a doctorate from the University of Dortmund. He is now a researcher focusing on the social impact." (Publisher description)
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"What does it mean to decolonise academia in Africa? Is this important project limited to the humanities? Is it a project for the future? Are there forerunners at African universities today? The contributors to this volume show different trajectories for anthropology as a discipline and for decoloni
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sing academia across the continent and beyond. They offer a variety of perspectives, especially regarding collaboration between African and German scholars in the areas of research, teaching and institutional development: While some are hopeful and take inspiration from earlier experiences of disciplinary and methodological developments in academic decolonisation and international collaborations, others remain critical and call for more radical attempts at decolonisation." (Publisher description)
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"The uniqueness of journalism cultures across African nations often highlights the inapplicability of normative, Western-centric theories. The newly proposed African media typology suggests that media systems in Africa would be best understood by thinking about them within the context of the type of
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individual in a leadership position in that country at a specific moment in time. This study aims to begin operationalizing the African media typology by investigating journalist perspectives about political leadership, changes in press freedom, and the role of news media in promoting or inhibiting various forms of development and democratization. Cross-national surveys of journalists in Kenya, Rwanda, and Uganda, conducted in 2019 (N = 424 journalists: 174 in Rwanda, 148 in Uganda, and 102 in Kenya), reveal ways in which journalists’ perceptions about the role of news media as contributing to various forms of development are similar and different across varying media environments within the typology." (Abstract)
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"Drawing on a broad range of case studies across the continent, the volume considers what constitutes communication rights in Africa, who should protect them, against whom, and how communication rights relate to broader human rights. While the case studies highlight the variation in communicative ri
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ghts experiences between countries, they also coalesce around common tropes and practices for the implementation and expression of communication rights. Deploying a variety of innovative theoretical and methodological approaches, the chapters scrutinise different facets of communication rights in the context of both offline and digital communication realities. The contributions provide illuminating accounts on language rights, digital exclusion, digital activism, citizen journalism, media regulation and censorship, protection of intellectual property rights, politics of mobile data, and politicisation of social media." (Publisher description)
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"This book examines journalism practice in Rwanda to draw conclusions applicable to journalism fields everywhere. Drawing on seven months of fieldwork, the book argues that this field of journalism is weak in part because of powerful but murky political boundaries but also because journalists themse
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lves do not trust their profession. Compounding these forces are a powerful field orientation that emphasizes cooperation and positive development as news values and economic pressures that reward these values and render precarious any other behavior. Moreover, while global professional influences might provide an animating force, they in fact serve to reinforce the limitations of the local field—highlighting the limitations of globalization to effect change." (Publisher description)
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"Dans cet ouvrage captivant, Albert S. Mianzoukouta compile ses éditoriaux parus dans La Semaine Africaine de 2017 à 2020. À travers ces textes, il nous offre un panorama riche et nuancé des dynamiques sociopolitiques qui ont modelé le monde durant ces années. Ses réflexions, empreintes de la
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chaleur et de la vivacité de son style, capturent les joies et les tribulations de notre époque avec une acuité particulière. Cet ouvrage va au-delà d'une simple collection d'articles ; il constitue un témoignage authentique des sentiments et des préoccupations d'un journaliste africain face aux événements mondiaux." (Description de la maison d'édition)
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"This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book
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unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics." (Publisher description)
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"Après environ quarante ans d'existence au Cameroun, la télévision est l'objet d'un ouvrage qui la présente en faisant émerger les interrogations qu'elle suscite sur ses représentations politique, juridique, économique, culturelle et esthétique. Elle a pris une importance substantielle dans
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les vies quotidiennes au point que les citoyens, les entreprises, les pouvoirs publics, les organisations sociales et politiques ainsi que les ménages en font un usage qui, depuis 1985, s'est considérablement accru. Avec la télévision, les perceptions du temps comme de l'espace ont changé, de même que les pratiques relationnelles, politiques, culturelles et territoriales. Il en résulte des enjeux inédits qui se traduisent par de nouveaux défis pour les autorités, à tous les niveaux institutionnels : régulation du paysage audiovisuel, réorganisation de l'économie du secteur, remodelage de la citoyenneté et mutation de la vie démocratique, adaptation technologique aux normes internationales et aux TIC, encadrement esthétique en vue de la préservation du patrimoine culturel, etc. Avec cet ouvrage à la fois pédagogique et réflexif, les auteurs, par une approche pluridisciplinaire, soulignent combien la télévision s'est imposée comme un acteur social majeur et comme un objet de recherche en sciences sociales." (Description de la maison d'édition)
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"In this ground-breaking two-volume set, world-leading experts produce a rich, authoritative depiction of the world's press, its freedom, and its limits. We want press freedom but we also want freedom from the press. A powerful press may expose corrupt government or aid it. It may champion citizens
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or unfairly attack them. A vulnerable press may lack supporters and succumb to conformity. It may resist, and overcome tyranny. According to common belief, press freedom involves social responsibilities to equip public debate and render government transparent. Is this attitude valid given that the press is usually a private, commercial actor? Globally, the health, authority, and viability of the press varies dramatically. These patterns do not conform to traditional divisions between North and South, East and West. Instead, they are much more complex. How do we measure successful press regulation? What concessions can the state and/or society demand of the press? What constitutes the irreducible core of press freedom? The contributions in Volume 1 look at key jurisdictions in Europe; whereas Volume 2 goes beyond Europe to analyse the situation in key jurisdictions in Asia, Africa, the Americas and Oceania." (Publisher description)
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"Responding to mounting calls to decenter and decolonize journalism, The Routledge Companion to Journalism in the Global South examines not only the deep-seated challenges associated with the historical imposition of Western journalism standards on constituencies of the Global South but also the opp
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ortunities presented to journalists and journalism educators if they choose to partake in international collaboration and education.
This collection returns to fundamental questions around the meaning, value, and practices of journalism from alternative methodological, theoretical, and epistemological perspectives. These questions include: What really is journalism? Who gets to, and who is qualified to, define it? What role do ethics play? What are the current trends, challenges, and opportunities for journalism in the Global South? How is news covered, reported, written, and edited in non-Western settings? What can journalism players living and working in industrialized markets learn from their non-Western colleagues and counterparts, and vice versa? Contributors challenge accepted “universal” ethical standards while showing the relevance of customs, traditions, and cultures in defining and shaping local and regional journalism." (Publisher description)
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"[...] L’objectif de ce mémoire de DEA était de démontrer la manière dont les journalistes construisent leurs identités lorsqu’ils analysent l’actualité de la semaine sur le plateau de Télé 50. Nous avons considéré l’émission ayant fait objet d’analyse, de discours médiatique.
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C’est pour cela, nous l’avons analysée sous plusieurs facteurs partant des considérations théoriques allant dans le sens du débat télévisé et de l’analyse conversationnelle issue des dynamiques interactionnelles amenant à la construction identitaire des protagonistes. [...] Après l’analyse de l’épisode, nous avons conclu que la visée dominante de l’émission était de faire surgir une vérité, informer voire révéler et pousser les protagonistes à dévoiler leurs positionnements à travers leurs discours. Nous avons retenu dans cette analyse, au regard des identités construites, quatre positionnements des journalistes Kinois. Le premier positionnement est celui des journalistes pro-pouvoir ceux qui sont sous l’inféodation politique des gouvernants. Le deuxième positionnement est celui des journalistes pro-opposition ceux qui sont sous l’inféodation politique des opposants congolais. Le troisième positionnement est celui de ceux des centristes, ceux qui s’efforcent de demeurer Église au milieu du village. Ils ne travaillent pas pour des intérêts partisans mais pour l’intérêt supérieur du public et le bien-être social. Le dernier positionnement est marqué par les journalistes qui sont en quête de positionnement c’est-à-dire ceux qui ne se sont pas encore situés par rapport au régime actuel caractérisé par une mosaïque des partis politiques pro-pouvoir." (Conclusion generale, pages 175-178)
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"The Rwandan genocide is the second most audio-visually recreated genocide after the Holocaust, with approximately 200 films and documentaries produced in 39 countries between 1994 and 2021. Historical Media Memories of the Rwandan Genocide studies the construction, the development, and the recreati
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on of the transnational historical media memory of the genocide against the Tutsis in Rwanda in 1994. This is the first comprehensive work that traces the international media image and the creation of historical memories of the Rwandan genocide, starting with the day to day television news reporting in 1994, and continuing with analyzes of how the genocide has been used and recreated in film and documentaries on a global level as well on a national level, where Rwanda, as a nation, creates its own images of the genocide in film and television production in order to support a new national identity." (Publisher description)
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"Reporting on cases of genocide presents distinct complexities and challenges for journalists, who must negotiate practical, professional, and emotional experiences that challenge traditional expectations of their role. Previous research has provided strident critiques of this reporting, arguing Wes
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tern reporting of genocide in Rwanda and Srebrenica was reductionist and biased and contributed to the lack of Western intervention. Drawing on 22 interviews with print journalists who reported on genocides in Rwanda and Srebrenica, this article challenges this dominant critique by foregrounding the voices of journalists and their experience of reporting. Themes of inaccessibility, the moral imperative to report on these events, and the intersection with emotional labour on emotional effects of this reporting crucially demonstrates and acknowledges the challenges of conflict reporting. This adds to contemporary debates around how emotion, attachment and morality intertwine in journalism practice and the importance of this consideration when assessing the impact of reporting." (Abstract)
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